Joseph L. Mankiewicz.
Gino Monetti (Edward G. Robinson) is a New York banker who only seems to respect one of his four sons: Max (Richard Conte), a self-confident attorney. Gino treats his other sons (Luther Adler, Paul Valentine, and Efrem Zimbalist Jr.), who all work for him and are timid "yes" men, with varying degrees of contempt.
Max is engaged to a sweet Italian girl, Maria (Debra Paget), while simultaneously carrying on a torrid affair with Irene Bennett (Susan Hayward). Irene wants to marry Max herself, but the entire family is upended when federal officials shut down Gino's bank and he goes on trial for mismanagement.
This is a well-made and absorbing film directed with Mankiewicz's usual polish; it immediately followed A LETTER TO THREE WIVES (1949) and preceded NO WAY OUT (1950) with Richard Widmark. The entire cast is good, with particular kudos going to Robinson, Conte, and Hayward. Robinson is always interesting, though his character here is far from sympathetic, and I found him quite believable as an Italian immigrant.
Richard Conte had previously appeared in one of Mankiewicz's first directorial efforts, SOMEWHERE IN THE NIGHT (1946), and he's terrific. Both Conte and Susan Hayward have charisma to spare, and the film is at its most interesting when they're on screen together. It bears noting that a couple of their scenes are highly suggestive for the Code era -- yet at the same time the implications would sail right over the heads of younger viewers. It's a great example of how a film could have both steam and class.
I also particularly enjoyed pretty young Debra Paget as a girl with spunk underneath her demure exterior. I would have enjoyed seeing another scene or two between Paget and Efrem Zimbalist Jr., developing the relationship hinted at in a terrific dinner sequence with the entire family. Maria's mother is played by Hope Emerson, who looks the part of a formidable Italian mama but sure doesn't sound like one.
HOUSE OF STRANGERS was Efrem Zimbalist Jr.'s first film role. He's now 92. A couple of years ago his daughter Stephanie's site posted some wonderful photos of his 90th birthday celebration, with attendees including James Garner, Jane Russell, and Rhonda Fleming, among others; in a 2008 Films of the Golden Age interview, Fleming called Zimbalist a "beautiful man." I've experienced Zimbalist's courtesy myself, both meeting him in person and receiving a personal handwritten response to a fan letter a number of years ago. A few years ago Zimbalist published an autobiography, MY DINNER OF HERBS.
Diana Douglas, who plays the petulant wife of Joe (Adler), was the first wife of Kirk Douglas and is the mother of Michael. She's acted as recently as a 2008 episode of E.R.
The Philip Yordan screenplay for HOUSE OF STRANGERS is based on a novel by Jerome Weidman, I'LL NEVER GO THERE ANYMORE. Director Mankiewicz is said to have done some uncredited work on the script.
BROKEN LANCE (1954), starring Spencer Tracy and Richard Widmark, is said to be a loose remake of HOUSE OF STRANGERS, but I couldn't really see much similarity, other than the theme of a somewhat nasty patriarch and squabbling sons.
The black and white cinematography was by Milton Krasner. The film runs 101 minutes.
HOUSE OF STRANGERS has been released on DVD as No. 17 in the Fox Film Noir Series. (I found this film one of the less "noirish" titles in the series; it's more of a family drama.) Extras include a commentary track by Foster Hirsch.
It's also had a release on video.
This film can be rented from Netflix and is available via Netflix streaming.
HOUSE OF STRANGERS can also be seen regularly on Fox Movie Channel. It will be shown several times this summer, including on July 14th.