Sunday, August 21, 2022

Tonight's Movie: Temptation (1946) - A Kino Lorber Blu-ray Review

TEMPTATION (1946) is part of the Dark Side of Cinema VIII collection, which was recently released on Blu-ray by Kino Lorber.

Like another film in the set I recently reviewed, ENTER ARSENE LUPIN (1944), TEMPTATION was a first-time watch for me.

TEMPTATION stars Merle Oberon, who also starred in THE PRICE OF FEAR (1956) in the Dark Side of Cinema II set; personal favorite George Brent, who was in Kino Lorber's release of THE SPIRAL STAIRCASE (1946); and Charles Korvin, the leading man in ENTER ARSENE LUPIN.

The story is told mostly in flashback, as Oberon's Ruby confides her story to her husband's close friend -- and her nemesis -- Sir Meyer Isaacson (Paul Lukas).

A beautiful woman without a current means of support, Ruby sets her sights on Egyptologist Nigel Armine (Brent), who falls head over heels for her and quickly proposes.

Ruby heads to Egypt with Nigel, and while she appreciates his kindness and the accompanying freedom from financial worry, she's bored with her limited social life in Egypt, which mainly consists of entertaining Nigel's elderly colleagues.

While on a mission of mercy to help Yvonne (Suzanne Cloutier), the daughter of one of Nigel's friends, retrieve some embarrassing letters, Ruby meets Mahoud Baroudi (Korvin) and promptly begins an affair. She tries to break things off, yet the temptation of Baroudi is too strong. Eventually, Ruby and Baroudi begin to contemplate getting Nigel out of their way...permanently.

This "gothic noir" is strongly reminiscent of IVY (1947), which starred Joan Fontaine, with a dash of SO EVIL MY LOVE (1948) thrown in. This type of storyline, with a femme fatale wielding poison, isn't my most favorite kind of movie; it's certainly watchable, but frankly it's also unrelentingly grim.

Oberon is aptly cast as a mercenary woman who is nearing an age when she will no longer be able to use her beauty for financial gain. She convincingly portrays her lust for Baroudi alongside guilt for how she's treating Nigel, who truly loves her. I couldn't help thinking if only Ruby had found a hobby to assuage her boredom instead of using Baroudi for that purpose, she could have had a nice life with her doting husband...but then there would have been no movie.

I liked Korvin quite well as the charming thief in ENTER ARSENE LUPIN, but here his Baroudi is so contemptible, without any variance, that I can't say I enjoyed either Korvin or his character very much.

I'm a big fan of Brent but admittedly he isn't given much to do here, playing a passive and trusting character, though his mere presence did make the film more enjoyable to me. Brent is simply someone I like who adds a dash of "movie comfort" for me in any film in which he appears. (Well, THE SPIRAL STAIRCASE might be the lone exception!) 

Lukas might actually have had the most interesting role of the lead actors, playing someone looking out for his friend's interests, wherever that may take him. Ruby confiding all to the man she hates was an interesting concept. The last scene, a conversation between Lukas and Arnold Moss, playing the local police inspector, was excellent.

TEMPTATION runs 98 minutes. It was directed by Irving Pichel and filmed by Oberon's husband, Lucien Ballard. The script was written by Robert Thoeren, based on both a novel and a play; the story was previously filmed in the UK as BELLA DONNA (1934).

The Kino Lorber print is from a brand-new 2K master. Ballard's cinematography is on the dark side -- in keeping with the film's tone, and perhaps even a part of his technique to hide Oberon's facial scars? -- but the print itself is excellent, with a fine soundtrack.

Blu-ray extras consist of a commentary track by Kelly Robinson and a gallery of trailers for four additional films available on Blu-ray from Kino Lorber.

Watch for a future review of the third and final film in the set, STREET OF CHANCE (1942).

Thanks to Kino Lorber for providing a review copy of this Blu-ray collection.

10 Comments:

Anonymous Barry Lane said...

If I had been of age when Temptation was going into production, and George Brent was either an associate or friend, I would have discouraged him from accepting, not the film but the part of Nigel, the concept was wrong and dull on screen but had Brent played the Paul Lukas part, and Paul did Nigel, it likely would have benefitted both men and the film. Korvin was well used, as for Merle, I think everyone was stuck with her.

5:54 PM  
Blogger Laura said...

That's an interesting concept flipping Lukas and Brent. I can see it working in part as it would be more believable that Ruby would have a fling, with Nigel being obviously older, and it also might have added more sparks with Ruby's nemesis Sir Meyer being an attractive man closer to her in age.

Thanks for your thoughts on this!

Best wishes,
Laura

6:51 PM  
Blogger Margot Shelby said...

I haven't seen this movie but will give it a try, just for Merle Oberon (and her stunning wardrobe). My problem would be Charles Korvin. So far I've only seen him in The Killer That Stalked New York and can't say I took to him. He has these overly sleek pretty-boy looks which do nothing for me. I always find it disconcerting when we have a leading man who's (almost) prettier than his leading lady.

10:59 AM  
Blogger Laura said...

Margot, I keep discovering that I've seen Charles Korvin in films but not remembered him - THE KILLER THAT STALKED NEW YORK is a good example. I liked him quite well in ENTER ARSENE LUPIN but in this one, not so much. I hope you'll enjoy checking it out! As always, I'd love your thoughts when you catch up with it.

Best wishes,
Laura

7:10 PM  
Anonymous Anonymous said...

I usually love period costumes in movies, but not this time. The gowns have too much of a 1930s/40s look to them, especially the one with a strapless bodice that I don't think would have been seen in 1900. And the clingy satin for daytime dresses would be much too hot for an afternoon in Egypt. European women living in hot climates would surely have worn daytime dresses made of cotton or muslin.

10:23 PM  
Blogger Biograph Consulting said...

Since the plot is not the most exciting element of the film, the lush surroundings and expert cinematography back up the most fascinating minutes of the film--the parade of lavish period costumes, rich with various fabrics and adornments, which Oberon wears as if she were born for them; her character is largely unsympathetic in a Madame Bovary way, and the cad that convinces her to poison hapless George Brent is even worse. So it's not particularly original, and the unsympathetic Oberon is vapidly hateful, but it's a fascinating immersion in studio style.

8:35 PM  
Blogger Laura said...

Thank you both for taking the time to share your comments. For better or worse Merle Oberon's costumes really have an impact, don't they?!

Biograph Consulting, that's a good description. There was no one to sympathize with other than George Brent but the studio style is powerful.

Best wishes,
Laura

10:55 PM  
Anonymous Anonymous said...

Please someone help explain the ending of this movie
Did ruby succeed to flee with her man
Was ruby arrested
Did she die
What's going on ?

7:57 AM  
Blogger Laura said...

Sorry to be unable to help but I think we should leave some things spoiler-free. :) I think it's pretty clear if you watch carefully and I hope you'll enjoy spending more time with it.

Thanks for visiting!

Best wishes,
Laura

9:22 AM  
Anonymous Anonymous said...

I initially thought they ran away together and it was a cover up. However, when I saw Isaac rip the letter and look solemn at the end, I felt I was mistaken. Wouldn't that have been a stronger ending than to say she actually died? I was shocked it ended that way.

4:20 AM  

Post a Comment

<< Home

Newer›  ‹Older