Tonight's Movie: Davy Crockett, Indian Scout (1950)
DAVY CROCKETT, INDIAN SCOUT, was made by a favorite low-budget director, Lew Landers, and has appealing lead actors in George Montgomery and Ellen Drew. I was thus predisposed to like the film, but this mildly entertaining "B" Western was so cheaply made that the poor production values are downright distracting, and in all honesty the dramatic elements aren't much better.
Montgomery plays one Davy Crockett, who isn't the famous Davy Crockett of the Alamo, but a relative. It's the 1840s, and Davy is helping to guide settlers west along with his childhood friend, Red Hawk (Phillip Reed). Drew plays Frances, a teacher who joins the wagon train but isn't quite who she seems to be. Neither is her supposedly deaf-mute driver, Ben (Landers "regular" Paul Guilfoyle).

As for the other production values...what production values? There's lots of stock footage of places like Monument Valley, but the actors probably never got any further than Iverson Ranch, if they even went that far. Many of the scenes were done with ultra-obvious painted backdrops, and still more with back projections. Most egregious are battle scenes where the action cuts from the settlers with their guns to stock footage of approaching Indians, but the two groups never meet on screen! There's just the occasional arrow flying into the camp. This film probably had a lower budget than another ultra-cheap Western I saw last year, Bill Williams' THE WILD DAKOTAS (1956).

The supporting cast also includes Robert Barrat, Addison Richards, Billy Wilkerson, Ray Teal, Iron Eyes Cody, and Chief Thundercloud. Cinematography was shared by George Diskant and John J. Mescall. The movie runs 71 minutes.

I watched this United Artists release on a "manufactured on demand" DVD-R from MGM.
DAVY CROCKETT, INDIAN SCOUT has also been shown on Turner Classic Movies. A trailer is available on YouTube.
Films directed by Lew Landers which have previously been reviewed at this site: NIGHT WAITRESS (1936), WITHOUT ORDERS (1936), FLIGHT FROM GLORY (1937), THEY WANTED TO MARRY (1937), THE MAN WHO FOUND HIMSELF (1937), DOUBLE DANGER (1938), CRASHING HOLLYWOOD (1938), SKY GIANT (1938), SMASHING THE RACKETS (1938), TWELVE CROWDED HOURS (1939), CONSPIRACY (1939), STAND BY ALL NETWORKS (1942), THUNDER MOUNTAIN (1947), and MAN IN THE DARK (1952).
4 Comments:
Re Lew Landers. It is conceivable that his career in second features and routine television was just about where it belonged. Capable but without a spark of vision. As a studio director he was handed cast, crew and screenplay. He was a good manager and put them all together. Nothing for the auteurist crowd to get excited about other than they have run out of new heroes.
Your review is quite critical because you use the standard Hollywood method of rating these great Western cinematic wonders of old performed with 'real' westerners. You need to watch it again and focus on the REAL Death defying stunts performed by the best of the best stunt men. You don't understand how incredibly difficult and dangerous the horsemanship stunts are because there are very few real stunts performed in todays Hollywood movie making. Its all done by computer. I saw a saddle sold on PBS Antiques Roadshow for nearly,$100,000.00, owned by the man who John Wayne once said was the greatest stuntman that ever lived. Do you even know his name? Look it up. He is actually listed in some credits, usually in the very end. Those were the real good old American days that no one remembers anymore.
Thanks for your thoughts, Barry. I'll say that Landers directed any number of "B" movies I really enjoy a lot, and for me that says something - despite the limitations on his control you reasonably note.
Best wishes,
Laura
Anonymous, I welcome diverse thoughts and discussions on films here when politely and knowledgeably stated, as with Barry's comments above.
That said, I'm sharing your review here as an example of what not to do when sharing comments. You make numerous assumptions about me and my knowledge about and love for Westerns.
Apparently you have not spent any time reading this blog and are also unfamiliar with the Western RoundUp column I've written for several years at Classic Movie Hub, nor are you aware of all the time I've spent in Lone Pine being educated by actual Western filmmakers, including meeting and learning about real stunt people such as Sylvia Durando and Diamond Farnsworth.
You seem to erroneously believe my frame of reference is to compare a movie to "modern" filmmaking rather than in the context of the classic film era in general and Westerns in particular.
Next time how about simply share your love for a film and what you appreciate about it, and if you don't know a reviewer's background, you might politely ask instead of making all the wrong assumptions.
Best wishes,
Laura
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