Saturday, March 26, 2016

A Centennial Tribute to Sterling Hayden

Today marks the centennial of the birth of Sterling Hayden.


Hayden was born in New Jersey on March 26, 1916.


Hayden was a Renaissance man with notable accomplishments as actor, author, soldier, and sailor.


On film Hayden was equally comfortable in Westerns and film noir. Here's a photo gallery to celebrate Hayden's centennial:



With Jean Hagen in John Huston's crime classic THE ASPHALT JUNGLE (1950):


With Ann Sheridan in a real charmer of a film, Douglas Sirk's TAKE ME TO TOWN (1953):


I think my favorite Hayden film is CRIME WAVE (1954), in which he plays a grouchy toothpick-chewing cop:


1954 was a banner year in Hayden's career, which also included JOHNNY GUITAR (shown with Joan Crawford)...


...and SUDDENLY...


...and NAKED ALIBI (here with Gloria Grahame):


In publicity for the underrated Western SHOTGUN (1955), which costarred Yvonne DeCarlo and Zachary Scott:


With Coleen Gray during the stunning finale of Kubrick's classic THE KILLING (1956):


Sterling Hayden died due to cancer on May 23, 1986. He was 70 years old.


The American Cinematheque honors Hayden's centennial this weekend at the Egyptian Theatre in Hollywood.


Sterling Hayden movies reviewed at Laura's Miscellaneous Musings: VARIETY GIRL (1947), EL PASO (1949) (also here), DENVER AND RIO GRANDE (1951), FLAT TOP (1952), TAKE ME TO TOWN (1953), CRIME WAVE (1954), NAKED ALIBI (1954) (also here), SUDDENLY (1954), ARROW IN THE DUST (1954) (also here), JOHNNY GUITAR (1954) (also here), TOP GUN (1955), SHOTGUN (1955), THE KILLING (1956), 5 STEPS TO DANGER (1957) (also here), and ZERO HOUR! (1957).


Just a few other notable Sterling Hayden films include THE ASPHALT JUNGLE (1950), SO BIG (1953), PRINCE VALIANT (1954), THE COME ON (1956), CRIME OF PASSION (1957), DR. STRANGELOVE (1964), THE GODFATHER (1972), and THE LONG GOODBYE (1973).

Update: Here are reviews of Sterling Hayden in TERROR IN A TEXAS TOWN (1958) and THE GODFATHER (1972).

Friday, March 25, 2016

Tonight's Movie: Hell Below Zero (1954)

Over at Speakeasy, my friend Kristina has been blogging up a storm, celebrating a personal Alan Ladd festival!

Since Ladd is one of my favorite actors, Kristina's posts have motivated me to try to see more of his films as well.

HELL BELOW ZERO was produced by Irving Allen and Albert Broccoli for their Warwick Film Productions. Alan Ladd's friend, screenwriter Richard Maibaum, adapted the story from a novel by Hammond Innes; Maibaum would later write 007 movies for Broccoli.

HELL BELOW ZERO might not be one of Ladd's best films, but I agreed with Kristina that it was solid entertainment. A sweet romance, some mystery, some location shooting, and some very nice scenes for Ladd add up to a pleasant 90 minutes.

Ladd plays Duncan Craig, who falls head over heels for Judie Nordhal (Joan Tetzel) when he sits next to her on a flight to South Africa. After disposing of an issue with a business partner who did him wrong, Duncan impulsively takes a job as first mate on a ship Judie's traveling on in order to spend more time with her.

Judie is investigating the death of her father, captain of a whaling ship. The story that he fell overboard doesn't quite ring true. Before long suspicion focuses on ship's captain Eric Bland (Stanley Baker of HELL DRIVERS), son of the owner (Basil Sydney) of the shipping line.

Ladd has a great early scene dealing with his business partner, which Kristina describes as "ultra-cool." That also provides a nice contrast when the tough guy immediately falls so hard for a woman that he takes a job just to be near her. (His dismay when they've cast off and the captain lies and says Judie didn't get on the ship is cute too.) There are also good scenes where Duncan directs the ship out of the harbor, tweaking the captain by calling him "Skipper," and later he forms a nice alliance with the alcoholic ship's doctor (Niall MacGinnis).

Tetzel was acceptable as the leading lady although I can't say I found her very notable. I wasn't very familiar with her career and learned she was married to Oscar Homolka, one of her costars in the Broadway production of I REMEMBER MAMA in the mid '40s. She had a noted Broadway career along with her work in TV and films.

I was a bit squeamish when it came to the second unit footage of whaling operations, with the floating carcasses tied to a factory ship prior to being cut up and processed on shipboard, but there were some striking shots of Antarctica. As the crew members excitedly worked to harpoon more whales, it was interesting to contemplate how attitudes have changed in that regard in the ensuing decades.

The final battle amidst soundstage snow rather reminded me of the ending of another film from 1954, DANGEROUS MISSION (1954), starring Victor Mature.

HELL BELOW ZERO was directed by Mark Robson (ROUGHSHOD). It was filmed in Technicolor by John Wilcox.

I saw HELL BELOW ZERO thanks to getTV. HELL BELOW ZERO had a release on VHS. It does not appear to have had a DVD release, but it can be streamed on Amazon Instant Video.

HELL BELOW ZERO is one of those imperfect but enjoyable films which makes pleasant company on a rainy day or a lazy weekend afternoon. Ladd fans should give it a look.

Update: HELL BELOW ZERO will be part of an Alan Ladd Action Triple Feature DVD set from Mill Creek and Critics' Choice in October 2021.  

Thursday, March 24, 2016

Tonight's Movie: Atlantis: The Lost Empire (2001)

I took a late lunch break today and slipped over to join friends for one of this week's films in the ongoing Disney Screen series, ATLANTIS: THE LOST EMPIRE (2001).

I knew absolutely nothing about ATLANTIS going in, and the big draw for me was the fact that James Garner voiced one of the lead characters. Boy, was I surprised when he turned out to be a villain! James Garner?!

The plot of this animated film concerns awkward Milo (Michael J. Fox), a linguist who believes he has uncovered the location of the lost city of Atlantis, off of Iceland. He loses his job after a presentation proposing an expedition, but Preston Whitmore (John Mahoney of FRASIER), an old friend of Milo's grandfather, provides a massive submarine and crew for Milo's expedition.

After a wild series of life-threatening adventures, Milo and the crew find Atlantis, a beautiful city under a crystal dome. Milo falls in love with Princess Kida (Cree Summer), but his happiness at finding the lost city is marred by the greed of the expedition's commander, Lyle Tiberius Rourke (Garner). Rourke's actions threaten to decimate Atlantis and its inhabitants once and for all.

ATLANTIS isn't a Disney classic, but I was pleasantly surprised to find it an interesting and entertaining 95 minutes. The story was well plotted, with a nice balance of humor and action, plus a dash of romance.

I was a bit slow to grasp all the intricacies of how Atlantis was protected by crystals, but it didn't really matter, especially with the eye-catching animation, some of which was quite beautiful, and a wealth of good actors in the cast. In addition to Garner, Fox, Mahoney, and Summer, the voice cast included Leonard Nimoy, David Ogden Stiers, Corey Burton, Don Novello, Jim Varney, Phil Morris, and Jacqueline Obradors.

Disney historian Leonard Maltin agreed with me, rating ATLANTIS three stars and saying "Styled like a comic book, this Disney feature film got a bum rap in theaters; it's good family entertainment."

I appreciate that the Disney Screen series has encouraged me to try previously unseen Disney films, as well as revisit old favorites; it's been great fun, and I love that it's been so easy to see these films close to home, for a low price.

ATLANTIS: THE LOST EMPIRE was directed by Gary Trousdale and Kirk Wise.

Parental Advisory: ATLANTIS is rated PG for action violence. Some of the scenes, including a child separated from her mother, may be difficult for young children.

The film is available on DVD and VHS. It can also be streamed at Amazon Instant Video.

Previous Disney Screen reviews: OLIVER & COMPANY (1988), EIGHT BELOW (2006), THE LOVE BUG (1968), THE ROCKETEER (1991), ROBIN HOOD (1973), POLLYANNA (1960), POCAHONTAS (1995), FUN AND FANCY FREE (1947), THE MANY ADVENTURES OF WINNIE THE POOH (1977), and MAKE MINE MUSIC (1946).

Wednesday, March 23, 2016

Tonight's Movie: Waco (1952) - A Warner Archive DVD Review

WACO (1952) is an interesting Bill Elliott film available from the Warner Archive. It's part of the Archive's eight-film Wild Bill Elliott Western Collection.

The plot trajectory isn't quite what one might expect from an Elliott Western. Elliott plays Matt Boone, who at the movie begins has just earned a position as a stagecoach driver. Unfortunately he is forced to draw a gun in self-defense when he catches someone cheating at cards; when Matt kills the man, a couple of people in Waco are willing to stick up for him, but others threaten a lynching.

Matt flees Waco and falls in with an outlaw gang headed by Curly Ivers (I. Stanford Jolley in a good role); Rand Brooks and Paul Fierro are also among the group. Next thing you know, Matt is robbing banks with the Ivers gang. Bill Elliott playing a bank robber?!

The plot's not done by a long shot, as eventually Matt has the chance to hang up his outlaw guns and serve as sheriff of Waco. Curly pledges to stay clear of the town so that Matt will have a chance at a new life.

WACO has a good script by the prolific Western screenwriter Daniel B. Ullman. He takes Elliott's character places we don't expect, and Elliott's taciturn personality works well as a character grimly moving forward with whatever survival options he has at the moment.

The supporting cast includes many familiar Western faces such as Stanley Andrews, House Peters Jr., Rory Mallinson, and Lane Bradford. The leading lady is Pamela Blake (HIGHWAY 13, SKY LINER). She's feisty but there's a feeling that some of her part was left out of the movie, as there's not much to her role.

This 68-minute film was directed by Lewis D. Collins and filmed in black and white by Ernest Miller.

As with the other films in this set reviewed to date, WACO is quite a nice print. There are no extras.

Previous reviews of films from the Wild Bill Elliot Western Collection: REBEL CITY (1953), KANSAS TERRITORY (1952), and THE FORTY-NINERS (1954).

Thanks to the Warner Archive for providing a review copy of this DVD collection. Warner Archive releases are MOD (manufactured on demand) and may be ordered from Amazon and other online retailers.

Tuesday, March 22, 2016

Tonight's Movie: Hot Water (1924)

A few days ago I watched my first Harold Lloyd film in quite a while, DR. JACK (1922). I enjoyed it a great deal and resolved to catch up with more of the Lloyd films I've not yet seen, as I've never watched one yet which I didn't enjoy!

This time I chose the only unseen title from the half-dozen films he made costarring the enchanting Jobyna Ralston. This was Lloyd and Ralston's third film together, and their chemistry here, as in all their films together, is magical. She is sweet and funny and always completely believes in Harold. I only wish they'd made even more movies as a team.

HOT WATER has a brief running time of 59 minutes, and it's basically three set pieces starring Lloyd and Ralston as adoring newlyweds.

In the first section of the movie, Harold attempts to ride a streetcar carrying a huge load of groceries, topped off by a (live!) turkey he won in a store raffle; in the next section, he surprises his wife with a brand-new car, which is promptly destroyed in a series of misadventures on its maiden drive; and in the final segment Harold mistakenly believes he's poisoned his harridan of a mother-in-law (Josephine Crowell).

The mystery of the movie is how a woman as sweet as Ralston's "Wifey," as she's listed in the credits, came from such an odious family! In addition to her overbearing mother, Wifey has a lazy older brother (Charles Stevenson) and a bratty little brother (Mickey McBan).

HOT WATER isn't in the same league as Lloyd's best films, but any Lloyd film is worth watching, and the movie contains some wonderful moments. My favorite scene occurred when the car drives up on a sidewalk, where a "sidewalk elevator" meant for basement deliveries raises the car up in the air, with all five cast members inside! (It got me to wondering if such contraptions still exist anywhere in Los Angeles...especially as basements aren't especially common in Southern California.)

Harold trying to wrangle a turkey while a spider crawls through his pants is also quite amusing, and I think I laughed out loud near the end, as the tipsy Harold misunderstood everything he was hearing and jumped to the conclusion he'd killed his mother-in-law. There was some very clever writing in that section.

Hopefully after the end of the movie "Hubby" and "Wifey" moved far, far away from her family!

I thought I recognized Bunker Hill in Los Angeles during the car sequence, which was confirmed by John Bengtson's fabulous book SILENT VISIONS: DISCOVERING EARLY HOLLYWOOD AND NEW YORK THROUGH THE FILMS OF HAROLD LLOYD. The way Lloyd films document bits of Los Angeles as it looked in the '20s only adds to my enjoyment. Some of the buildings seen in the movie, such as the apartment house in the background where Lloyd and Ralston first meet, are still standing today, over 90 years later.

HOT WATER was directed by Fred C. Newmeyer and Sam Taylor. It was filmed by Walter Lundin.

HOT WATER is available on DVD as part of the third volume of the superb Harold Lloyd Comedy Collection, released by New Line.

Harold Lloyd films previously reviewed at Laura's Miscellaneous Musings: DR. JACK (1922), SAFETY LAST! (1923), WHY WORRY? (1923), GIRL SHY (1924), THE FRESHMAN (1925), FOR HEAVEN'S SAKE (1926), THE KID BROTHER (1927), and THE MILKY WAY (1936).

Monday, March 21, 2016

Tonight's Movie: Dark Delusion (1947) - A Warner Archive DVD Review

And so we finally come to DARK DELUSION (1947), the last film in the Dr. Gillespie Movie Collection from the Warner Archive. I'm sad to see this series end, as I will miss spending time with the staff of Blair General Hospital.

DARK DELUSION is the 15th and final film in a series which began with YOUNG DR. KILDARE (1938) nearly a decade previously.

Van Johnson's Dr. Red Adams, last seen in the previous film in the series, BETWEEN TWO WOMEN (1945), is nowhere in sight, and there's no explanation for his absence.

The rest of the gang is still around, including crochety Dr. Gillespie (Lionel Barrymore), the always-ebullient Dr. Lee Wong How (Keye Luke), starchy Nurse Molly Byrd (Alma Kruger), long-suffering Nurse Nosey Parker (Nell Craig), hospital switchboard operator Sally (Marie Blake), and Dr. Gillespie's longtime personal aide Conover (George Reed).

In DARK DELUSION Dr. Gillespie mentors Dr. Tommy Coalt (James Craig), a brilliant doctor liked by his friends but who possesses a terrible bedside manner, being tactlessly direct and at times unsympathetic.

Dr. Gillespie sends Dr. Coalt to a small town to cover the practice for an old friend (Art Baker) who is going to volunteer for a few weeks in postwar Europe. While there Dr. Coalt meets a beautiful young woman named Cynthia (Lucille Bremer of MEET ME IN ST. LOUIS) who is acting strangely. The doctor comes to believe Cynthia's odd behavior isn't mental illness, but a brain tumor.

Meanwhile Dr. Lee also comes to town and helps a couple (Warner Anderson and Jayne Meadows) who have adopted a baby.

DARK DELUSION could have stood a bit faster pacing, but on the whole it's a pretty enjoyable entry, thanks to a fine cast.

I've now seen all but one of Lucille Bremer's feature films, and while I like her a lot, this isn't one of her better roles; her take on a disturbed young woman involves a lot of vacant stares. That said, the script didn't give her and the director a great deal to work with, and I still enjoy watching her on screen.

Much more engaging is Jayne Meadows, who only has a few brief scenes yet completely inhabits her role as the well-to-do, confident young wife who is besotted with her newly adopted son. Meadows appeared in a few films in the '40s, including LADY IN THE LAKE (1947) and THE LUCK OF THE IRISH (1948), and why she didn't have a bigger film career is a mystery, as she's very charismatic.

Geraldine Wall does a fine job as the savvy nurse assisting Dr. Coalt on his temporary assignment. Look for Gary Gray as the young patient she's treating when Dr. Coalt first arrives and Henry Stephenson as another doctor in town.

I didn't think Alma Kruger looked quite well in this film; whether or not it's related, she only made one more film, FOREVER AMBER (1947), released the same year. She lived until 1960, when she passed on at the age of 88.

Fans of MGM films will recognize Lucille Bremer's home from THE PHILADELPHIA STORY (1940), while Dr. Coalt's temporary office is in the home Bremer's character lived in in MEET ME IN ST. LOUIS (1944)!

DARK DELUSION was directed by Willis Goldbeck and photographed by Charles Rosher. It runs 90 minutes.

Previous reviews of films in the Dr. Gillespie Collection: CALLING DR. GILLESPIE (1942), DR. GILLESPIE'S NEW ASSISTANT (1942), DR. GILLESPIE'S CRIMINAL CASE (1943), 3 MEN IN WHITE (1944), and BETWEEN TWO WOMEN (1945).

The Archive DVD is a good print, and the trailer is included on the DVD.

Sincere thanks to the Warner Archive for making this enjoyable series available in such a nice set!

Thanks to the Warner Archive for providing a review copy of this DVD collection.  Warner Archive releases are MOD (manufactured on demand) and may be ordered from the Warner Archive Collection at Amazon and other online retailers.

Sunday, March 20, 2016

Tonight's Movie: The Desperado (1954) - A Warner Archive DVD Review

THE DESPERADO (1954) is a most enjoyable Allied Artists Western available from the Warner Archive.

THE DESPERADO is one of several Wayne Morris films recently released by the Archive. I've previously reviewed the Morris Westerns SIERRA PASSAGE (1951) and DESERT PURSUIT (1952), along with his Alaskan adventure ARCTIC FLIGHT (1952). I liked them all but I think I might class THE DESPERADO as the best of the bunch.

THE DESPERADO was a real treat, providing Morris with an excellent role, a highlight in his career.

Morris plays Sam Garrett, a weather-beaten gunslinger who mentors young Tom Cameron (James Lydon). Tom is a Texan on the run from despotic Union "Blue Bellies" who cruelly run his home town, ultimately killing his father.

Garrett takes a liking to young Tom when they meet on the trail and quickly realizes he's a man who can be trusted, even though Garrett preaches not to trust anyone. He teaches Tom some tricks of the trade for staying alive, which come in handy when they tangle with a horse thief and his identical twin brother (both roles played by Lee Van Cleef).

Tom is eventually betrayed by his one-time friend Ray (Rayford Barnes), who frames Tom for the murder of two Blue Bellies; Ray, who has been seething with jealousy, wants Tom's fiancee Laurie (Beverly Garland) for himself.

However, when it's time for Tom's murder trial, Ray isn't counting on the influence of a cagey marshal (Dabbs Greer) who has a respectful relationship with Sam.

THE DESPERADO was a nice surprise, starting with Lydon in a sure performance as Tom. I wouldn't think of him as a Western leading man but he really is quite good. He and Garland bring some real passion to their performances as the separated young lovers.

Greer, best-known to so many of us as Reverend Alden on LITTLE HOUSE ON THE PRAIRIE, is simply excellent as an upright man who's not quite what we expect. He brings Tom in for trial but quickly comes to realize that there's another story.

I'd add that it's also fun to have Lyle Talbot turn up as the judge in the final scenes. No part was too small for that hard-working actor, and he brings some nice gravitas to the part. And how great is it to have not one but two villains played by Van Cleef?

Best of all is Morris, who I think knew he had a great part and ran with it. Morris completely inhabits the part of the grizzled, worn but still fast-drawing Garrett. He has many wonderful scenes, with one of my favorites coming when Lee Van Cleef approaches, wanting to shoot him for killing his twin brother, and Morris keeps on eating his breakfast while quizzing Van Cleef. Morris and Greer combine to just about steal the last scenes of the movie, a terrific cap to a very good film.

THE DESPERADO was directed by Thomas Carr. The black and white cinematography was by Joseph M. Novak. The film runs 80 minutes.

The script was by Daniel Mainwaring (aka Geoffrey Homes), who wrote many excellent film noir and Western scripts, most famously OUT OF THE PAST (1947), which was based on his own novel. THE DESPERADO was based on a novel by Clifton Adams. Just four years later Mainwaring's script was reused for COLE YOUNGER, GUNFIGHTER (1948), starring Frank Lovejoy and James Best.

The Warner Archive DVD is a nice widescreen print. There are no extras.

My fellow Western fans will want to check out THE DESPERADO. Recommended.

Thanks to the Warner Archive for providing a review copy of this DVD. Warner Archive releases are MOD (manufactured on demand) and may be ordered from the Warner Archive Collection at Amazon.

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...TCM recently made several announcements regarding next month's TCM Classic Film Festival. In a move away from the opening night musicals of past festivals, this year's TCMFF will open with a 40th anniversary screening of ALL THE PRESIDENT'S MEN (1976). Additional festival announcements, including Gina Lollobrigida's planned appearances, may be found in my February festival update.

...Attendees at this year's TCM Classic Film Festival will include Eva Marie Saint, Carl Reiner, Elliott Gould, John Singleton, Stacy Keach, and Anna Karina. It should be noted that although most of the films just announced were relatively "recent," that is fairly typical in terms of the guests who are available to come to the screenings. Once the entire schedule is announced there are always many classic-era films to choose from, with multiple venues simultaneously showing films. (March 21st Update: It was announced today that Francis Ford Coppola will be honored with a hand and footprint ceremony at the Chinese Theatre during the festival.)

...For more on the TCM Classic Film Festival, Scott Feinberg interviewed TCM programming exec Charlie Tabesh for The Hollywood Reporter.

...From the Huffington Post: "Why the TCM Classic Film Festival is Important" by Govindini Murty. "You remember things better when you directly experience them for yourself. This is why you should go and see classic films for yourself, the way they were meant to be seen: in a movie theater, with an audience."

...Exciting news from the Criterion Collection: The classic HERE COMES MR. JORDAN (1941), starring Robert Montgomery, Claude Rains, and Evelyn Keyes, comes to DVD and Blu-ray June 14th.

...Following Susan King's departure from the Los Angeles Times, a new classic film columnist has been introduced: Kevin Crust will be writing the weekly Classic Hollywood Newsletter. This week's edition is here. You can subscribe to it for free weekly email delivery.

...Here's a New York Times interview with Natalie Wood's daughter, Natasha Gregson Wagner (via Aurora).

...New for cooks, COOK IT IN CAST IRON, from the always reliable chefs at Cook's Country.

...Interesting to note that the three titles in the Alan Ladd 1940s Collection released by TCM late last year are now also available as single titles in the Universal Vault Series, along with AND NOW TOMORROW (1944), which was dropped from the set at the last minute. (My review of another print of AND NOW TOMORROW is here.) Links to the other new DVD releases: LUCKY JORDAN (previously reviewed here), O.S.S. (1946) (previously reviewed here), and TWO YEARS BEFORE THE MAST (1946).

...Over at Speakeasy, Kristina has recently reviewed a whopping eight Alan Ladd films, on March 15th and 18th. Update: And here are three more Ladd reviews from Kristina, on the 22nd. Update: And more from the 26th! What a great series of reviews.

...Raquel has posted one of her fabulous lists of upcoming books on classic film. Interesting books due out by May include UNSUNG HOLLYWOOD MUSICALS OF THE GOLDEN ERA from McFarland, by Edwin Bradley; CONVERSATIONS WITH CLASSIC FILM STARS by James Bawden and Ron Miller for University Press of Kentucky; and SHOT ON LOCATION: POSTWAR AMERICAN CINEMA AND THE EXPLORATION OF REAL PLACE by R. Barton Palmer for Rutgers University Press. Be sure to check out Raquel's entire list!

...Mark Harmon has no plans to retire, with the news that NCIS has received a two-season renewal for years 14 and 15.

...Speaking of not retiring, another Indiana Jones film from Spielberg and Ford? Really? This seems to be a series with diminishing returns as it goes... Well, we'll see.

...Here's a nice post on Barbara Stanwyck and George Brent in a favorite film, MY REPUTATION (1946), at the Claude Rains Fan Club.

...Notable Passings: WAGON TRAIN star Robert Horton has passed away at 91...Emmy-nominated actor Joe Santos, known to so many of us for playing Dennis Becker on THE ROCKFORD FILES, has died at 84. He's seen at the right with James Garner...Highly regarded production designer Ken Adam, known for his work on James Bond films, DR. STRANGELOVE (1964), CHITTY CHITTY BANG BANG (1968) and more, has passed on at the age of 95...and Frank Sinatra Jr. has passed on suddenly at age 72.

Have a great week!

Saturday, March 19, 2016

Tonight's Movie: Bullet Code (1940) - A Warner Archive DVD Review

BULLET CODE (1940), a favorite George O'Brien Western, is one of nine titles in the George O'Brien Western Collection. The set was recently released by the Warner Archive.

O'Brien teamed with actress Virginia Vale for six films, half of which were previously released in a three-film George O'Brien Collection, also available from the Archive. Their remaining films are all included in this brand-new set.

O'Brien had some excellent leading ladies, including Marjorie Reynolds and Laraine (Johnson) Day, but I especially enjoy the pairing of O'Brien and Vale, whose chemistry has a little extra spark to it. Indeed, in an interview Vale once described O'Brien as "a gem of a fellow," and she clearly loved working with him.

The talented Vale could sing and, tired of the dresses from RKO's wardrobe department, she even designed her wardrobe for another O'Brien Western, STAGE TO CHINO (1940)! She was also a competitive figure skater in the early '40s, and after retiring from films in 1945, she spent over 50 years as a judge for the U.S. Figure Skating Association.

In this 58-minute film, O'Brien plays Steven Holden, a cattle drive foreman who accidentally shoots young Bud Mathews (Robert Stanton, later known as Kirby Grant), or so he thinks. Bud, who had gotten into trouble colluding with some cattle rustlers, was really killed by some bad guys who, as it happens, were working for the banker (Walter Miller) trying to steal Bud's father's ranch!

Steve goes to visit Bud's father (Howard Hickman) and sister Molly (Vale) and immediately pitches in to help save their ranch and bring the villains to justice. The bad guys include frequent O'Brien villain Harry Woods, always so good as a heavy.

I view BULLET CODE as a model "B" Western, fast-moving and engaging, with good action scenes, a bit of comedy, a little music, and a touch of romance. What more could a fan want?

For more background on this film, including quotes by Virginia Vale, please visit my 2013 review.

BULLET CODE was directed by David Howard. The movie was shot in black and white by Harry J. Wild.

The supporting cast includes Slim Whitaker, William Haade, and Bob Burns. Musicians in the movie's first scene included Spade Cooley on the fiddle.

Howard Hickman, who plays Virginia Vale's father, played countless doctors, judges, professors, and military officers in his long career. GONE WITH THE WIND fans may recognize him, as the year previous to BULLET CODE, Hickman played John Wilkes, the owner of Twelve Oaks and father to Ashley (Leslie Howard).

Previous reviews of films in the George O'Brien Western Collection: LAWLESS VALLEY (1938), RACKETEERS OF THE RANGE (1939), TIMBER STAMPEDE (1939), and TROUBLE IN SUNDOWN (1939).

The BULLET CODE print is for the most part very good. There was one brief scene which was noticeably darker and rougher than the others. There are no extras.

Thanks to the Warner Archive for providing a review copy of this DVD collection. Warner Archive releases are MOD (manufactured on demand) and may be ordered from the Warner Archive Collection Store at Amazon and from other online retailers.

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