A Visit to the Noir City Film Festival

We had a wonderful experience last night at the 12th Noir City Film Festival, held at the venerable Egyptian Theatre on Hollywood Boulevard. We saw SO EVIL MY LOVE (1948) with Ray Milland, followed by Jacques Tourneur's EXPERIMENT PERILOUS (1944) with George Brent and Hedy Lamarr. More on those fascinating movies later.

During my teenage years I was a frequent visitor to Hollywood stores selling film memorabilia, such as Larry Edmunds Bookshop and the now-defunct Collectors Bookstore. By the mid-'80s the Boulevard had become so seedy I stopped visiting, except for a couple trips to see live theater at the Pantages.

I had heard that the area around Hollywood and Highland had changed a great deal, thanks to the Hollywood & Highland Center and the Kodak Theatre, among other things. The El Capitan, across from the Hollywood & Highland Center, has been a Disney movie palace for several years now:

I was pleasantly surprised by the changes which had taken place in that area since my last visit. (Coming soon: a Hard Rock Cafe.) We enjoyed strolling around the Chinese Theatre, which I hadn't visited for decades.

Here's the handprints and footprints of Ray Milland, star of one of the films we saw last night:

And here's the stars on the Walk of Fame for a couple of my favorites:

We had fun being "tourists" and photographing many more handprints and stars; the above gives a small sample.

And here's the Egyptian Theatre:

I bought a gorgeous glossy program for the 8th Noir City Festival held earlier this year in San Francisco. It didn't include the films we saw last night, but was so beautifully produced by Eddie Muller & Co. that I had to get it, especially as it was just $5:

Seeing black and white movies on the "big screen" takes me back to my teenage years spent in the revival theaters of Los Angeles. As much as I love being able to watch movies at home whenever I have time, there is still nothing like seeing a movie -- especially a black and white movie -- on the screen with an appreciative audience, completely enveloped in the film's atmosphere. I wish I had time to return to see films like the San Francisco-based WALK A CROOKED MILE (1948) or Andre De Toth's DARK WATERS (1944) with Franchot Tone and Merle Oberon. Tonight's films include THE LOCKET (1946), a terrific psychological thriller.

SO EVIL MY LOVE and EXPERIMENT PERILOUS were excellent; the mood and visual style of EXPERIMENT PERILOUS, in particular, will stick with me for a long time. Reviews of both films will be posted later today.

Update: The reviews of SO EVIL MY LOVE and EXPERIMENT PERILOUS have now been posted.