Tonight's Movie: Mystery in Mexico (1948) - A Warner Archive DVD Review
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Needless to say, I was really delighted when I learned that the Warner Archive had released the film a little earlier this year in its Film Noir Archive Collection. This kind of lesser-known but really interesting release is one of the reasons I most appreciate the Warner Archive. It's terrific that this model "B" film is now widely available to anyone interested in seeing it.
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Lundigan plays Steve Hastings, an insurance investigator who follows Victoria Ames (White) to Mexico City. He's hoping Victoria will lead him to her brother, fellow investigator Glenn Ames (Walter Reed), who's gone missing with a $200,000 diamond necklace. The company doesn't know if Glenn went rogue and stole the necklace or is in trouble and needs help.
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It was particularly special for me to have the chance to see the film again as since first seeing it I had the wonderful experience of seeing Jacqueline White speak in person. White was so positive and charming, recounting her happy life in the movies and beyond -- she and her husband had five children -- that it only increased my admiration for her.
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The supporting cast of MYSTERY IN MEXICO includes pre-Code heartthrob Ricardo Cortez as a nightclub owner and Jacqueline Dalya in a fun role as a nightclub performer putting the moves on Lundigan. Tony Barrett plays Carlos, a helpful driver who could be friend or foe.
Former editor Wise had directed a handful of films by this point in his career; MYSTERY IN MEXICO was immediately preceded by BORN TO KILL (1947) with Lawrence Tierney and Claire Trevor. Wise was asked by RKO to shoot the film on location to help the studio determine if movies could be made more inexpensively in Mexico; the answer was no.
Wise would, of course, go on to direct WEST SIDE STORY (1961) and THE SOUND OF MUSIC (1965), as well as many other fine films.
MYSTERY IN MEXICO was shot by Jack Draper, who was born in Indiana but spent his career working in the Mexican film industry. His daughter Thalia appears in the movie. It might be a "B" film, but there are some very attractive shots, notably the insurance company's name reflected from the window onto the wall in the opening sequence.
Thanks to the Warmer Archive for providing a review copy of this DVD. Warner Archive releases are MOD (manufactured on demand) and may be ordered from Amazon or other online retailers.
3 Comments:
Laura, as with all your stellar reviews, this one is learned, admirably concise and very accessibly entertaining. After decades of working as a film historian, reviewer and teacher, I find that I’ve been inundated with film critics who either never knew or have just simply forgotten how to have fun. Your writing style, and the immense pleasure it echoes from your attention and affection for film as both art and pastime, is wonderfully sincere. I often turn to your reviews not just to weigh purchasing options, which you are more than capable of influencing, but also for pure reading entertainment. The only other online critic I enjoy as much is Cinesavant, Glenn Erickson, but he rarely delves as deep as you do for his choices in what titles to review. I’ve been an ardent follower of yours for the past year and I’m sorry it’s taken me so long to publicly acknowledge and celebrate your skills and talents, but please know I am a fan.
Professor Echo, thank you so much for your exceptionally kind words. I may frame this as encouragement! :) I very much appreciate you taking the time to share that you've been enjoying my site and hope you will continue to do so in the future. I am in great company being mentioned alongside Glenn Erickson, as he's perhaps the critic I enjoy reading most myself.
I do love to dig deep to watch and write about lesser-known titles! It's wonderful to know others also enjoy exploring the "nooks and crannies" of classic-era cinema.
With thanks and best wishes,
Laura
You’re more than welcome, Laura. Please keep writing and bestowing upon us your vast knowledge of, unbridled pleasure in, and inherent sense for sharing the joys of film in all its incarnations. With the plethora of alleged “critics” everywhere these days, it’s such a wonderful discovery finding one who can bring forth the immense and pure bliss of both watching and living movies! Keep writing! —-Glen
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