Tonight's Movie: Plunder of the Sun (1953)
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This story of an insurance man (Glenn Ford) who becomes entangled in looking for ancient treasure is interesting in fits and starts but never really takes off. The story meanders for 81 minutes as he becomes involved with a lovely lady (Patricia Medina) he meets in a bar, and there's also a woman (Diana Lynn) he crosses paths with on board a ship and at his hotel.
None of the characters are very well defined, with Medina coming off best, and the story, while watchable enough, lacks a certain fizz to make it really engrossing. Given the choice, a viewer would be much better off with a Mexican chase film such as Robert Mitchum and Jane Greer in THE BIG STEAL (1949).
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PLUNDER OF THE SUN was directed by John Farrow for John Wayne's production company. It was photographed by Jack Draper, an American-born cinematographer who spent his career in the Mexican film industry, occasionally filming U.S. productions shot on location in Mexico. The supporting cast includes Douglass Dumbrille, Francis L. Sullivan, and Eduardo Noriega.
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The DVD release is terrific, part of a series of John Wayne productions released in collector's editions. Extras include a commentary with Glenn Ford's son Peter and several featurettes, including an informative piece on Sean McClory.
For more on PLUNDER OF THE SUN, please visit Riding the High Country and Tipping My Fedora.
3 Comments:
I think the story problems go to post-production cutting, especially Diana Lynn's character arc. Thought Ford fine. And quite agree that Medina came off well. She usually did.
It would be interesting to know what was left on the cutting-room floor, particularly with regard to Lynn's character. The storytelling was jerky and her character was extraneous -- maybe it made more sense before it was pared down to 81 minutes!
Best wishes,
Laura
I found the story, like you, to be sluggish at points but didn't have issues with Ford or Medina. McClory is always a treat -- he made a very engaging bad guy when given the chance! Also, the true star of this film was the locale; the photography really deserved a bit of a north-by-northwest-like pace.
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