Tonight's Movie: Front Page Woman (1935)
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Brent and Davis play reporters for competing newspapers who are also in love. They talk marriage, but Davis rebels against Brent's desire that she quit the business when they marry, disputing his belief that women "are bad newspapermen." The battle of the sexes continues throughout a murder trial as they attempt to outdo each other with the best scoops.
Some of the dated attitudes toward working women are either charmingly amusing or outrageous, depending on how seriously one chooses to take it. For me, that kind of thing is simply an interesting reflection of the era, and while I was horrified by Davis's furs (those little faces!), I simply smiled at the casually expressed notions that now seem so quaint. Besides which, Brent has to admit in the end that Davis is a darn good newspaperman, at that!
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Davis was quite the glam young beauty in this, one of several films she appeared in in 1935.
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Good old George Chandler floats by the camera as a newspaper reporter in a single scene -- one of 14 credits he had that year, and that was a slow year for him! In 1937, for example, he was in 27 movies.
FRONT PAGE WOMAN was directed by Michael Curtiz. It runs 82 minutes.
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This movie was just released on DVD by the Warner Archive.
FRONT PAGE WOMAN is one more title in what's becoming a long list of "newspaper" movies seen this year! It joins THE LAWLESS (1950), TRY AND GET ME (1950), HIGH TIDE (1947), PICTURE SNATCHER (1933), JOHNNY COME LATELY (1943), APPOINTMENT WITH A SHADOW (1957), THE SELLOUT (1952), and IT HAPPENED ONE NIGHT (1934).
5 Comments:
Love this film -- but I am a George Brent admirer.
Didn't really care for this one. The humor didn't work for me and the behind the scenes jostling during the courtroom scene kind of escaped me. Love Brent, but Bette Davis never really clicks for me in this type of comedy.
Just ordered this from Warner Archive. I'll let you know what I think!
It's a delight that someone besides myself turns out to be a George Chandler spotter--some actors always enrich a film by prior acquaintance in another place and time--from Fog Over Frisco to The High And The Mighty--and even in the peculiar Wac From Walla Walla, George, like Bess Flowers, was a familiar, likable face that enriched our viewing lives. They are frequently more fun than the leads!
Thanks to everyone for the comments and feedback on the movie!
It's always fun to spot George Chandler -- most recently I saw him in a tiny role as a nightclub customer in LADY ON A TRAIN (1945). I also think of him in ISLAND IN THE SKY (1953), which, like THE HIGH AND THE MIGHTY, was directed by William Wellman. He and Bess Flowers certain contributed a great deal to our viewing enjoyment!
Best wishes,
Laura
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