TCM Star of the Month: Kay Francis

Turner Classic Movies is starting off 2022 in fine style, featuring Kay Francis as the January Star of the Month!

Kay was also the Star of the Month in September 2008. I'm thrilled TCM is featuring her again, as discovering her films has been a real joy over the last dozen years or so. Indeed, it was fun to realized I've previously reviewed 2/3 of the Francis films being shown this month.

Three dozen of Kay's film's will be featured on Monday evenings, with the exception of January 17th.

Favorites this month include the Ernst Lubitsch classic TROUBLE IN PARADISE (1932); the pre-Code melodrama MARY STEVENS, M.D. (1932); the country house farce THE GOOSE AND THE GANDER (1935); the fabulous late '30s melodrama IN NAME ONLY (1939), costarring Cary Grant and Carole Lombard; and the "so over the top it's great" ALLOTMENT WIVES (1945).

Please note that GIRLS ABOUT TOWN (1931), which I previously mentioned as being listed on TCM's preview of January highlights, is still included in TCM's Star of the Month article, but as this is written it is not on TCM's final daily or monthly schedules.

The complete lineup is below. Please click on any hyperlinked title to read my complete review.

January 3rd:

JEWEL ROBBERY (1932)

TROUBLE IN PARADISE (1932)

RAFFLES (1930)

FIRST LADY (1937)

IT'S A DATE (1940) (also here)

COMET OVER BROADWAY (1938)

ALWAYS IN MY HEART (1942)

THE FEMININE TOUCH (1941)

THE GOOSE AND THE GANDER (1935) (also here)

PLAY GIRL (1941)

SECRETS OF AN ACTRESS (1938)

WOMEN ARE LIKE THAT (1938)

January 10th:

MANDALAY (1934)

ONE WAY PASSAGE (1932)

BRITISH AGENT (1934)

CYNARA (1932)

LIVING ON VELVET (1935)

STRANDED (1935) (also here)

ANOTHER DAWN (1937)

THE KEYHOLE (1933)

STOLEN HOLIDAY (1937)

STREET OF WOMEN (1932)

January 24th:

TRANSGRESSION (1931)

I LOVED A WOMAN (1933)

DIVORCE (1945)

ALLOTMENT WIVES (1945)

WOMEN IN THE WIND (1939)

THE WHITE ANGEL (1936)

MY BILL (1938)

STORM AT DAYBREAK (1933)

January 31st:

I FOUND STELLA PARISH (1935)

FOR THE DEFENSE (1930)

GUILTY HANDS (1931)

CONFESSION (1937)

THE HOUSE ON 56TH STREET (1933)

MARY STEVENS, M.D. (1933) (also here)

IN NAME ONLY (1939)

DR. MONICA (1934)

GIVE ME YOUR HEART (1936)

KING OF THE UNDERWORLD (1939)

PASSION FLOWER (1930)

A favorite pre-Code Kay film not being shown this month is DR. MONICA (1934), opposite Warren William, and I encourage my readers to stay on the lookout for it.  Update: It turns out that DR. MONICA is one of a few films which were cut off on my original calendar, as they are airing early on February 1st.  I've just added four more titles to the bottom of the January 31st list beginning with that film.

For more on TCM in January 2022, please visit my posts TCM in January: Highlights and Quick Preview of TCM in January along with TCM's online schedule.

Happy New Year, and Happy Kay Francis Month!

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Tonight's Movie: Arabesque (1966) - A Kino Lorber Blu-ray Review

ARABESQUE (1966), a suspense thriller directed by Stanley Donen (CHARADE), is available from Kino Lorber on a Special Edition Blu-ray.

Gregory Peck stars as David Pollock, an American professor in England caught up in espionage, with multiple people, including a Middle Eastern prime minister and a nasty businessman, wanting him to decipher a scrap of paper with some ancient hieroglyphics.

Soon David is also mixed up with Yasmin (Sophia Loren), the businessman's mistress, and David's experience quickly goes from mildly crazy to downright nuts.

I have a funny ARABESQUE memory: Many years ago I started to watch it late at night with our oldest daughter, and we were so unsettled by the opening sequence with an optometrist that we decided to take the movie out and watch something a little less tense! I got past that sequence this time and found the movie becomes more lighthearted from that point, and I enjoyed it quite well.

It's a visually striking film beginning with the opening titles by Maurice Binder. Loren wears a wardrobe by Christian Dior and the music is by Henry Mancini, so the movie has tons of great '60s style, filmed by Christopher Challis. Some of Challis's shots are quite creative.

I've come to realize in recent years that I often find Peck on the bland side; he's reasonably animated here but is not the reason to watch the film. That honor goes to Loren, who is clearly having a blast playing a woman who lies about as much as Cary Grant's character does in Donen's CHARADE (1963). She's lively, gorgeous, tons of fun to watch, and thankfully onscreen at least as much as Peck. A scene where he hides in Loren's shower is particularly amusing.

I saw one twist coming from the opening scenes but that didn't diminish my enjoyment. There's little character depth in this one, but it's a fun 105-minute romp which joins other mid '60s spy thrillers also available from Kino Lorber, including Peck's MIRAGE (1965), and BLINDFOLD (1966) starring Rock Hudson and Claudia Cardinale.

Kino Lorber's widescreen Blu-ray print is a nice, crisp print with a solid soundtrack.

This Special Edition release of ARABESQUE includes reversible case cover art and a cardboard slipcase. (The slipcase may only be available until supplies run out, given that it is no longer guaranteed with Kino's Special Edition of DEAD MEN DON'T WEAR PLAID.) Blu-ray extras include several trailers and TV spots; a poster gallery; a commentary track by Howard S. Berger, Steve Mitchell, and Nathaniel Thompson; an archival featurette with Henry Mancini and Leonard Feather; and four additional trailers for other films available from Kino Lorber.

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

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Tonight's Movie: Angels With Dirty Faces (1938) - A Warner Archive Blu-ray Review

Note: In October I saw ANGELS WITH DIRTY FACES (1938) at the Arthur Lyons Film Noir Festival.

Although the movie had a 2006 DVD release in the first volume of the Warner Bros. Gangsters Collection, it has not been easy to see for some years, so the screening was greeted with great enthusiasm. As noted below, the 35mm print we saw had not been out of the vault for seven years.

It was especially wonderful to return home to the news that the movie would soon have a Warner Archive Blu-ray release!

The Blu-ray is now available and looks and sounds terrific. It's a new 4K scan of the original nitrate camera negative. I was extremely impressed with the sharpness and the beautiful look of the black and white picture.

The disc includes extensive extras imported from the original DVD release, including an introduction by Leonard Maltin, a featurette, the short WHERE THE STARS BEGIN (1939), the cartoon PORKY AND DAFFY (1939), a trailer, a commentary track by Dana Polan, and the 1939 Lux Radio Theater production with James Cagney, Pat O'Brien, and Gloria Dickson.

In a nutshell, anyone who's a fan of Cagney and Warner Bros. films of this era will want to pick up this gorgeous Blu-ray.

Since I reviewed the theatrical screening of the movie a mere two months ago, I'm reprinting the review of the film itself below in its entirety rather than starting over from scratch.

Most of Saturday's films at the Arthur Lyons Film Noir Festival were new to me!

Following THE CRUEL TOWER (1956) the next film screened that day was ANGELS WITH DIRTY FACES (1938).

ANGELS WITH DIRTY FACES has been hard to see for a number of years due to rights issues. Festival programmer and host Alan K. Rode was able to arrange a screening of a 35mm print, which we were told was the first time the print had been out of the vault in seven years.

Rather amazingly, just a couple of days after I returned home from the festival the Warner Archive Collection announced that the movie will be released on Blu-ray this December.

ANGELS WITH DIRTY FACES was written by John Wexley and Warren Duff, with uncredited assistance from Ben Hecht and Charles MacArthur. It's one of Hollywood's favorite '30s plots, in which two childhood friends, Rocky and Jerry (Frankie Burke and William Tracy), grow up in different directions.

Rocky, played as an adult by James Cagney, is in and out of jail for most of his life, while Jerry (Pat O'Brien) becomes a priest who works with poor at-risk youths from the old neighborhood.

When Rocky is released from his latest stint in jail, he briefly seems to clean up his act, spending time with Jerry and another childhood friend, Laury (Ann Sheridan, with Marilyn Knowlden as the younger Laury).

However, Rocky is out for vengeance when he realizes lawyer James Frazier (Humphrey Bogart), who was supposed to be setting up a business for the two of them while Rocky was in jail, has made it big but has no intention of cutting Rocky in as promised.

I've heard from a number of people who love this film dearly, but while I found it fairly entertaining, at the same time it was probably the least interesting film for me from a most enjoyable movie weekend.

The lead actors, of course, are all terrific. Cagney tends to get a lot of the credit for his original and compelling portrayal of Rocky, who just can't live a clean life, but I think O'Brien doesn't get quite enough recognition for playing a good guy like Jerry and keeping him believable and interesting.

I also found Bogart highly entertaining as Rocky's double-crossing business partner. Ann Sheridan's role wasn't quite big enough, fading away in the late going, but what's on screen is good.

What put a damper on the film for me, though, was the group of actors collectively known as the Dead End Kids (Billy Halop, Leo Gorcey, Bobby Jordan, Huntz Hall, Gabriel Dell, and Bernard Punsly). Their obnoxious characters are, put plainly, extremely boring; nothing much distinguishes the boys from one another, nor do they have any emotional range. Since they have a huge amount of screen time, it really detracts from the film.

At one point I wondered why Rocky was spending so much time with children, and as quickly as the question occurred to me, so did the answer: He's still a child himself, not really cut out to interact with mature adults responsibly over the long term. He's also egotistical enough to enjoy the boys fawning over him...a situation which leads to a memorable request from Jerry near movie's end.

The movie was directed by Michael Curtiz, whose life was the subject of an excellent biography by Alan Rode. It was fun seeing back-to-back films starring the subjects of his biographies, as he also wrote about Charles McGraw, star of THE CRUEL TOWER.

The film was scored by Max Steiner, who was also celebrated at the previous day's screening of THE BIG SLEEP (1946) with Steiner's biographer Steven C. Smith on hand for an interview.

The black and white photography was by Sol Polito. I enjoyed picking out a couple familiar locations from the Warner Bros. backlot over the course of the film.

Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from the Warner Archive Collection Amazon Store or from any online retailers where Blu-rays are sold.

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Tonight's Movie: Union Pacific (1939) - A Kino Lorber Blu-ray Review

Thanks to Kino Lorber several very enjoyable films from director Cecil B. DeMille were released on Blu-ray in 2021, including the previously reviewed FOUR FRIGHTENED PEOPLE (1934) and UNCONQUERED (1947).

Kino Lorber has also released DeMille's UNION PACIFIC (1939) on Blu-ray. It's an exciting film with a terrific cast including Joel McCrea, Barbara Stanwyck, Robert Preston, and Brian Donlevy.

I most recently saw UNION PACIFIC as part of UCLA's DeMille series in 2015, and I enjoyed returning to it after half a dozen years. It grabs viewer attention from the minute the opening credits begin streaming up the screen in a visually arresting fashion.

McCrea plays Jeff Butler, a railroad troubleshooter tasked with stopping incidents which continually slow down the building of the Union Pacific Railroad.

The trouble comes from Sid Campeau (Donlevy), who's being paid to delay the construction by a financier (Henry Kolker) who will profit if another railroad is completed first. Campeau is aided by Dick Allen (Preston), who turns out (of course!) to be Jeff's former Army pal.

Jeff falls hard and fast for Mollie (Stanwyck), a railroad postmistress who is also the daughter of an engineer (J.M. Kerrigan). Naturally, Dick also loves Mollie. Mollie loves Jeff but eventually finds herself agreeing to marry Dick to save Jeff's life. (It's a long, tense story involving a stolen payroll...)

As is typical for DeMille, the film runs a long 135 minutes, but he knew how to keep the action going, and there are numerous exciting action set pieces spread over the course of the film. I was reminded of the UCLA introduction, in which historian Mark Vieira told us that DeMille had exhorted the screenwriters to find "a snake under every bed!"

The cast is great, starting with the oft-teamed McCrea and Stanwyck, who have also been reviewed here in the Kino Lorber releases INTERNES CAN'T TAKE MONEY (1937) and THE GREAT MAN'S LADY (1942). They believably convey their affection for one another, often in looks more than words.

Preston is also effective as a man who's only half-bad, to the point that one rather feels sorry for him getting the short end of the stick where Mollie's love is concerned.

Lynne Overman and Akim Tamiroff are marvelous as Jeff's sidekicks, providing comic relief and reassurance when needed. The role struck me as somewhat atypical for Overman, who I associate with more sophisticated characters, but he's completely believable -- and engaging -- as Jeff's observant righthand man.

The deep cast also includes Anthony Quinn, Robert Barrat, Regis Toomey, Stanley Ridges, and Richard Lane. Other familiar faces include Fuzzy Knight, Lon Chaney Jr., Emory Parnell, Harry Woods, Joe Sawyer, Sam McDaniel, Don Beddoe, Byron Foulger, and Joseph Crehan. Look for Evelyn Keyes as the telegraph operator's wife late in the movie.

The film was shot in black and white by Victor Milner. The script was by Jesse Lasky Jr., Walter DeLeon, and C. Gardner Sullivan, adapted by Jack Cunningham from a story by Ernest Haycox, who also wrote the stories which inspired classics such as STAGECOACH (1939) and CANYON PASSAGE (1946).

The Kino Lorber Blu-ray is a very nice-looking print with a strong soundtrack. I don't believe I ever saw this film on DVD so cannot offer a comparison, but I was pleased with the Blu-ray quality and recommend it.

Extras on the Blu-ray disc consist of the trailer; and 11-film Kino Lorber trailer gallery; and a commentary track by Eloise Ross and Paul Anthony Nelson.

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

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Tonight's Movie in 2021: The Year in Review

Happy New Year!!

It's time once again for a look back at the movie viewing year that was! As always, 2021 was yet another terrific viewing year, filled with a wide variety of films. And I was especially thrilled to see some movies in a theater again this year, given that between March 2020 and July 2021 my theatrical viewing consisted solely of drive-in movies.

I saw 190 films in 2021, which rather interestingly was down slightly from last year, which was in turn my lowest tally since 2010. You'd think that pandemic restrictions would lead to my viewing more films rather than fewer.

Although I attended two film festivals in 2021, seeing a total of 19 films at those events, I also did more traveling last year which didn't involve seeing movies...or at least many at once! And fine TV series such as the Disney+ Marvel programs also periodically lured me away from movie viewing.

For comparison, I saw 198 films in 2020, 238 films in 2019, 282 films in 2018, 284 films in 2017, 275 in 2016, 310 movies in 2015 (my record to date!), 286 movies in 2014, 277 films in 2013, 220 in both 2012 and 2009, 226 in 2011, and 211 movies in 2010.

I saw 28 films theatrically this year, including 2 drive-in films in that tally. I thought that was a pretty good number considering that theaters were shut down in California for a significant chunk of 2021. Looking back in time, I only saw 9 big screen films in "locked down" 2020, 91 big screen films in 2019, 116 theatrical films in 2018, 102 in 2017, 75 in 2016, 115 in 2015, 78 in 2014, 50 in 2013, and 55 in 2012.

Seven of my theatrical viewings were brand-new films released in 2021. More information on the new titles seen last year follows below.

74 of this year's 190 films were repeat watches, with eight of those repeat viewings coming on a big screen at one of the two film festivals I attended in 2021.

For comparison, in 2020 there were 64 repeat watches and in 2019 there were 81 repeat watches, so this year's rewatch number falls in the middle of the last couple years. Further back in time, in 2018 there were a whopping 92 repeat watches, while in 2017 there were 68 repeat films, 62 in 2016, 76 in 2015, 68 in 2014, 41 in 2013, 36 in 2012 and 2009, 15 in 2011, and only 13 in 2010.

As usual, each hyperlinked title which follows in this post links to my past review. While I haven't listed every movie seen or gone into extensive detail here, it's always my hope that the linked reviews will provide resources for further exploration and inspiration for future viewing.

Each linked review includes options available for watching each title, including DVD, Blu-ray, streaming, and even VHS, a format I continue to utilize periodically. I know the same is true for some of my readers!

The next section of this post will look at some additional statistics, including films seen at festivals and lists of most-seen actors. The last section of the post is a month-by-month review of additional notable titles not already mentioned.

Here's a look back at the great movie viewing year which was 2021!

...I attended two film festivals this year, both in October. First up was the Lone Pine Film Festival, where I saw eight films, six of which were new to me. The new titles were BAR 20 (1943), WESTWARD HO (1935), HANGMAN'S KNOT (1952), THE CATTLE THIEF (1936), THE CISCO KID AND THE LADY (1939), and the TV-movie RED RIVER (1988).

...Previously reviewed films seen at the Lone Pine Film Festival were RIO GRANDE (1950) and BORDER TREASURE (1950).

...At the Arthur Lyons Film Noir Festival, held in Palm Springs, I saw 11 films, five for the first time. New to me at the festival were: THE CRUEL TOWER (1956), ANGELS WITH DIRTY FACES (1938), and VIOLENT SATURDAY (1955), along with the only two foreign films I saw in 2021, JENNY LAMOUR (1947), also known in France as QUAI DES ORFEVRES, and THE BLACK VAMPIRE (1953), known in Argentina as EL VAMPIRO NEGRO.

...Previously reviewed movies seen at the Arthur Lyons Fest were WHERE THE SIDEWALK ENDS (1950), NIGHT HAS A THOUSAND EYES (1948), THE BIG SLEEP (1946), HIGH WALL (1947), PLAYGIRL (1954), and THE RECKLESS MOMENT (1949).

...I attended two drive-in screenings last year: STEAMBOAT BILL, JR. (1928) at the Hollywood Legion Drive-In Theater in March and FLYING DOWN TO RIO (1933), hosted by the Art Deco Society of Los Angeles at Mess Hall Market in Tustin at the end of July.

...In addition to STEAMBOAT BILL, JR., the seven silent films I saw this year included the new-to-me SENSATION SEEKERS (1927), A CHAPTER IN HER LIFE (1923), LIGHTS OF OLD BROADWAY (1925), CHILDREN OF DIVORCE (1927), and 13 WASHINGTON SQUARE (1928). I also revisited THE DELICIOUS LITTLE DEVIL (1919).

...I resumed attending indoor movies in July 2021. Brand-new movies seen theatrically last year were: F9: THE FAST SAGA (2021), BLACK WIDOW (2021), JUNGLE CRUISE (2021), FREE GUY (2021), SHANG-CHI AND THE LEGEND OF THE TEN RINGS (2021), ENCANTO (2021), and SPIDER-MAN: NO WAY HOME (2021).

...I only saw one feature-length documentary in 2021, THE DONUT KING (2020).

...I enjoyed 11 Hallmark TV-movies in 2021: CHRISTMAS IN MONTANA (2020), SENSE, SENSIBILITY & SNOWMEN (2019), USS CHRISTMAS (2020), TIME FOR US TO COME HOME FOR CHRISTMAS (2020), HARVEST LOVE (2017), GOURMET DETECTIVE: EAT, DRINK AND BE BURIED (2017), ROUX THE DAY: A GOURMET DETECTIVE MYSTERY (2020), THE SECRET INGREDIENT (2020), SNOWKISSED (2021), MERRY & BRIGHT (2019), and WELCOME TO CHRISTMAS (2018). I liked them all to varying degrees, with CHRISTMAS IN MONTANA and MERRY & BRIGHT probably being my favorites among this group.

...The worst picture I saw in 2021 was unquestionably THE ART OF LOVE (1965) starring James Garner. Past "winners" in this category: HULLABALOO (1940) from my 2009 list, FORT BOWIE (1958) in 2011, INHERIT THE WIND (1960) in 2012, a tie between DAVY CROCKETT, INDIAN SCOUT (1950) and FLYING BLIND (1941) in 2013, FORT YUMA (1955) in 2014, THE ROBIN HOOD OF EL DORADO (1936) in 2015, MAKE MINE LAUGHS (1949) in 2016, DEJA VU (1985) in 2017, GOLDIE GETS ALONG (1933) in 2018, MADAME X (1966) in 2019, and THE MOONLIGHTER (1953) in 2020. Fortunately it's quite rare when I don't find at least some things in a film to enjoy!

...Fred MacMurray was my most-seen actor in 2021, with seven films. Just behind MacMurray, at six films, was Rock Hudson.

...Actors seen in five films apiece last year: Cary Grant, Bob Hope, William Powell, Randolph Scott, and John Wayne. I saw Van Heflin, Ralph Bellamy, and Ray Milland in four films each in 2020.

...Also seen regularly in 2021, in three films apiece: Fred Astaire, Noah Beery Jr., Humphrey Bogart, Gary Cooper, Preston Foster, William Holden, Tim Holt, Richard Martin, Barton MacLane, Anthony Quinn, Lyle Talbot, and Robert Young.

...Thanks to watching the majority of her films this year, Mae West was my most-seen actress of 2021, with eight movies. Claudette Colbert followed closely, with seven films.

...Ranking at five films apiece were Carole Lombard, Myrna Loy, and Barbara Stanwyck. I also saw Doris Day and Glenda Farrell in four films each.

...Seen in three films apiece were Judy Garland, Paulette Goddard, Bonita Granville, Donna Reed, Maureen O'Hara, Ginger Rogers, Angie Dickinson, and my most-seen actress of 2020, Marjorie Woodworth.

...Below is a month-by-month look at some additional titles not already listed above which I found especially memorable viewing in 2021.

...January started off well with Billy Wilder's FIVE GRAVES TO CAIRO (1942), starring Franchot Tone and Anne Baxter; it was one of my favorite new-to-me discoveries of 2021...I revisited Robert Mitchum and Janet Leigh in the excellent HOLIDAY AFFAIR (1949) thanks to a new Blu-ray release...I always enjoy revisiting Jack Webb's DRAGNET (1954) with its great cast and dialogue...I think RIO GRANDE (1950), which I saw twice in 2021, might have just barely edged out SHE WORE A YELLOW RIBBON (1949) as my favorite of John Ford's Cavalry trilogy this year; at minimum, it's now a tie...I appreciated Judy Garland more than ever when I revisited THE PIRATE (1948) for the first time in years...WAKE ISLAND (1942) was sad, stirring, and educational...THE FOUNDER (2015), about Ray Kroc of McDonald's fame, wasn't a perfect movie, but there was much to appreciate and it was an interesting film to critique...CALCUTTA (1947) is always fun to watch thanks to favorites Alan Ladd and Gail Russell...BLIND ADVENTURE (1933) was an enjoyable little "B" mystery set in foggy London starring Robert Armstrong...I enjoyed Jean Muir in the romantic melodrama HER HUSBAND'S SECRETARY (1937).

...February viewing kicked off with the Blu-ray release of AFTER THE THIN MAN (1936), the first of several films in the series which I rewatched last year...THE SHEPHERD OF THE HILLS (1941), starring John Wayne and Harry Carey Sr., was an unusual and interesting film...I love THE PAJAMA GAME (1957) and its music and was delighted to revisit it...CALL IT A DAY (1937) was a pleasant family drama with an excellent cast...THUNDER ON THE HILL (1951) is an outstanding mystery with Claudette Colbert trying to aid convicted murderess Ann Blyth...THE GOLDEN BLADE (1953) was swashbuckling fun with Rock Hudson and Piper Laurie...UNKNOWN (2011) was a most enjoyable mystery starring Liam Neeson as a man injured in an accident, only to find no one seems to remember him once he recovers...ROOM FOR ONE MORE (1952) has been a favorite Cary Grant film since I was very young, and my 2021 viewing cemented my good impression of it...Jean Muir appeared in my viewing again in the most enjoyable "B" aviation drama FUGITIVE IN THE SKY (1937)...Belita's charismatic skating performances elevated the mystery SUSPENSE (1946)...SMART BLONDE (1937) introduced me to crime-solving reporter Torchy Blane (Glenda Farrell)...GOOD NEWS (1947) is one of my all-time favorite MGM musicals, and the new Blu-ray was a stunning pleasure to watch...I also love Doris Day and Jack Carson in MY DREAM IS YOURS (1949), another great Blu-ray release...TAXI, MISTER (1943) was a fun film in the "Streamliner" series of short movies, with Grace Bradley a comic delight...I always love watching Tim Holt and Richard Martin and saw them in HOT LEAD (1951) in February...I also revisited the Western SEMINOLE (1953), starring Rock Hudson, Anthony Quinn, and Barbara Hale.

...March began with a fun new-to-me Bing Crosby movie, HERE COME THE WAVES (1944)...Every time I revisit SAN FRANCISCO (1936), starring Clark Gable, Jeanette MacDonald, and Spencer Tracy, it impresses me anew, including the special effects, still stunning after all these years...SHOW BOAT (1951) is a beautiful MGM musical...Julie Adams played an unusual leading role as a Mexican revolutionary in WINGS OF THE HAWK (1953)...Dorothy Lamour was particularly charming in the Bob Hope comedy CAUGHT IN THE DRAFT (1941)...PRAIRIE CHICKENS (1943) was a Western "Streamliner"...I also caught another Torchy Blane film, FLY AWAY BABY (1937)...NOTHING BUT THE TRUTH (1941) reunited the team of Bob Hope and Paulette Goddard...ON MOONLIGHT BAY (1951) is a favorite Doris Day film...MAN FROM DEL RIO (1956) featured an interesting performance by Anthony Quinn...I love watching the "three Roberts" -- Mitchum, Ryan, and Young -- in CROSSFIRE (1947)...and there was more Bob Hope in MY FAVORITE BLONDE (1942), opposite Madeleine Carroll.

...I'd forgotten just how enjoyable NO MAN OF HER OWN (1932) is, starring Clark Gable and Carole Lombard, and am glad I revisited it in April...I saw the visually beautiful animated film RAYA AND THE LAST DRAGON (2021) streaming on Disney+...Van Heflin and Ruth Hussey played TENNESSEE JOHNSON (1942) and his wife in an MGM biopic...Western favorite George O'Brien starred in O'MALLEY OF THE MOUNTED (1936)...I found MAN OF THE WORLD (1931), with William Powell and Carole Lombard, better than I had on first viewing...I really enjoyed GALLANT SONS (1940), about a group of teenagers solving a crime; a good cast makes it quite entertaining...Carole Lombard and Fred MacMurray shine in THE PRINCESS COMES ACROSS (1936)...BROADWAY MELODY OF 1940 (1940) featured the sublime dancing of Fred Astaire and Eleanor Powell...THE RIDE BACK (1957), starring Anthony Quinn and William Conrad, was one of my favorite discoveries of 2021, a really well-done Western...and I revisited another Lombard film, LOVE BEFORE BREAKFAST (1936), which I like a lot despite its silliness; Preston Foster costars.

...In May I saw another Thin Man movie, ANOTHER THIN MAN (1939)...There was also more Lombard and MacMurray, this time in HANDS ACROSS THE TABLE (1936)...Cary Grant and Myrna Loy are delightful in MR. BLANDINGS BUILDS HIS DREAM HOUSE (1948)...I very much enjoyed revisiting the silent romantic comedy THE DELICIOUS LITTLE DEVIL (1919), starring Mae Murray and Rudolph Valentino...BATTLE HYMN (1957) was a fairly good film starring Rock Hudson and Dan Duryea...What a thrill to see the terrific film noir THEY WON'T BELIEVE ME (1947) with 15 long-missing minutes restored!...QUANTEZ (1957) is a well-done "chamber Western" with Fred MacMurray in the lead...ARSON, INC. (1949) was a very fun "B" (or maybe "C"!) movie from Lippert Pictures, just the kind of film I like to explore...STAGECOACH KID (1949) was an entertaining Tim Holt film with outstanding Lone Pine locations filmed by Nicholas Musuraca...I had mixed feelings about the Jeff Chandler Cavalry film PILLARS OF THE SKY (1956), which was quite violent but had lovely locations and a good performance by Ward Bond...I hadn't seen ANNIE GET YOUR GUN (1950) in many years and enjoyed it more than I expected, thanks to Irving Berlin's score and a spectacularly good Blu-ray print...The Universal Pictures Western HORIZONS WEST (1952), starring Robert Ryan, Rock Hudson, and Julie Adams, was another film which improved on closer acquaintance.

...June kicked off with a very enjoyable "old favorite" MGM musical, the wacky, colorful ATHENA (1954), starring Jane Powell and Debbie Reynolds...THE FINAL COUNTDOWN (1980) was a fun WWII time travel thriller...THE TENDER TRAP (1955), starring Frank Sinatra and Debbie Reynolds, is a film I've been fond of for most of my life...I love the candy-colored ("California coral!") palette of BACHELOR IN PARADISE (1961), starring Bob Hope and Lana Turner...SENSATION SEEKERS (1927) was an interesting silent film directed by Lois Weber...IT HAPPENED TOMORROW (1944) is a favorite comedic fantasy starring Dick Powell and Linda Darnell...I also enjoyed revisiting the delightful team of Ray Milland and Paulette Goddard in THE CRYSTAL BALL (1943)...LIGHTS OF OLD BROADWAY (1925) was a particularly charming silent film starring Marion Davies...I also really liked Lois Weber's A CHAPTER IN HER LIFE (1923)...NIGHT AFTER NIGHT (1932) introduced me to Mae West...West later wowed me in SHE DONE HIM WRONG (1933) with Cary Grant, one of my favorite discoveries of the year...I've always liked the idea of MGM's review musical ZIEGFELD FOLLIES (1946) better than the end result, which is still worthwhile for some excellent dance sequences featuring Fred Astaire and Lucille Bremer...GREEN DOLPHIN STREET (1947) is a top-quality MGM period drama with outstanding special effects, starring Lana Turner, Richard Hart, Donna Reed, and Van Heflin.

...July had a fairly low film tally due to travel, and I also saw some new theatrical films listed higher up in this piece. At home I enjoyed a very good Cavalry Western, ESCAPE FROM FORT BRAVO (1953), starring William Holden and Eleanor Parker, directed by John Sturges...I really love Edmond O'Brien and Ella Raines in THE WEB (1947), which has a snappy script cowritten by the great William Bowers, and am so glad it's come to home viewing at last...STEP BY STEP (1946) is a quite enjoyable "B" film starring Lawrence Tierney and Anne Jeffreys, and it was a particularly nice surprise having a relatively minor film of that type released on Blu-ray by the Warner Archive...Bob Hope's ALIAS JESSE JAMES (1959) is uneven, but it boasts a cute song, a very fun shootout featuring a bunch of TV Western stars, and lovely Rhonda Fleming...I'M NO ANGEL (1933) was another strong Mae West-Cary Grant film which I enjoyed quite well...and I WOULDN'T BE IN YOUR SHOES (1948) was another fun "B" surprise from the Warner Archive, featuring Don Castle and Elyse Knox. I'm hoping there will be more such releases from them in 2022!

...In August I saw Elvis in IT HAPPENED AT THE WORLD'S FAIR (1963), which had great location shooting...I also saw another Fred MacMurray Western, GUN FOR A COWARD (1956), which costarred Dean Stockwell, who passed away later in the year...I'm very fond of the Colbert-MacMurray romantic comedy NO TIME FOR LOVE (1943) and enjoyed revisiting it...I always like a good aviation drama and thus enjoyed CHAIN LIGHTNING (1950), starring Humphrey Bogart and Eleanor Parker...Mae West starred as the BELLE OF THE NINETIES (1934)...There was more Colbert and MacMurray in THE BRIDE COMES HOME (1935)...I saw MGM's THE GREAT CARUSO (1951) for the first time, starring Mario Lanza and Ann Blyth, and enjoyed it...I watched even more Mae West in GOIN' TO TOWN (1935)...THE GILDED LILY (1935) is another good Colbert-MacMurray film, also featuring Ray Milland...Gary Cooper and Clara Bow starred in the silent melodrama CHILDREN OF DIVORCE (1927)...Liam Neeson's THE ICE ROAD (2021), streamed via Netflix, was a lot of improbable fun...I really enjoyed finally catching up with THE FAST AND THE FURIOUS: TOKYO DRIFT (2006)...I also liked MISSION: IMPOSSIBLE II (2000) and MISSION: IMPOSSIBLE III (2006).

...One of my favorite Mae West films last year was KLONDIKE ANNIE (1936), seen in September...There was more William Powell and Myrna Loy in September as well, thanks to SHADOW OF THE THIN MAN (1941)...THE DUKE OF WEST POINT (1938) was a moving drama starring Louis Hayward and Joan Fontaine...I also saw Fontaine in THE EMPEROR WALTZ (1948), starring Bing Crosby, which I rewatched for the first time in years...I described DESIRE (1936), starring Marlene Dietrich and Gary Cooper, as "pure movie joy"...Mae West starred again in GO WEST YOUNG MAN (1936)...I caught up with another Clint Eastwood-Don Siegel film in COOGAN'S BLUFF (1968), which was mildly entertaining but could have done more with its concept...Ginger Rogers and Ronald Colman starred in the modestly entertaining LUCKY PARTNERS (1940)...ALIAS NICK BEAL (1948) is an outstanding fantasy noir with Ray Milland leading a top cast...and my final Mae West of 2021 came in EVERY DAY'S A HOLIDAY (1937).

...There are only a few films to list here for October, since the majority of films I saw that month were at film festivals, listed earlier in this post. Among the films seen at home, I really like LARCENY (1948), starring John Payne and Joan Caulfield, which I've seen several times...MARY STEVENS, M.D. (1933) is delicious pre-Code fun starring Kay Francis and Glenda Farrell...and FOUR FRIGHTENED PEOPLE (1934) is an enjoyable, atypical DeMille film with Claudette Colbert, Herbert Marshall, and scene-stealing Mary Boland.

...In November I revisited Ginger Rogers and George Brent in IN PERSON (1935), finding it somewhat more enjoyable than my first viewing years ago...I quite liked the amusing farce YOUNG AND WILLING (1943), with a terrific cast headed by William Holden and Susan Hayward...ARISE, MY LOVE (1940) is a superb film starring Ray Milland and Claudette Colbert which I highly recommend...LADIES THEY TALK ABOUT (1933) is lots of pre-Code goodness with Barbara Stanwyck...There was even more pre-Code fun in TORCH SINGER (1933), starring Claudette Colbert ("Give me liberty or give me love!")...MIDNIGHT (1934) was an interesting Poverty Row drama from a new Flicker Alley set...and I enjoy the sunny comedy COME SEPTEMBER (1961), with Rock Hudson, Gina Lollobrigida, Bobby Darin, and Sandra Dee, plus lovely Italian locations.

...The year wrapped up in December with THE THIN MAN GOES HOME (1944)...HOT SATURDAY (1932) was an interesting pre-Code drama starring Nancy Carroll, Cary Grant, and Randolph Scott...I really appreciate the WWII drama O.S.S. (1946) starring Alan Ladd and Geraldine Fitzgerald...I always wish I'd like SANTA FE TRAIL (1940) more when I return to it, but its pleasures include Errol Flynn and Olivia de Havilland...I thoroughly enjoyed DeMille's UNCONQUERED (1947), with Gary Cooper and Paulette Goddard heading a great cast...MGM's IN THE GOOD OLD SUMMERTIME (1949), starring Judy Garland and Van Johnson, is wonderful Christmastime viewing...I saw DEAD MEN DON'T WEAR PLAID (1982) for the first time since its release, and while I was able to appreciate the gimmicks more thanks to all my film noir viewing of the past four decades, it's kind of a one-joke movie...I loved Fay Wray in WOMAN IN THE DARK (1934)...ARTHUR CHRISTMAS (2011) is a truly marvelous Christmas film which I saw for the first time in years...I loved Doris Day and Gene Nelson in LULLABY OF BROADWAY (1951)...and my viewing year concluded with the surprisingly fun INTERNATIONAL LADY (1941), a WWII spy thrilled with George Brent and Basil Rathbone as spies on the trail of Ilona Massey, whose radio performances include coded information used to sabotage Allied planes.

...A few final notes: I anticipate my annual "year in review" movie poster video will post sometime in January and will include the link here along with featuring the video in a separate post. (Update: Here is the video!)

...This year I was delighted to continue contributing a monthly Westerns column for the terrific Classic Movie Hub site. My Western RoundUp columns may be found here. In addition to articles on a variety of Western-related topics, I wrote longer-form reviews of four films in 2021: RIO BRAVO (1959), WILL PENNY (1967), HOUR OF THE GUN (1967), and CATTLE DRIVE (1951).

I'd like to sincerely thank once more everyone who visits this blog! Your readership, friendship, and support are always very deeply appreciated.

I hope all my readers will have happiness, good health, and many wonderful movies in 2022!

Previously: Tonight's Movie in 2009: The Year in Review; Tonight's Movie in 2010: The Year in Review; Tonight's Movie in 2011: The Year in Review; Tonight's Movie in 2012: The Year in Review; Tonight's Movie in 2013: The Year in Review; Tonight's Movie in 2014: The Year in Review; Tonight's Movie in 2015: The Year in Review; Tonight's Movie in 2016: The Year in Review; Tonight's Movie in 2017: The Year in Review; Tonight's Movie in 2018: The Year in Review; Tonight's Movie in 2019: The Year in Review; Tonight's Movie in 2020: The Year in Review.

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Around the Blogosphere This Week...

...is taking this weekend off for New Year's Day!

Please stay tuned for my annual giant post Tonight's Movie: The Year in Review, coming later today.

For anyone who may have missed it during this busy holiday season, my last news link roundup was published December 18th.

Around the Blogosphere This Week will return to its usual weekend schedule on Saturday, January 8, 2022.

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