Saturday, April 16, 2011

Tonight's Movie: Mr. Soft Touch (1949) at the Noir City Film Festival

At this evening's Glenn Ford night at the Noir City Film Festival, FRAMED was followed by Ford as MR. SOFT TOUCH.

MR. SOFT TOUCH is better known as Joe Miracle, and it's a nicely shaded role in that Ford gets to play a bad guy who's not really a bad guy. Joe returned from service in the war to discover the mob had taken over his nightclub and killed his partner, so he holds up his own club and makes off with $100,000. The film begins with Joe in a wild car chase on the run from both the cops and the mob.

Joe ends up hiding out in a settlement house, where he is smitten with a social worker named Jenny Jones (Evelyn Keyes). Joe is both hindered and helped by reporter Henry Byrd (John Ireland) as he tries to avoid the mob until he can flee the country on a Tokyo-bound ship.

I found Ford quite compelling and charismatic in this film; his performance seems dusted with an intense star quality which wasn't as apparent as a different war vet in FRAMED. His scenes with Keyes are filled with unspoken yearning, and in a lighter vein he has a very good scene teaching some young punks a lesson when they invite him to play a dice game.

Keyes is also solid as the woman with a darker back story than Joe suspects. Keyes isn't classically beautiful here, but she has a winning personality, and it's fun to watch her reactions, especially as donations arrive from unexpected sources.

The film has a supporting cast of familiar faces, with Percy Kilbride quite amusing as a resident of the men's dormitory at the settlement house. (He received a round of applause from the audience when he first appeared on screen.) Beulah Bondi, Clara Blandick, Ted de Corsia, Ray Mayer, Angela Clarke, and Ray Teal are also in the cast.

The movie would make good "outside the box" Christmas viewing, as the entire story takes place at Christmastime; one scene even finds Joe donning a Santa suit to escape the bad guys -- shades of LARCENY, INC. (1942).

I think the film's biggest drawback was the ambiguous ending; without being too plot spoilerish, I'll just say I'd have liked to be sure whether or not Joe had a happy future.

Ford and Keyes were regular costars in the '40s, including the very good Randolph Scott Western THE DESPERADOES (1943) and the romantic comedy THE MATING OF MILLIE (1948), which ran regularly on TV when I was growing up.

Last January Kevin's Movie Corner mused about both MR. SOFT TOUCH and THE DESPERADOES.

MR. SOFT TOUCH was codirected by Gordon Douglas and Henry Levin. The film also had two cinematographers, Joseph Walker and Charles Lawton Jr. The running time is 93 minutes.

This film is not available on DVD or video, but it has been shown on Turner Classic Movies.

January 2013 Update: MR. SOFT TOUCH will be out on DVD from the TCM Vault Collection in March 2013.

6 Comments:

Blogger Angeles said...

I love Glenn Ford.
Can you tell me where can I found this movie?
Thank you so much!
Angeles (Spain)

5:24 AM  
Blogger Laura said...

Hi Angeles,

I always include information about a film's availability in my review. If you read the last paragraph you'll find the information you're looking for. It is not available on DVD. Perhaps it will be out in the future.

Best wishes,
Laura

9:29 AM  
Blogger Irene said...

I just watched this and I agree with your evaluation about the ambiguous ending. This film held me through to the end. Ford and Keyes have some nice chemistry. Making my way through some of his filmography during his time as star of the month is fun.

12:14 AM  
Blogger Laura said...

Thanks for sharing your thoughts, StateofGreen, good to know about someone else's impression! TCM has a great Ford lineup this month. :)

Best wishes,
Laura

10:55 AM  
Blogger filmneye said...

I just caught this film by chance on the syndicated TV station 'Movies!'. Despite being an avid fan of film noir & of Glenn Ford, I had never heard of this one before. I'm glad I stumbled upon it 'coz I found it very enjoyable with a compelling storyline. And it was an atypical 'film noir', almost in reverse, since the 'femme fatale' in the story is a do-gooder social worker who leads the anti-hero, Joe Miracle, to do good rather than bad, which brings about his 'downfall'.
Both leads do a great job in making their characters authentic, and their developing relationship very believable. Their chemistry together isn't automatic from the get-go, but grows from scene-to-scene with each other. Evelyn Keyes' performance is well-nuanced & brings a lot of emotional depth to her character. Likewise with Glenn Ford's performance.

2:43 AM  
Blogger Laura said...

Filmneye, glad you stumbled across this interesting movie -- perfect seasonal viewing, too. Appreciate you sharing your thoughts on it and hope others who haven't yet seen it and come across this review and the accompanying comments will be encouraged to try it.

Best wishes,
Laura

7:27 PM  

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