Saturday, September 02, 2023

Tonight's Movie: Kansas Raiders (1950) - A Kino Lorber Blu-ray Review

Audie Murphy stars as Jesse James in KANSAS RAIDERS (1950). It's part of the brand-new three-film Audie Murphy Collection II from Kino Lorber.

In this Civil War era film, Jesse (Murphy) is riding the trail through Kansas with his brother Frank (Richard Long), the Younger brothers (James Best and Dewey Martin), and Kit Dalton (Tony Curtis).

Their homes in Missouri are gone, and as the men travel Jesse in particular is intrigued by tales he hears of renegade soldier Col. William Quantrill (Brian Donlevy). Jesse mistakenly thinks Quantrill and his "soldiers" only kill those who "have it coming," such as the men who killed Jesse's family.

After a group of Union sympathizers come close to lynching Jesse and his friends, interrupted only by the timely arrival of a captain (Richard Arlen), Jesse becomes determined to find Quantrill and join up with him.

The men do just that, only for Jesse to be quickly disillusioned by the bloodthirsty behavior of Quantrill and his men.

KANSAS RAIDERS is the rare Audie Murphy film I didn't care for, although it has a number of strong points. It's handsomely produced, with lovely Technicolor photography by Irving Glassberg; much of the film was shot in scenic Garner Valley, California.

That said, it's 80 minutes' worth of a sad, violent tale. It reminded me quite a bit of the later SEVEN ANGRY MEN (1955), about abolitionist John Brown, which was similarly dark. I simply don't find a succession of near-lynchings (or worse) or raids on innocent people by a crazy man and his gang enjoyable to watch.

Murphy does well portraying Jesse's initial innocence and then his growing conflict, much of which is spelled out in discussions with Quantrill's jaded mistress, Kate (Marguerite Chapman).

The rest of the cast is also fine, although Arlen's role is quite small and Scott Brady is completely wasted as Quantrill's righthand man. Richard Egan also has a "blink and you'll miss him" role as a soldier.

The problem isn't with the cast or production values, but simply the fact I didn't enjoy the story, scripted by Robert L. Richards and directed by Ray Enright. I'll add that I'm responding strictly to this as a film and am making no judgments as to how it compares with actual history.

Those who don't have trouble with this kind of story may find the film more enjoyable than I did, as it's nicely crafted.

Kino Lorber's print is a pleasure to watch. Extras consist of a commentary track by Henry Parke and C. Courtney Joyner; the trailer; and a gallery of four additional trailers.

I very much like the other two films in the set, SIERRA (1950) and DESTRY (1954), and thus recommend the set, even though I'm not enthused about this title. Incidentally, my review of DESTRY (1954), has been written and will be published in the near future in my Classic Movie Hub Western RoundUp column.

Murphy fans will be happy to know that Kino Lorber's Audie Murphy Collection III has just been released; look for reviews of those films here in the future!

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...The ClassicFlix restoration of OUR TOWN (1940) will be out on Blu-ray in November. Extras will include two radio productions and a commentary track. This is a film which fell into public domain and only been available in very poor prints, so this is exciting news.

...Next month Kino Lorber is launching a new label, Kino Cult. It will focus on horror and science fiction.

...Kino Lorber now has a final listing for their COLUMBO Blu-ray set which has been discussed here over the last couple of weeks.

...David Bossert's latest Disney history book, THE HOUSE OF THE FUTURE: WALT DISNEY, MIT, AND MONSANTO'S VISION OF TOMORROW will be out next month! As I shared here in February 2022, I was one of those who backed this book via an Indiegogo campaign 18 months ago. My copy is due to ship next week!

...This October Samantha Ellis will be hosting the Linda Darnell Centennial Blogathon at her blog, Musings of a Classic Film Addict.

...SPIDER-MAN: ACROSS THE SPIDER-VERSE (2023) is out on Blu-ray next week.

...Ben Model has a new Kickstarter project for a 2K restoration of THE BAT (1926). The release date target is October 2024.

...Jessica Pickens has reviewed the musical PAN-AMERICANA (1945) at her blog Comet Over Hollywood. That's one I've been meaning to check out.

...This week I finally crossed THE ICE CREAM BLONDE: THE WHIRLWIND LIFE AND MYSTERIOUS DEATH OF SCREWBALL COMEDIENNE THELMA TODD off my book wish list, and it just arrived! The author is Michelle Morgan for Chicago Review Press.

...Another book on a notable movie-connected death is coming next year: A MURDER IN HOLLYWOOD: THE UNTOLD STORY OF TINSELTOWN'S MOST SHOCKING CRIME by Casey Sherman will focus on Lana Turner and the death of gangster Johnny Stompanato.

...J.B. Kaufman's "Movie of the Month" for September is LADY KILLER (1933) starring James Cagney. It's been a decade since I last watched it; time for another look?

...As reported here in July, Olive Films has gone out of business. Since then I've been working to collect the last few Olive titles on my wish list before they go out of print. Toby Roan has compiled helpful checklists of Olive titles; a Westerns list is at 50 Westerns From the 50s, and a list of the company's films from other genres is at Toby's blog The Hannibal 8. It was my pleasure to lend Toby a hand putting together these lists, all the more so as Toby found some titles I've added to my purchase list!

...This weekend Glenn Erickson has reviewed the new Warner Archive Blu-ray release of WICHITA (1955) at Trailers From Hell. WICHITA stars Joel McCrea as Wyatt Earp; it was directed by Jacques Tourneur. A copy is currently in my review stack!

...A few days ago the Hollywood Reporter published an article on good news for the L.A. movie theater scene. Along the same lines, the Los Angeles Times just published a preview of the Netflix renovation of the Egyptian Theatre in Hollywood. The theatre is due to reopen by November.

...Notable Passing: Soap opera actress Arleen Sorkin (DAYS OF OUR LIVES) has passed on at the age of 67. She was also well known for her voiceover work in various BATMAN productions.

...For additional recent links of interest to classic film fans, please check out my August 26th roundup.

Friday, September 01, 2023

TCM in September: Highlights

It's time for a look at the September schedule on Turner Classic Movies!

This month TCM is showcasing the support of three directors who made news a few months ago advocating for the network's preservation. Martin Scorsese has long made TCM recommendations, going back to the printed guide, but this month he's filmed a video.

Steven Spielberg also filmed a TCM recommendations video, and Paul Thomas Anderson shared a list of five picks for the month.

Dirk Bogarde is the September Star of the Month. 19 Bogarde films will be shown spread across Wednesday evenings this month. Please note there will not be a separate Star of the Month post for September.

Noir Alley returns after taking August off for Summer Under the Stars. The September Noir Alley titles are THE SECRET FURY (1950) on September 2nd and 3rd, THE WRONG MAN (1956) on the 9th and 10th, OUT OF THE FOG (1941) on September 16th-17th, TWO O'CLOCK COURAGE (1945) on the 23rd and 24th, and WHIPLASH (1948) on September 30th and October 1st.

I've somehow not yet seen three of this month's Noir Alley films! I love the "B" film TWO O'CLOCK COURAGE, starring Ann Rutherford and Tom Conway (both seen here), and I enjoyed revisiting WHIPLASH at last month's Noir City Hollywood Festival. WHIPLASH stars Dane Clark, Alexis Smith, Zachary Scott, and Eve Arden.

The September TCM Spotlight Theme is "Coming of Age" films on Friday evenings.

Other September highlights include guest programming by Richard Dreyfuss (September 24th) and Rebecca Miller (September 28th); National Silent Movie Day on September 29th; and the first of a two-night tribute to director William Friedkin on September 14th. The second night will air in November; more details on the Friedkin tribute may be found here.

Below are a few additional September highlights. Please click any hyperlinked title for my review.

...The lineup on Saturday, September 2nd includes THE BIG SLEEP (1946) and RIO BRAVO (1959). That's my kind of holiday weekend viewing!

...Charles Farrell and Mary Duncan star in F.W. Murnau's CITY GIRL (1930), which makes its TCM debut on September 3rd.

...There's a day of good '60s comedies on Labor Day, September 4th, including a real fave, SUNDAY IN NEW YORK (1963), starring Rod Taylor, Jane Fonda, Cliff Robertson, and Robert Culp.

...September 7th features a day of Lana Turner films, including favorites like DANCING CO-ED (1939), KEEP YOUR POWDER DRY (1945), and LATIN LOVERS (1953). A great day to curl up on the couch and watch some very enjoyable movies! Then stay tuned that evening for a centennial tribute to Peter Lawford which includes GOOD NEWS (1947).

...Irene Dunne and John Boles star in BACK STREET (1932), which makes its TCM premiere on September 9th.

...A day of Alfred Hitchcock movies on September 10th includes one of my favorites, THE LADY VANISHES (1938). This is a film which has stood up to multiple repeat viewings! Margaret Lockwood and Michael Redgrave star.

...Director Leo McCarey is celebrated on September 11th. One of the films in the lineup is THE MILKY WAY (1936) starring Harold Lloyd, which I don't believe has been shown on TCM with frequency. It's got a great supporting role for Verree Teasdale and is worth checking out.

...Claudette Colbert stars in another TCM premiere, I COVER THE WATERFRONT (1933). It's available on DVD from the Alpha public domain label; it will be interesting to see the print condition on TCM. I COVER THE WATERFRONT is part of an excellent eight-film birthday tribute to Colbert on September 13th. A film I'm particularly fond of airing that day is WITHOUT RESERVATIONS (1946), costarring John Wayne.

...The Lane Sisters and Gale Page star as FOUR WIVES (1939), the middle film in the wonderful Lemp Sisters trilogy. It's on September 14th.

...September 15th features films about maids. One of my favorites is an engaging "B" picture, PERSONAL MAID'S SECRET (1935), which runs less than an hour. Margaret Lindsay, Ruth Donnelly, and Anita Louise star.

...I'm absolutely delighted that TCM is honoring Ellen Drew with a three-film primetime tribute on September 17th. It kicks off with Preston Sturges' CHRISTMAS IN JULY (1940), costarring Dick Powell.

...There's a fabulous day of pre-codes on September 19th. Titles include the delightful BEAUTY AND THE BOSS (1932) and PENTHOUSE (1933).

...Amnesia is the theme on September 20th, including Stewart Granger, Phyllis Calvert, and Patricia Roc in MADONNA OF THE SEVEN MOONS (1945)

...I like the "valley" theme on September 21st; the creative lineup includes a favorite Esther Williams film, DUCHESS OF IDAHO (1950), which is set in Sun Valley.

...September 22nd's movies include THE LAST OF MRS. CHEYNEY (1937), starring Joan Crawford, Robert Montgomery, and William Powell.

...The Musical Matinee film on September 23rd is one of my all-time favorite movies, YOU WERE NEVER LOVELIER (1942), which stars Fred Astaire, Rita Hayworth, and the music of Jerome Kern.

...The Tim Holt Western GUNPLAY (1951) airs on September 27th. The leading lady is Joan Dixon, who I wish had made more movies.

...National Silent Move Day on the 29th includes a pair of terrific Harold Lloyd films, SAFETY LAST! (1923) and WHY WORRY? (1923). Both films celebrate their centennials this year.

For more on TCM in September, please visit my Quick Preview of TCM in September or TCM's online schedule.

Happy September movie viewing!

Tuesday, August 29, 2023

Tonight's Movie: The Crusades (1935) - A Kino Lorber Blu-ray Review

THE CRUSADES (1935), which might be my very favorite Cecil B. DeMille film, is available on Blu-ray from Kino Lorber.

The movie came out earlier this year, when I was doing a lot of traveling and covering film festivals, then gradually slipped down in the review stack due to "last in, first out."

Last night I plucked THE CRUSADES out of the viewing stack and was as mesmerized as I was the first time I saw the film a dozen years ago, at the 2011 UCLA Festival of Preservation. I strongly recommend it.

Henry Wilcoxon plays King Richard, who as the movie begins is rowdy and irresponsible. He makes a pledge to lead England into the Crusades chiefly to get out of his arranged marriage to Princess Alice of France (Katherine DeMille, daughter of the director).

Richard's experiences going to war, and his hasty but fortunate marriage to beautiful Princess Berengaria of Navarre (Loretta Young), transform him completely. He becomes a true leader, a man of faith, and a loving husband.

Wilcoxon and Young could not be better, and they share many excellent scenes, particularly those dealing with Saladin (Ian Keith) and King Philip of France (C. Henry Gordon). I loved the way Richard publicly honors and appreciates Berengaria, and I also liked Berengaria's bravery as she is faced with a succession of challenging circumstances. Both characters are very well written; the screenplay had a trio of writers, as well as several more who made uncredited contributions, but it worked out well.

Katherine DeMille is striking as Alice, who is handsome in her own way but a very cold, calculating woman. She even follows Richard to the Holy War when he doesn't marry her before leaving, only to be very unexpectedly thwarted. Her family connection with the director may have aided in being cast, but she really owns the role and is quite memorable.

DeMille later married Anthony Quinn; they had five children.

For more thoughts on this film, including the story of Loretta Young's behind-the-scenes secret pregnancy, please click over to my very detailed 2011 review.

The deep supporting cast includes Sir C. Aubrey Smith, Alan Hale (Sr.), Joseph Schildkraut, George Barbier, Montagu Love, Lumsden Hare, Mischa Auer, and Pedro de Cordoba. Searching carefully among the faces on screen will also reveal other familiar actors such as John Carradine, J. Carrol Naish, Ann Sheridan, and Ian Hunter.

THE CRUSADES runs 125 minutes. It was beautifully filmed by Victor Milner. I'd add that one can't help but be impressed by the sheer numbers of extras in those pre-CGI days!

Kino Lorber's Blu-ray is very beautiful, with excellent sound. I enjoyed watching this movie on every level. Don't wait as long as I did to check it out!

Kino Lorber's Blu-ray extras consist of the trailer; a gallery of 11 additional trailers for other film available from Kino Lorber; and a commentary track by Allan Arkush and Daniel Kremer.

Highly recommended.

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

Monday, August 28, 2023

Tonight's Movie: Sierra (1950) - A Kino Lorber Blu-ray Review

SIERRA (1950) is now available on Blu-ray as part of the brand-new Audie Murphy Collection II from Kino Lorber.

I first reviewed this film a decade ago when it was part of a TCM Vault DVD collection of Murphy films. I quite enjoyed revisiting it via Kino Lorber's lovely Blu-ray print.

SIERRA was Murphy's fifth film, and he's right at home in this Western, which ironically was not filmed in the Sierras at all, but in scenic Kanab, Utah. I wrote about Kanab a couple years ago for Classic Movie Hub. The familiarity I've gained with this location since my last viewing definitely added to my enjoyment this time around.

Murphy and Dean Jagger play Ring and Jeff Hassard, a father and son who live high in the mountains. Ring's father Jeff (Jagger) is a fugitive from justice, accused of a murder 15 years before. The Hassards survive by capturing and breaking wild horses, sold by their friend Lonesome (Burl Ives).

Into their lives stumbles a pretty young lawyer, Riley Martin (Wanda Hendrix), who later makes it her mission to help Ring when his horses are stolen. She also researches the old case involving his father and works to clear Jeff's name.

Although Riley is engaged to Duke Lafferty (Elliot Reid), she's viewed as a curiosity by townspeople because she's an educated attorney, and even Duke isn't really comfortable with her advocacy.  In her own way Riley is as much an "outsider" as Ring.

Soon enough everyone in town seems to be on a crash course regarding the Hassards...

I enjoyed this film, directed by Alfred E. Green and filmed by Russell Metty, as much on my revisit as I did initially. It's a fast-moving 83 minutes packed with a sea of great faces: Sara Allgood, Elisabeth Risdon, Griff Barnett, Houseley Stevenson, Tony Curtis, James Arness, John Doucette, Roy Roberts, and I. Stanford Jolley. It's hard to miss with a cast like that!

Ives adds a great deal to the film's mood with his genial presence and music, especially the haunting "Hideaway" by Arnold Hughes and Frederick Herbert.

The screenplay by Edna Anhalt and Milton Gunzburg was based on the novel THE MOUNTAINS ARE MY KINGDOM by Stuart Hardy. It was previously filmed as FORBIDDEN VALLEY (1938) with Noah Beery Jr. and Frances Robinson. I'd like to hunt that one down!

For more details on SIERRA, as well as background on the real-life marriage of Murphy and Hendrix, please visit my 2013 review.

Kino Lorber's Blu-ray print looks and sounds great. Extras consist of the trailer; a gallery of four additional trailers; and a commentary track by Westerns expert Toby Roan.

Coming soon: My review of another film in this set, DESTRY (1954), will be published soon in my Western RoundUp column for Classic Movie Hub. A preview: I liked it a lot!

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

Sunday, August 27, 2023

Tonight's Movie: Retribution (2023)

August 27th was the second annual National Cinema Day, with tickets at hundreds of theaters across the country only $4 apiece.

It was thus the perfect day to go to my local Cinemark Theatre and see the new Liam Neeson action film, RETRIBUTION (2023). A sold-out crowd taking advantage of the inexpensive tickets made the movie that much more fun.

RETRIBUTION is a remake of a Spanish film, EL DESCONOCIDO (2015). It's about a very bad day in the life of Matt Turner (Neeson), an American businessman living in Germany.

Matt is driving his teen son Zach (Jack Champion) and daughter Emily (Lilly Aspell, Young Diana in the WONDER WOMAN films) to school when a phone in the center console of his car starts ringing. No one knows whose phone it is...and the voice on the other end tells Matt there's a bomb under his seat. Any attempts to leave the car will result in being blown to bits.

Soon thereafter Matt witnesses a colleague's car bombing death and realizes the voice means business. Matt tries to placate him...and in the process coincidentally learns his wife Heather (Embeth Davidtz) is at that very moment visiting a divorce attorney. And the police seem to think he's responsible for the earlier car bomb. Yes, Matt is having a very, very bad day.

I'll leave off with the plotline there in order to leave the rest of movie for viewers to discover; the film is relatively short, and it's fun to watch the story unfold. It may not be Neeson's best action film, but I thought it was solid and it gave me what I wanted: An enjoyable, diverting time at the movies.

I mean, is there any better moment in a Neeson action movie than when the villain crosses the line and now Neeson's gonna make sure he regrets it?! There's a key sequence where the balance of power shifts that I especially loved.

Noma Dumezweni plays Angela Brickman, a Europol agent on the case who interacts with Matt. The actress seemed familiar, but it wasn't until I looked her up after the movie that I realized she was the Queen in THE LITTLE MERMAID (2023). Dumezweni is very good in her "negotiator" role, plying Matt with practiced discussion tactics yet also coming across as a sympathetic human.

Another of the film's pleasures: It's only 91 minutes! That's not the norm when seeing most modern movies, which so often run past two hours, and it's really nice when a movie ends before it wears out its welcome. That said, this movie actually could have used another minute of closure; it seemed like they weren't quite sure how to end it.

Parental Advisory: This film was rated R...and I'm really not sure why. Some people meet violent ends in explosions, but there's no gore. The swearing seemed minimal and appropriate for the circumstances. The movie is not for the young, especially as children are in danger for part of the film, but a PG-13 strikes me as a more appropriate rating.

The movie was directed by Nimrod Antal and filmed by Harry Gregson-Williams on location in Berlin.

The trailer is here. Those who care about spoilers might want to be aware that the trailer shows quite a bit of the movie's action.

Prior Liam Neeson movie reviews: UNKNOWN (2011), NON-STOP (2014), THE LEGO MOVIE (2014), THE COMMUTER (2018), HONEST THIEF (2020), THE ICE ROAD (2021), and MARLOWE (2023).

Saturday, August 26, 2023

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...There are some great things coming to the Criterion Channel in September, including "Noir By Gaslight," a series of '70s car films, and "Directed by Allan Dwan," with an intro by Farran Smith Nehme, the "Self-Styled Siren." The Dwan series includes a 63-minute "B" film I've never seen, HIGH TENSION (1936), starring Brian Donlevy and Glenda Farrell. I've seen half of the gothic noir series, which includes favorites like EXPERIMENT PERILOUS (1944) and DRAGONWYCK (1946); I'm looking forward to checking out some new-to-me titles. I highly recommend this very well-curated channel which shows titles going far beyond those available from the Criterion Collection.

...Last month I shared the trailer for RETRIBUTION (2023) starring Liam Neeson. I anticipate going to see it soon, as it sounds like my kind of action movie, solid if a little predictable. Predictability isn't a bad thing for me in a movie like this, which I think of as "action movie comfort food."  (Update: Here's the link for my review!)

...I just learned about THE HILL (2023), a new faith-based film which also sounds like my kind of movie, inasmuch as it stars Dennis Quaid in a baseball film. Here are reviews by Josh M. Shepherd for the Faith and Family Media Blog and Ed Morrissey at Hot Air. I've read Ed for years and he calls it a "feel-good winner." The trailer for THE HILL is here.

...In other "new" production news, I haven't yet tried the new STAR WARS drama AHSOKA (2023) on Disney+, but am encouraged by the Variety review which calls it "a transcendent experience for lifelong fans."

...Last week I mentioned Kino Lorber's upcoming November Blu-ray release of COLUMBO, Seasons 1-7. In a curious development, Kino Lorber announced yesterday that they will no longer be able to include all the commentaries and other extras commissioned for the set. I'm guessing they ran into some sort of legal/rights issues; that said, we'll have to wait for further information to know for sure exactly what has been removed and why.

...DVD Savant Glenn Erickson has reviewed the new ClassicFlix release BLONDE ICE (1948) at Trailers From Hell. It's available on both Blu-ray and DVD. Leslie Brooks stars.

...Over at Out of the Past, Raquel Stecher has reviewed Kino Lorber's impressive new Soundies collection, which she calls "an absolute winner." Look for a review here by me at a future date!

...A few days ago I enjoyed revisiting MISS SLOANE (2016) starring Jessica Chastain and Mark Strong. My opinion was the same as it was on my initial theatrical watch: It's ultimately kind of silly, but it's also highly entertaining.

...There's a new Western TV-movie, THE WARRANT: BREAKER'S LAW (2023) on the way starring Dermot Mulroney and Bruce Boxleitner. It will air in the U.S. on cable's Inspiration Channel this fall.

...Alison Martino has a great photo-filled post on Owl Rexall Drugs at her Vintage Los Angeles blog.

...Speaking of vintage L.A., my copy of HOLLYWOOD SIGNS by Kathy Kikkert has arrived and it's a winner! I love that it can be ordered from Larry Edmunds Bookshop, which is featured in the book.

...Here's a list of "10 Favorite Dramas" from Rachel at Hamlette's Soliloquy. I've seen six of them so far...and I have a NORTH AND SOUTH (2004) DVD in my "watch soon stack" at this very moment! I look forward to it all the more based on her high recommendation.

...A reminder from Toby at 50 Westerns From the 50s about the Critics' Choice multi-film sets. I've bought several and sure wish they'd release more!

...Nancy Luna has a fun photo-filled overview of the history of In-N-Out Burger for Business Insider.

...There are more great Blu-ray releases coming from Australia's Viavision Imprint, including Essential Film Noir: Collection 5 and Tales of Adventure: Collection 2.  I'm especially interested in the latter set which includes rarities such as ANGEL ON THE AMAZON (1948) with George Brent, Vera Hruba Ralston, and Constance Bennett, and FAIR WIND TO JAVA (1953) with Fred MacMurray. Sometimes these Viavision films have later showed up in U.S. Blu-ray releases, which would be amazing if it happened.

...Greenbriar Picture Shows is always worth a look. John's latest post has some very interesting classic movie advertisements.

...Attention Southern Californians: Kimberly Truhler's "Film Noir Style" series concludes on Sunday, September 10th, with a look at the "Post-War Years" and a screening of OUT OF THE PAST (1947).  (Jane Greer is seen here in her initial "good girl" white wardrobe.)  The event will be held at the Aero Theatre in Santa Monica. We had a great time at a previous screening in the series and highly recommend going. The only reason I won't be there is I'll be participating in the MouseAdventure game at Disneyland for the first time in several years.

...Notable Passings: Hersha Parady, who played ill-fated Alice Garvey on TV's LITTLE HOUSE ON THE PRAIRIE, has died at the age of 78...David Jacobs, creator of TV's DALLAS and KNOTS LANDING, has passed on at 84...Soap opera actress Nancy Frangione, whose work included ANOTHER WORLD and ALL MY CHILDREN, has passed away at 70...I recently learned of the March passing of Lisa Montell at 89. She guest starred in a number of TV Westerns including the MAVERICK episode "The Forbidden City" (1961).  She was also in the enjoyable sci-fi film WORLD WITHOUT END (1956) which starred Rod Taylor.

...For additional recent links of interest to classic film fans, please check out my August 19th roundup.

Friday, August 25, 2023

Tonight's Movie: The Last Time I Saw Paris (1954) - A Warner Archive Blu-ray Review

The Warner Archive Collection is doing something rather amazing this summer: Rescuing a pair of Elizabeth Taylor films from being available only in terrible public domain prints.

Those films are FATHER'S LITTLE DIVIDEND (1951) and THE LAST TIME I SAW PARIS (1954), both made for MGM. Taylor was 18 when she filmed the first title and 22 when she made the latter movie.

First up for review is THE LAST TIME I SAW PARIS. I'd never seen it in its entirety but can say the Blu-ray looks eons better than random scenes I've seen on TV over the years.

The movie was directed by Richard Brooks, who cowrote the script with Julius and Philip Epstein, based on a story by F. Scott Fitzgerald.

It's the story of Charles Wills (Van Johnson), a Stars & Stripes reporter who marries "wild child" Helen Ellwirth in Paris following World War II.

Charles and Helen love one another but he becomes increasingly depressed by his inability to sell a novel. Helen becomes more responsible as she matures, while Charles spirals and drinks.

They flirt with others (Roger Moore and Eva Gabor), they quarrel, they spend money unwisely, and eventually there's a custody tug of war between Charles and Helen's bitter sister Marion (Donna Reed) over Charles and Helen's daughter Vicki (Sandy Descher). Other sad things happen as well. It's that kind of movie.

I love the cast, which also includes Walter Pidgeon as Helen and Marion's irresponsible father, so I was a bit surprised to find that the movie really didn't work for me. It's listless, slow-moving, and depressing. I virtually always finish a film, but this is one I might have stopped watching if I wasn't reviewing it. I'm a "glass is half full" viewer always looking for what I like in any film, but I just wasn't in the mood to watch a slow-paced story about people living terribly unhappy lives.

It was also odd that Johnson -- who incidentally was born on this date, August 25th -- looks absolutely terrible, with a shiny red face. I've seen him in other Technicolor movies but never noticed him looking like this in scene after scene; it's as though the makeup crew forgot to apply powder.

Taylor looks terrific for the first hour or so, and then she hacks off her hair into a most unfortunate style.

George Dolenz (father of Micky) has a nice turn as Marion's eventual husband and is the most likeable character in the story. The cast also includes Kurt Kasznar, Celia Lovsky, and John Doucette.

The movie runs 116 very long minutes. It was filmed in Technicolor by Joseph Ruttenberg.

The print is a new 1080p HD master from a 4K scan of the original Technicolor camera negatives. I'm pretty sure it has never looked this good in any prior release, so those who wish to own the film should be sure to get this Blu-ray rather than older public domain prints.

The lone extras are the trailer and the widescreen Tom and Jerry cartoon TOUCHE PUSSYCAT (1954).

Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from the Amazon Warner Archive Collection Store, Movie Zyng, or from any online retailers were Blu-rays are sold.

Quick Preview of TCM in October

It's time for a brief look at what's coming on Turner Classic Movies this October!

TCM will celebrate the centennial of Charlton Heston, born October 4, 1923, by honoring him as the October Star of the Month. Heston's films will be shown on Wednesday evenings.

The Heston schedule is currently incomplete but is expected to include TOUCH OF EVIL (1958), BEN-HUR (1959), and the TCM premiere of TREASURE ISLAND (1990), to name just a few.

Horror and Suspense films will be featured on Tuesday and Friday evenings.  Halloween falls on Tuesday, and there are also horror films Sunday evening, October 29th, and all day Halloween Eve.

Silent Sunday Nights will also be in an October mood, with the month's titles including THE PHANTOM OF THE OPERA (1925) and DR. JEKYLL AND MR. HYDE (1920).

The October Noir Alley titles are WHIPLASH (1948), DECEPTION (1946), THE BIG CAPER (1957), CASQUE D'OR (1952), and EXPERIMENT IN TERROR (1962).

September programming themes will include farmers, museums, angels, bridges, autumn, the Mexican border, inheritances, Westerns, and Morocco.

Filmmakers honored with multifilm tributes in October will include Groucho Marx, Elvis Presley, Kathryn Grayson, Jose Ferrer, Tod Browning, Dick Van Dyke, Jack Carson, and Charlie Chaplin.

As always, I'll have more details on the October schedule around September 30th or October 1st.

In the meantime, enjoy the remainder of the August Summer Under the Stars lineup, which will be followed by Dirk Bogarde as the September Star of the Month.

Wednesday, August 23, 2023

Tonight's Movie: Foolish Wives (1922) - A Flicker Alley Blu-ray Review

Regular readers will know that Flicker Alley is responsible for some of the most impressive classic film releases of the last few years.

Flicker Alley has done it again with this summer's release of Erich von Stroheim's silent film FOOLISH WIVES (1922). This combination Blu-ray/DVD set features a new restoration of the movie by the Museum of Modern Art and the San Francisco Silent Film Festival.

The film, which premiered in 1922 at a length of 14 reels, was gradually cut down to 117 minutes. This version, based on an early 1970s restoration by the American Film Institute, runs 147 minutes.

The Flicker Alley booklet says that while the new release is the same running time as the restoration of half a century ago, this is "a significant upgrade," combining the earliest possible film sources with modern restoration techniques.

von Stroheim not only directed FOOLISH WIVES, he also wrote the original story and stars as "Count" Karamzin. Karamzin and his "cousins" (Maude George and Mae Busch), supposedly Russian princesses, are renting a villa outside Monte Carlo.

In reality the trio are unscrupulous fraudsters who pass counterfeit money and bilk the wealthy. Karamzin's latest target is Helen Hughes (Miss Dupont), the wife of the new ambassador to Monaco (Rudolph Christians); he believes that cultivating her as a friend -- or more -- will cause Monaco society not to question his "family's" background. Helen is sweet, gullible, and a little bored with her devoted but staid husband; she's the perfect mark.

Karamzin is a sleaze extraordinaire, as he also has his eye on the mentally challenged daughter (Malvine Polo) of the counterfeiter (Cesare Gravina) he works with...and he's also promised to marry the maid, Maruschka (Dale Fuller).

The maid, realizing she's been led on, sets fire to a building which traps Karamzin and Helen, which starts the ball rolling downhill to Karamzin's ruin...

This was an interesting film, described by von Stroheim in an opening narrative card as "A tale of crime through the life of someone who knows it." The plot was frankly a little "out there" for me to fully enjoy that aspect; the dark tone is set from the opening scenes in the villa, with incense burning, one of the mean "Princesses" pinching the maid's arm when she's displeased, and the Count drinking an animal blood cocktail (?!) for breakfast. It's made clear at the outset that these are very abnormal people.

On the other hand, the film's narrative cards are delightful, even hilarious, such as a description of Monte Carlo which says in part that it's a place of "Amours! - and Suicides - and waves - and waves - and waves!"

After the Count and Helen end up trapped by the fire, one of the "princesses" says "You were supposed to compromise her, but you didn't have to call out the fire department!"

That levity helped offset the story itself, which frankly feels fairly grimy at times. von Stroheim, in particular, is fearless in playing a real creep. The moment where he jumps from a burning building first, leaving Helen behind, was a true gasp-inducing moment.

I was also wowed by the production values of this famously expensive movie, "the first real million dollar picture." There are elaborate sets with scores of extras; some of the filming (by William Daniels and Ben Reynolds) took place along California's Monterey coastline.

In addition to the aforementioned fire, there's a huge rainstorm, and the night scenes have beautiful tinting. The film is a visual pleasure, even if the story is on the sordid side, and it's hard to imagine this century-old film looking better than it does as seen on Flicker Alley's new Blu-ray.

As usual, Flicker Alley's set is visually enticing in and of itself; the Blu-ray and DVD (seen here) have attractive coordinated colors, and there's also reversible cover art. An informative illustrated 24-page booklet is included in the case.

Extensive extras include a documentary on the making of the film with Dave Kehr of MOMA; featurettes on the film's restoration and on the locations; an archival short with footage from the set; photo galleries; and restoration comparisons.

The film is accompanied by a new orchestral score composed and conducted by Timothy Brock which was originally commissioned for the 2020 San Francisco Silent Film Festival.

Thanks to Flicker Alley for providing a review copy of this Blu-ray/DVD set.

The set may be purchased at the Flicker Alley website or through retailers such as Amazon.

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