Tonight's Movie: The Gilded Lily (1935) - A Kino Lorber Blu-ray Review
THE GILDED LILY (1935), a romantic comedy starring Claudette Colbert, Fred MacMurray, and Ray Milland, is now available on Blu-ray from Kino Lorber.
Colbert plays Marilyn, a secretary who takes time every Thursday to meet her friend Pete (MacMurray), a reporter, for popcorn and a chat.
It's clear that Pete's in love with Marilyn and is hoping she'll come to feel the same way, but instead she falls for Charles Gray (Milland), an unemployed man she meets on the subway.
Marilyn and Charles have a whirlwind romance, but Charles is keeping important information from Marilyn: The truth is he's a member of the British nobility, with a fiancee back in England. He's sincere in his feelings for Marilyn but makes an unforgiveable mistake: Instead of telling Marilyn the truth when he sails for England to break things off with his fiancee, he lies and tells her he's headed south to train for a new job.
As Charles leaves the country, Pete breaks a newspaper story about a member of the British nobility having been in the U.S. incognito, not realizing that he's writing about the man Marilyn loves. When she finds out the truth about Charles, she's crushed and understandably feels played for a fool. Pete, angry on Marilyn's behalf, uses the newspaper to exact some revenge on Charles, and in the process Marilyn becomes a celebrity.
MacMurray and Milland were both rising stars when cast opposite Colbert; the film was quite early in MacMurray's career, while Milland had over two dozen credits, slowly working his way up from bit parts into romantic leads. They're each so appealing that the movie's only real flaw is that Claude Binyon's screenplay is forced to create conflicts between Colbert and Milland that are a bit hard to believe. The characters are so head over heels for one another in the early scenes that their breakup gives the film a rather sad undercurrent.
That said, there's a lot of great stuff in the movie, which made a star of MacMurray. He's wonderful as the man waiting in the wings who quietly campaigns for Marilyn's heart while supporting her decisions, even when they're not what he hopes.
Pete and Marilyn's "bench" scenes are fascinating because while they're not actually doing much of anything but talking and eating popcorn, a world of information is conveyed about the characters and their relationship. We enjoy their easy familiarity, with rituals such as Pete removing his shoes while he relaxes. Marilyn's gradual recognition of her feelings for Pete, the man who is always there for her, is extremely well done.
Likewise, when not stuck with dumb choices by the film's screenplay, culminating in a complete letdown about Charles's real values and feelings for Marilyn, Milland is an utterly charming romantic lead. Like MacMurray, his career was on a sharp upward trajectory after this film.
Having seen some fairly bland leading men at times over the years, most recently in the same year's Mae West film GOIN' TO TOWN (1935), the amount of star power exhibited by both actors opposite the always-stellar Colbert is striking. In some ways, actors either have that magic or they don't, and both MacMurray and Milland definitely had it.
The chemistry between Colbert and both her leading men was such that she would make half a dozen additional films with MacMurray over the next 12 years, as well as two more with Milland in the early '40s. Colbert and Milland's next film together, ARISE, MY LOVE (1940), will be reviewed here in the near future.
As I've written in past tributes to Colbert, years later both actors would say warm things about her; MacMurray described how Colbert patiently helped him learn to act for the camera, while Milland said Colbert was "spiritually lovely inside."
For more on THE GILDED LILY and its role in the careers of both MacMurray and Milland, please check out my original review from 2010.
Fans of Colbert will especially appreciate her letter-perfect performance as Marilyn walks the line between her two relationships, her choices always believable. A scene where Marilyn's celebrity is used to draw visitors to a nightclub has a brilliant moment where she levels with the audience about her ability, or lack thereof, instantly winning their sympathy.
It's also of note that the movie has some interesting things to say about celebrity which haven't dated whatsoever in the ensuing decades. At one point Pete comments that Marilyn is famous simply because she's someone with her name in the paper. The recognition that celebrity is often disconnected from actual achievement still has resonance in the age of the Kardashians, who are famous for being famous and not much else.
THE GILDED LILY was directed by Wesley Ruggles and filmed by Victor Milner. It runs 80 minutes.The supporting cast also includes C. Aubrey Smith, Luis Alberni, Eddie Craven, Donald Meek, Edward Gargan, Tom Dugan, Warren Hymer, and Forrester Harvey.
The Blu-ray print and sound quality are both solid. Disc extras include the trailer, a gallery of seven additional trailers for other films available on Blu-ray from Kino Lorber, and a commentary track by Kat Ellinger.
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
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10 Comments:
I've always liked MacMurray who could play so many different parts well, but it's pleasing to see that he was this good at the start of his career. I almost wish that he, not Gable, had of starred opposite Colbert in It Happened One Night. You're right in that the script has to do some real backflips to justify who Claudette ends up with in the end; Fred basically exploits her into a showbiz career that she did not want, but she breaks off with Milland for wanting her to go to tea with his friends? Huh? However, such is the forward momentum of the script that you *almost* don't notice how awkward Claudette's final choice is. The Gilded Lily is so good that its surprizing that The Bride Came Home from the same year with Fred and Claudette, and Ruggles directing again, is such a flat misfire.
A must-have.
Michael, thank you for sharing your thoughts on the film. (As much as I enjoy MacMurray, I'm very glad Gable was in IT HAPPENED ONE NIGHT.) If you have a chance to revisit the film you'll see that the issue with Milland ends up a little differently than you remember, but I won't mention specifics here so as to leave some of the plot for viewers to discover.
Barrylane, I agree, especially if someone is a fan of the trio of lead performers.
Best wishes,
Laura
Hi Laura, I did just rewatch the film a few nights ago, I'll admit that I edited my summary of Claudette's final choice down to the nub to make a point. Of course the film is leading up to her final - correct - choice, but as you point out, her rejected suitor still has a lot of good points in his favour.
I've never been a big fan of Colbert's, but this film really won me over to her. She looks luminous, and her acting is subtle and wonderful. I hope that this film gets the Criterion treatment someday, but until then I'll be happy with the excellent Kino Lober release.
Thanks for your additional thoughts, Michael!
Though I'm a longtime Claudette fan, like you I especially noticed her subtle yet memorable performance. She has some wonderful tiny bits of business which seem so natural, yet caught my eye on this repeat viewing, like shaking her head just a second before she says no...everything she does feels just right. I'm delighted to know that you came to like her more because of this film.
Best wishes,
Laura
Another film I’ve never seen and your excellent review means it’s added to my ‘to buy’ list .
Looks like I’m getting this one now.Between you and Cinema savant my dvd collection growing really fast. I received Union Pacific and four frightened people thank you so much
Cape Cod Bob
Vienna, I hope you enjoy it! I love putting good films "on the radar" for other films fans.
Cape Code Bob, glad to be in such good company with Cinema Savant adding to your collection. I'm delighted to know the DeMille movies made it to you safely, thank you for letting me know! I hope you'll enjoy them. Claudette's a lot of fun in FOUR FRIGHTENED PEOPLE.
Best wishes,
Laura
This makes a fine double feature with the recently highlighted "No Time For Love." Colbert is wonderful in her many comedies where she shows quite a range.(Thank you Preston Sturges.) MacMurray also does a few good turns with Carole Lombard. My particular favorite is "Hands Across The Table." There are plenty of comedies (more than some might expect) with Fred to be enjoyed.
I have just run the Blu ray, and Claudette, who is always good, has never been more confident and charming, and that includes It Happened One Night, but she needed her leading man, Clark Gable to knock this out of the park. Neither MacMurray of Milland, as attractive as both are, seem to dominate the shortcomings, and annoying bits of their parts. Milland's nobleman is cute, but weak, and MacMurray, while better, is asked to be cuter than possible throughout. The park bench scenes could have been beautiful, but the popcorn and shoes (and anyone seeing the film will understand my meaning) did them in. Gable nails it, but the star, Colbert, is just magnificent.
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