Tonight's Movie: Flying With Music (1942) - A ClassicFlix DVD Review

Time for another Streamliner!

Tonight I dipped into ClassicFlix DVD set The Complete Hal Roach Streamliners Collection, Volume 4: The Musicals to watch FLYING WITH MUSIC (1942).  I previously reviewed the set's ALL-AMERICAN CO-ED (1941).

For those who are new to my Streamliner reviews, these Hal Roach movies are longer than a two-reeler short but shorter than a feature film, typically about 45-50 minutes. In the case of FLYING WITH MUSIC, it runs 46 minutes.

The FLYING WITH MUSIC plot, such as it is, concerns a group of five young ladies, headed by Ann (Marjorie Woodworth), touring South America via a seaplane piloted by Don Terry (William Marshall).

Their guide (Byron Foulger) is replaced by Harry (George Givot), who is on the run from a man (Edward Gargan) Harry thinks is trying to collect alimony payments.

And there's not really much more to the plot of this short little movie, which features several musical numbers. It's an extremely minor film, but even so, I found some things of personal interest. This movie might not have a great deal to offer an average movie-goer, but fans of the era might find it worthwhile from an historical perspective, as I did.

I especially enjoyed the chance to see another film with Streamliners regular Marjorie Woodworth, who was my most-seen actress of 2020 thanks to these films. This is the third Streamliner I've seen her in this year, along with TAXI, MISTER (1943) and PRAIRIE CHICKENS (1943). Woodworth may not be a great actress, but she's quite lovely and I enjoy seeing her in these movies. It's been rather fun to take a deep dive into the career of someone I'd never heard of a couple of years ago!

I also enjoyed the opportunity to see yet another "Good Neighbor Policy" film of the early '40s, one of the movies meant to help strengthen our relations with countries to our south during WWII. I've reviewed many such films here in the past, and it was fun to find this theme even made it into a Streamliner.

Somewhat amazingly, FLYING WITH MUSIC received Oscar nominations for Best Scoring and Best Song. The song, "Pennies for Peppino," is a throwaway number sung by some young children for the tourists; it's pleasant, but certainly not on a par with fellow nominees such as "How About You?" from BABES ON BROADWAY (1942), "Dearly Beloved" from YOU WERE NEVER LOVELIER (1942) and "I've Got a Gal in Kalamazoo" from ORCHESTRA WIVES (1942).

The winner? A little number by Irving Berlin called "White Christmas," which first appeared in HOLIDAY INN (1942).

I was most impressed by the staging of "Song of the Lagoon," which is so steamy I'm rather amazed it made it past the censors. All of the film's five songs were written by Edward Ward, Chet Forrest, and Bob Wright.

Marie Windsor, who had an early role in ALL-AMERICAN CO-ED, was said by IMDb to be a "Native Girl" in this, but although I was watching closely I didn't spot her.

The supporting cast includes Claudia Drake, Norma Varden, Jane Kean, Dorothy O'Kelly, Jerry Bergen, and Rita Montoya.

FLYING WITH MUSIC was directed by George Archainbaud. It was filmed in black and white by Robert Pittack.

The ClassicFlix DVD print was excellent, with a strong soundtrack.

I'll be reviewing the final film in the set, FIESTA (1941), at a future date.

Thanks to ClassicFlix for providing a review copy of this DVD.

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Tonight's Movie: Brooklyn Orchid (1942) - A ClassicFlix DVD Review

BROOKLYN ORCHID (1942) is the first of three films in the new ClassicFlix release The Complete Hal Roach Streamliners Collection, Volume 3: The Taxi Comedies.

I've been enjoying getting to know the Streamliners over the last few weeks thanks to these ClassicFlix volumes, beginning with TANKS A MILLION (1941) and HAY FOOT (1942) in Volume I and DUDES ARE PRETTY PEOPLE (1942) in Volume 2.

I have more ahead to enjoy in those sets, but first I wanted to try out Volume 3 and BROOKLYN ORCHID. William Bendix and Joe Sawyer play Tim McGuerin and Eddie Corbett, working class guys who have worked their way up to ownership of a thriving Brooklyn cab company.

Tim has a beautiful home, a butler, and a wife named Sadie (Grace Bradley) who's attempting to forget her past as a stripper and break into high society, but Tim and Eddie are still rough-hewn types who remember their roots. They have a pool table in their executive office, and when Sadie gives a fancy party, they escape the pianist (Leonid Kinskey) and go fishing in their tuxedos.

Instead of catching a fish, Eddie reels in a young woman named Lucy (Marjorie Woodworth) who had attempted suicide. She places her future in the hands of her rescuers -- which will be hard to explain to Sadie or Eddie's fiancee Mabel (Florine McKinney).

Like all of the Streamliners, BROOKLYN ORCHID is a short film, just 50 minutes long. While I didn't find it as funny as the military comedies and Western I sampled from Volumes 1 and 2, I still found it fairly amusing and enjoyed it. Like the films in the previous sets, it was pleasant light entertainment short enough to squeeze in at the end of a busy day.

I particularly enjoyed the chance to see Grace Bradley (Mrs. William Boyd) in a juicy role; she's quite good as the social-climbing Sadie, with her exaggerated mannerisms and put-on high-class accent. This trio of "taxi" films, which also included THE MCGUERINS FROM BROOKLYN (1942) and TAXI, MISTER (1943), were Bradley's cinematic swan song after a decade in the movies; after TAXI, MISTER she retired to support her beloved husband in his long-running career as Hopalong Cassidy.

This was William Bendix's second film and first credited role. According to a biographical sketch by my friend Ivan Shreve for Radio Spirits, the "taxi" films led to Bendix landing the radio show THE LIFE OF RILEY (1944); he would star in the radio and TV versions of RILEY from 1944 to 1958. The same year BROOKLYN ORCHID was released Bendix began his regular onscreen association with his friend Alan Ladd in THE GLASS KEY (1942).

BROOKLYN ORCHID was directed by Kurt Neumann. It was filmed in black and white by Robert Pittack.

The print and sound quality are quite good. The disc includes five trailers for ClassicFlix releases.

Like the other volumes in the ClassicFlix Silver Series, the initial discs are pressed; when supplies run low they may then be released MOD (manufactured on demand).

I'll be reviewing additional films from all three referenced Streamliner sets as I watch my way through them.

Additional Streamliner sets are on the way, with Volume 4: Musicals due out in August and Volume 5: Pitts & Summerville Plus Other Rarities coming in October.

Thanks to ClassicFlix for providing a review copy of this DVD.

Tonight's Movie: Calaboose (1943) - A ClassicFlix DVD Review

Tonight it was time to watch CALABOOSE (1943), the second title in the ClassicFlix set The Complete Hal Roach Streamliners Collection, Vol. 2: The Westerns.

Last month I reviewed the first film in the collection, DUDES ARE PRETTY PEOPLE (1942).

As with the other Streamliners, CALABOOSE is a short film consisting of a series of comedic set pieces loosely connected by an overarching plot. All three Streamliner Westerns star Jimmy Rogers (son of Will) and Noah Beery Jr. as a pair of goofy modern-day cowboys, Jimmy and Pidge.

In this 45-minute comedy Jimmy and Pidge take a job breaking horses, but it doesn't go so well; girl-crazy Pidge is distracted by Doris (Mary Brian of PETER PAN and IT'S TOUGH TO BE FAMOUS).  When Pidge isn't paying attention the horses escape and run riot through the local town, with one even ending up in the rear seat of a convertible!

It's a pretty amusing sequence, with an all-too-brief appearance by effervescent Jean Porter in a small role.

Pidge learns that Doris's uncle (William Davidson) is the local sheriff and that she loves to coddle and try to reform prisoners, so in the next sequence he works hard to get arrested, while Jimmy tries desperately to prevent it. Pidge finally manages to land in the very plush jail cell decorated by Doris.

In the final section of the movie, complications ensue with a notorious gangster (Marc Lawrence) also ends up in the jail and his gang breaks him out.

CALABOOSE might have been the weakest of the Streamliners I've seen so far, but I still found it mildly amusing. I liked the cast and had to chuckle at the craziness of the horse stampede, and with such a short running time, a Streamliner never has time to wear out its welcome! I find them pleasant company, and the best of the films have had moments which are laugh-out-loud funny.

CALABOOSE was directed by Hal Roach Jr. and filmed by Robert Pittack. The supporting cast includes Paul Hurst, Iris Adrian, Sarah Edwards, Nora Cecil, Jimmy Conlin, and William Farnum.

As with DUDES ARE PRETTY PEOPLE, the picture can be a tad soft at times but overall is entirely acceptable, with no distracting skips or jumps and a good soundtrack.

Earlier this summer I also reviewed films from The Complete Hal Roach Streamliners Collection, Volume 1: The Tracy & Sawyer Military Comedies, as well as from Volume 3, The Taxi Comedies. Just released this week was Volume 4: The Musicals.

Look for more Streamliners reviews here in the future, including the final film in this set, PRAIRIE CHICKENS (1943).

Thanks to ClassicFlix for providing a review copy of this DVD.

Tonight's Movie in 2021: The Year in Review

Happy New Year!!

It's time once again for a look back at the movie viewing year that was! As always, 2021 was yet another terrific viewing year, filled with a wide variety of films. And I was especially thrilled to see some movies in a theater again this year, given that between March 2020 and July 2021 my theatrical viewing consisted solely of drive-in movies.

I saw 190 films in 2021, which rather interestingly was down slightly from last year, which was in turn my lowest tally since 2010. You'd think that pandemic restrictions would lead to my viewing more films rather than fewer.

Although I attended two film festivals in 2021, seeing a total of 19 films at those events, I also did more traveling last year which didn't involve seeing movies...or at least many at once! And fine TV series such as the Disney+ Marvel programs also periodically lured me away from movie viewing.

For comparison, I saw 198 films in 2020, 238 films in 2019, 282 films in 2018, 284 films in 2017, 275 in 2016, 310 movies in 2015 (my record to date!), 286 movies in 2014, 277 films in 2013, 220 in both 2012 and 2009, 226 in 2011, and 211 movies in 2010.

I saw 28 films theatrically this year, including 2 drive-in films in that tally. I thought that was a pretty good number considering that theaters were shut down in California for a significant chunk of 2021. Looking back in time, I only saw 9 big screen films in "locked down" 2020, 91 big screen films in 2019, 116 theatrical films in 2018, 102 in 2017, 75 in 2016, 115 in 2015, 78 in 2014, 50 in 2013, and 55 in 2012.

Seven of my theatrical viewings were brand-new films released in 2021. More information on the new titles seen last year follows below.

74 of this year's 190 films were repeat watches, with eight of those repeat viewings coming on a big screen at one of the two film festivals I attended in 2021.

For comparison, in 2020 there were 64 repeat watches and in 2019 there were 81 repeat watches, so this year's rewatch number falls in the middle of the last couple years. Further back in time, in 2018 there were a whopping 92 repeat watches, while in 2017 there were 68 repeat films, 62 in 2016, 76 in 2015, 68 in 2014, 41 in 2013, 36 in 2012 and 2009, 15 in 2011, and only 13 in 2010.

As usual, each hyperlinked title which follows in this post links to my past review. While I haven't listed every movie seen or gone into extensive detail here, it's always my hope that the linked reviews will provide resources for further exploration and inspiration for future viewing.

Each linked review includes options available for watching each title, including DVD, Blu-ray, streaming, and even VHS, a format I continue to utilize periodically. I know the same is true for some of my readers!

The next section of this post will look at some additional statistics, including films seen at festivals and lists of most-seen actors. The last section of the post is a month-by-month review of additional notable titles not already mentioned.

Here's a look back at the great movie viewing year which was 2021!

...I attended two film festivals this year, both in October. First up was the Lone Pine Film Festival, where I saw eight films, six of which were new to me. The new titles were BAR 20 (1943), WESTWARD HO (1935), HANGMAN'S KNOT (1952), THE CATTLE THIEF (1936), THE CISCO KID AND THE LADY (1939), and the TV-movie RED RIVER (1988).

...Previously reviewed films seen at the Lone Pine Film Festival were RIO GRANDE (1950) and BORDER TREASURE (1950).

...At the Arthur Lyons Film Noir Festival, held in Palm Springs, I saw 11 films, five for the first time. New to me at the festival were: THE CRUEL TOWER (1956), ANGELS WITH DIRTY FACES (1938), and VIOLENT SATURDAY (1955), along with the only two foreign films I saw in 2021, JENNY LAMOUR (1947), also known in France as QUAI DES ORFEVRES, and THE BLACK VAMPIRE (1953), known in Argentina as EL VAMPIRO NEGRO.

...Previously reviewed movies seen at the Arthur Lyons Fest were WHERE THE SIDEWALK ENDS (1950), NIGHT HAS A THOUSAND EYES (1948), THE BIG SLEEP (1946), HIGH WALL (1947), PLAYGIRL (1954), and THE RECKLESS MOMENT (1949).

...I attended two drive-in screenings last year: STEAMBOAT BILL, JR. (1928) at the Hollywood Legion Drive-In Theater in March and FLYING DOWN TO RIO (1933), hosted by the Art Deco Society of Los Angeles at Mess Hall Market in Tustin at the end of July.

...In addition to STEAMBOAT BILL, JR., the seven silent films I saw this year included the new-to-me SENSATION SEEKERS (1927), A CHAPTER IN HER LIFE (1923), LIGHTS OF OLD BROADWAY (1925), CHILDREN OF DIVORCE (1927), and 13 WASHINGTON SQUARE (1928). I also revisited THE DELICIOUS LITTLE DEVIL (1919).

...I resumed attending indoor movies in July 2021. Brand-new movies seen theatrically last year were: F9: THE FAST SAGA (2021), BLACK WIDOW (2021), JUNGLE CRUISE (2021), FREE GUY (2021), SHANG-CHI AND THE LEGEND OF THE TEN RINGS (2021), ENCANTO (2021), and SPIDER-MAN: NO WAY HOME (2021).

...I only saw one feature-length documentary in 2021, THE DONUT KING (2020).

...I enjoyed 11 Hallmark TV-movies in 2021: CHRISTMAS IN MONTANA (2020), SENSE, SENSIBILITY & SNOWMEN (2019), USS CHRISTMAS (2020), TIME FOR US TO COME HOME FOR CHRISTMAS (2020), HARVEST LOVE (2017), GOURMET DETECTIVE: EAT, DRINK AND BE BURIED (2017), ROUX THE DAY: A GOURMET DETECTIVE MYSTERY (2020), THE SECRET INGREDIENT (2020), SNOWKISSED (2021), MERRY & BRIGHT (2019), and WELCOME TO CHRISTMAS (2018). I liked them all to varying degrees, with CHRISTMAS IN MONTANA and MERRY & BRIGHT probably being my favorites among this group.

...The worst picture I saw in 2021 was unquestionably THE ART OF LOVE (1965) starring James Garner. Past "winners" in this category: HULLABALOO (1940) from my 2009 list, FORT BOWIE (1958) in 2011, INHERIT THE WIND (1960) in 2012, a tie between DAVY CROCKETT, INDIAN SCOUT (1950) and FLYING BLIND (1941) in 2013, FORT YUMA (1955) in 2014, THE ROBIN HOOD OF EL DORADO (1936) in 2015, MAKE MINE LAUGHS (1949) in 2016, DEJA VU (1985) in 2017, GOLDIE GETS ALONG (1933) in 2018, MADAME X (1966) in 2019, and THE MOONLIGHTER (1953) in 2020. Fortunately it's quite rare when I don't find at least some things in a film to enjoy!

...Fred MacMurray was my most-seen actor in 2021, with seven films. Just behind MacMurray, at six films, was Rock Hudson.

...Actors seen in five films apiece last year: Cary Grant, Bob Hope, William Powell, Randolph Scott, and John Wayne. I saw Van Heflin, Ralph Bellamy, and Ray Milland in four films each in 2020.

...Also seen regularly in 2021, in three films apiece: Fred Astaire, Noah Beery Jr., Humphrey Bogart, Gary Cooper, Preston Foster, William Holden, Tim Holt, Richard Martin, Barton MacLane, Anthony Quinn, Lyle Talbot, and Robert Young.

...Thanks to watching the majority of her films this year, Mae West was my most-seen actress of 2021, with eight movies. Claudette Colbert followed closely, with seven films.

...Ranking at five films apiece were Carole Lombard, Myrna Loy, and Barbara Stanwyck. I also saw Doris Day and Glenda Farrell in four films each.

...Seen in three films apiece were Judy Garland, Paulette Goddard, Bonita Granville, Donna Reed, Maureen O'Hara, Ginger Rogers, Angie Dickinson, and my most-seen actress of 2020, Marjorie Woodworth.

...Below is a month-by-month look at some additional titles not already listed above which I found especially memorable viewing in 2021.

...January started off well with Billy Wilder's FIVE GRAVES TO CAIRO (1942), starring Franchot Tone and Anne Baxter; it was one of my favorite new-to-me discoveries of 2021...I revisited Robert Mitchum and Janet Leigh in the excellent HOLIDAY AFFAIR (1949) thanks to a new Blu-ray release...I always enjoy revisiting Jack Webb's DRAGNET (1954) with its great cast and dialogue...I think RIO GRANDE (1950), which I saw twice in 2021, might have just barely edged out SHE WORE A YELLOW RIBBON (1949) as my favorite of John Ford's Cavalry trilogy this year; at minimum, it's now a tie...I appreciated Judy Garland more than ever when I revisited THE PIRATE (1948) for the first time in years...WAKE ISLAND (1942) was sad, stirring, and educational...THE FOUNDER (2015), about Ray Kroc of McDonald's fame, wasn't a perfect movie, but there was much to appreciate and it was an interesting film to critique...CALCUTTA (1947) is always fun to watch thanks to favorites Alan Ladd and Gail Russell...BLIND ADVENTURE (1933) was an enjoyable little "B" mystery set in foggy London starring Robert Armstrong...I enjoyed Jean Muir in the romantic melodrama HER HUSBAND'S SECRETARY (1937).

...February viewing kicked off with the Blu-ray release of AFTER THE THIN MAN (1936), the first of several films in the series which I rewatched last year...THE SHEPHERD OF THE HILLS (1941), starring John Wayne and Harry Carey Sr., was an unusual and interesting film...I love THE PAJAMA GAME (1957) and its music and was delighted to revisit it...CALL IT A DAY (1937) was a pleasant family drama with an excellent cast...THUNDER ON THE HILL (1951) is an outstanding mystery with Claudette Colbert trying to aid convicted murderess Ann Blyth...THE GOLDEN BLADE (1953) was swashbuckling fun with Rock Hudson and Piper Laurie...UNKNOWN (2011) was a most enjoyable mystery starring Liam Neeson as a man injured in an accident, only to find no one seems to remember him once he recovers...ROOM FOR ONE MORE (1952) has been a favorite Cary Grant film since I was very young, and my 2021 viewing cemented my good impression of it...Jean Muir appeared in my viewing again in the most enjoyable "B" aviation drama FUGITIVE IN THE SKY (1937)...Belita's charismatic skating performances elevated the mystery SUSPENSE (1946)...SMART BLONDE (1937) introduced me to crime-solving reporter Torchy Blane (Glenda Farrell)...GOOD NEWS (1947) is one of my all-time favorite MGM musicals, and the new Blu-ray was a stunning pleasure to watch...I also love Doris Day and Jack Carson in MY DREAM IS YOURS (1949), another great Blu-ray release...TAXI, MISTER (1943) was a fun film in the "Streamliner" series of short movies, with Grace Bradley a comic delight...I always love watching Tim Holt and Richard Martin and saw them in HOT LEAD (1951) in February...I also revisited the Western SEMINOLE (1953), starring Rock Hudson, Anthony Quinn, and Barbara Hale.

...March began with a fun new-to-me Bing Crosby movie, HERE COME THE WAVES (1944)...Every time I revisit SAN FRANCISCO (1936), starring Clark Gable, Jeanette MacDonald, and Spencer Tracy, it impresses me anew, including the special effects, still stunning after all these years...SHOW BOAT (1951) is a beautiful MGM musical...Julie Adams played an unusual leading role as a Mexican revolutionary in WINGS OF THE HAWK (1953)...Dorothy Lamour was particularly charming in the Bob Hope comedy CAUGHT IN THE DRAFT (1941)...PRAIRIE CHICKENS (1943) was a Western "Streamliner"...I also caught another Torchy Blane film, FLY AWAY BABY (1937)...NOTHING BUT THE TRUTH (1941) reunited the team of Bob Hope and Paulette Goddard...ON MOONLIGHT BAY (1951) is a favorite Doris Day film...MAN FROM DEL RIO (1956) featured an interesting performance by Anthony Quinn...I love watching the "three Roberts" -- Mitchum, Ryan, and Young -- in CROSSFIRE (1947)...and there was more Bob Hope in MY FAVORITE BLONDE (1942), opposite Madeleine Carroll.

...I'd forgotten just how enjoyable NO MAN OF HER OWN (1932) is, starring Clark Gable and Carole Lombard, and am glad I revisited it in April...I saw the visually beautiful animated film RAYA AND THE LAST DRAGON (2021) streaming on Disney+...Van Heflin and Ruth Hussey played TENNESSEE JOHNSON (1942) and his wife in an MGM biopic...Western favorite George O'Brien starred in O'MALLEY OF THE MOUNTED (1936)...I found MAN OF THE WORLD (1931), with William Powell and Carole Lombard, better than I had on first viewing...I really enjoyed GALLANT SONS (1940), about a group of teenagers solving a crime; a good cast makes it quite entertaining...Carole Lombard and Fred MacMurray shine in THE PRINCESS COMES ACROSS (1936)...BROADWAY MELODY OF 1940 (1940) featured the sublime dancing of Fred Astaire and Eleanor Powell...THE RIDE BACK (1957), starring Anthony Quinn and William Conrad, was one of my favorite discoveries of 2021, a really well-done Western...and I revisited another Lombard film, LOVE BEFORE BREAKFAST (1936), which I like a lot despite its silliness; Preston Foster costars.

...In May I saw another Thin Man movie, ANOTHER THIN MAN (1939)...There was also more Lombard and MacMurray, this time in HANDS ACROSS THE TABLE (1936)...Cary Grant and Myrna Loy are delightful in MR. BLANDINGS BUILDS HIS DREAM HOUSE (1948)...I very much enjoyed revisiting the silent romantic comedy THE DELICIOUS LITTLE DEVIL (1919), starring Mae Murray and Rudolph Valentino...BATTLE HYMN (1957) was a fairly good film starring Rock Hudson and Dan Duryea...What a thrill to see the terrific film noir THEY WON'T BELIEVE ME (1947) with 15 long-missing minutes restored!...QUANTEZ (1957) is a well-done "chamber Western" with Fred MacMurray in the lead...ARSON, INC. (1949) was a very fun "B" (or maybe "C"!) movie from Lippert Pictures, just the kind of film I like to explore...STAGECOACH KID (1949) was an entertaining Tim Holt film with outstanding Lone Pine locations filmed by Nicholas Musuraca...I had mixed feelings about the Jeff Chandler Cavalry film PILLARS OF THE SKY (1956), which was quite violent but had lovely locations and a good performance by Ward Bond...I hadn't seen ANNIE GET YOUR GUN (1950) in many years and enjoyed it more than I expected, thanks to Irving Berlin's score and a spectacularly good Blu-ray print...The Universal Pictures Western HORIZONS WEST (1952), starring Robert Ryan, Rock Hudson, and Julie Adams, was another film which improved on closer acquaintance.

...June kicked off with a very enjoyable "old favorite" MGM musical, the wacky, colorful ATHENA (1954), starring Jane Powell and Debbie Reynolds...THE FINAL COUNTDOWN (1980) was a fun WWII time travel thriller...THE TENDER TRAP (1955), starring Frank Sinatra and Debbie Reynolds, is a film I've been fond of for most of my life...I love the candy-colored ("California coral!") palette of BACHELOR IN PARADISE (1961), starring Bob Hope and Lana Turner...SENSATION SEEKERS (1927) was an interesting silent film directed by Lois Weber...IT HAPPENED TOMORROW (1944) is a favorite comedic fantasy starring Dick Powell and Linda Darnell...I also enjoyed revisiting the delightful team of Ray Milland and Paulette Goddard in THE CRYSTAL BALL (1943)...LIGHTS OF OLD BROADWAY (1925) was a particularly charming silent film starring Marion Davies...I also really liked Lois Weber's A CHAPTER IN HER LIFE (1923)...NIGHT AFTER NIGHT (1932) introduced me to Mae West...West later wowed me in SHE DONE HIM WRONG (1933) with Cary Grant, one of my favorite discoveries of the year...I've always liked the idea of MGM's review musical ZIEGFELD FOLLIES (1946) better than the end result, which is still worthwhile for some excellent dance sequences featuring Fred Astaire and Lucille Bremer...GREEN DOLPHIN STREET (1947) is a top-quality MGM period drama with outstanding special effects, starring Lana Turner, Richard Hart, Donna Reed, and Van Heflin.

...July had a fairly low film tally due to travel, and I also saw some new theatrical films listed higher up in this piece. At home I enjoyed a very good Cavalry Western, ESCAPE FROM FORT BRAVO (1953), starring William Holden and Eleanor Parker, directed by John Sturges...I really love Edmond O'Brien and Ella Raines in THE WEB (1947), which has a snappy script cowritten by the great William Bowers, and am so glad it's come to home viewing at last...STEP BY STEP (1946) is a quite enjoyable "B" film starring Lawrence Tierney and Anne Jeffreys, and it was a particularly nice surprise having a relatively minor film of that type released on Blu-ray by the Warner Archive...Bob Hope's ALIAS JESSE JAMES (1959) is uneven, but it boasts a cute song, a very fun shootout featuring a bunch of TV Western stars, and lovely Rhonda Fleming...I'M NO ANGEL (1933) was another strong Mae West-Cary Grant film which I enjoyed quite well...and I WOULDN'T BE IN YOUR SHOES (1948) was another fun "B" surprise from the Warner Archive, featuring Don Castle and Elyse Knox. I'm hoping there will be more such releases from them in 2022!

...In August I saw Elvis in IT HAPPENED AT THE WORLD'S FAIR (1963), which had great location shooting...I also saw another Fred MacMurray Western, GUN FOR A COWARD (1956), which costarred Dean Stockwell, who passed away later in the year...I'm very fond of the Colbert-MacMurray romantic comedy NO TIME FOR LOVE (1943) and enjoyed revisiting it...I always like a good aviation drama and thus enjoyed CHAIN LIGHTNING (1950), starring Humphrey Bogart and Eleanor Parker...Mae West starred as the BELLE OF THE NINETIES (1934)...There was more Colbert and MacMurray in THE BRIDE COMES HOME (1935)...I saw MGM's THE GREAT CARUSO (1951) for the first time, starring Mario Lanza and Ann Blyth, and enjoyed it...I watched even more Mae West in GOIN' TO TOWN (1935)...THE GILDED LILY (1935) is another good Colbert-MacMurray film, also featuring Ray Milland...Gary Cooper and Clara Bow starred in the silent melodrama CHILDREN OF DIVORCE (1927)...Liam Neeson's THE ICE ROAD (2021), streamed via Netflix, was a lot of improbable fun...I really enjoyed finally catching up with THE FAST AND THE FURIOUS: TOKYO DRIFT (2006)...I also liked MISSION: IMPOSSIBLE II (2000) and MISSION: IMPOSSIBLE III (2006).

...One of my favorite Mae West films last year was KLONDIKE ANNIE (1936), seen in September...There was more William Powell and Myrna Loy in September as well, thanks to SHADOW OF THE THIN MAN (1941)...THE DUKE OF WEST POINT (1938) was a moving drama starring Louis Hayward and Joan Fontaine...I also saw Fontaine in THE EMPEROR WALTZ (1948), starring Bing Crosby, which I rewatched for the first time in years...I described DESIRE (1936), starring Marlene Dietrich and Gary Cooper, as "pure movie joy"...Mae West starred again in GO WEST YOUNG MAN (1936)...I caught up with another Clint Eastwood-Don Siegel film in COOGAN'S BLUFF (1968), which was mildly entertaining but could have done more with its concept...Ginger Rogers and Ronald Colman starred in the modestly entertaining LUCKY PARTNERS (1940)...ALIAS NICK BEAL (1948) is an outstanding fantasy noir with Ray Milland leading a top cast...and my final Mae West of 2021 came in EVERY DAY'S A HOLIDAY (1937).

...There are only a few films to list here for October, since the majority of films I saw that month were at film festivals, listed earlier in this post. Among the films seen at home, I really like LARCENY (1948), starring John Payne and Joan Caulfield, which I've seen several times...MARY STEVENS, M.D. (1933) is delicious pre-Code fun starring Kay Francis and Glenda Farrell...and FOUR FRIGHTENED PEOPLE (1934) is an enjoyable, atypical DeMille film with Claudette Colbert, Herbert Marshall, and scene-stealing Mary Boland.

...In November I revisited Ginger Rogers and George Brent in IN PERSON (1935), finding it somewhat more enjoyable than my first viewing years ago...I quite liked the amusing farce YOUNG AND WILLING (1943), with a terrific cast headed by William Holden and Susan Hayward...ARISE, MY LOVE (1940) is a superb film starring Ray Milland and Claudette Colbert which I highly recommend...LADIES THEY TALK ABOUT (1933) is lots of pre-Code goodness with Barbara Stanwyck...There was even more pre-Code fun in TORCH SINGER (1933), starring Claudette Colbert ("Give me liberty or give me love!")...MIDNIGHT (1934) was an interesting Poverty Row drama from a new Flicker Alley set...and I enjoy the sunny comedy COME SEPTEMBER (1961), with Rock Hudson, Gina Lollobrigida, Bobby Darin, and Sandra Dee, plus lovely Italian locations.

...The year wrapped up in December with THE THIN MAN GOES HOME (1944)...HOT SATURDAY (1932) was an interesting pre-Code drama starring Nancy Carroll, Cary Grant, and Randolph Scott...I really appreciate the WWII drama O.S.S. (1946) starring Alan Ladd and Geraldine Fitzgerald...I always wish I'd like SANTA FE TRAIL (1940) more when I return to it, but its pleasures include Errol Flynn and Olivia de Havilland...I thoroughly enjoyed DeMille's UNCONQUERED (1947), with Gary Cooper and Paulette Goddard heading a great cast...MGM's IN THE GOOD OLD SUMMERTIME (1949), starring Judy Garland and Van Johnson, is wonderful Christmastime viewing...I saw DEAD MEN DON'T WEAR PLAID (1982) for the first time since its release, and while I was able to appreciate the gimmicks more thanks to all my film noir viewing of the past four decades, it's kind of a one-joke movie...I loved Fay Wray in WOMAN IN THE DARK (1934)...ARTHUR CHRISTMAS (2011) is a truly marvelous Christmas film which I saw for the first time in years...I loved Doris Day and Gene Nelson in LULLABY OF BROADWAY (1951)...and my viewing year concluded with the surprisingly fun INTERNATIONAL LADY (1941), a WWII spy thrilled with George Brent and Basil Rathbone as spies on the trail of Ilona Massey, whose radio performances include coded information used to sabotage Allied planes.

...A few final notes: I anticipate my annual "year in review" movie poster video will post sometime in January and will include the link here along with featuring the video in a separate post. (Update: Here is the video!)

...This year I was delighted to continue contributing a monthly Westerns column for the terrific Classic Movie Hub site. My Western RoundUp columns may be found here. In addition to articles on a variety of Western-related topics, I wrote longer-form reviews of four films in 2021: RIO BRAVO (1959), WILL PENNY (1967), HOUR OF THE GUN (1967), and CATTLE DRIVE (1951).

I'd like to sincerely thank once more everyone who visits this blog! Your readership, friendship, and support are always very deeply appreciated.

I hope all my readers will have happiness, good health, and many wonderful movies in 2022!

Previously: Tonight's Movie in 2009: The Year in Review; Tonight's Movie in 2010: The Year in Review; Tonight's Movie in 2011: The Year in Review; Tonight's Movie in 2012: The Year in Review; Tonight's Movie in 2013: The Year in Review; Tonight's Movie in 2014: The Year in Review; Tonight's Movie in 2015: The Year in Review; Tonight's Movie in 2016: The Year in Review; Tonight's Movie in 2017: The Year in Review; Tonight's Movie in 2018: The Year in Review; Tonight's Movie in 2019: The Year in Review; Tonight's Movie in 2020: The Year in Review.

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Quick Preview of TCM in June

Here's a brief look ahead at the June schedule on Turner Classic Movies!

The schedule is still a work in progress, with a significant number of titles to be announced later, but enough information has been filled in to provide a preview.

Gary Cooper will be the June Star of the Month, with his films shown on Wednesday evenings.

Friday nights the TCM Spotlight will focus on con artists. Also of note in June: Tim Holt Westerns every Saturday morning!

The June Noir Alley lineup will be THE BIG STEAL (1949) on the first Sunday of the month, plus THE UNDERCOVER MAN (1949), CRACK-UP (1946), PALE FLOWER (1964), and SORRY, WRONG NUMBER (1948).

A couple films which particularly caught my eye were the classic screwball comedy MIDNIGHT (1939), showing twice in the month. It's also coming out on Blu-ray from the Criterion Collection in June.

The Streamliner NIAGARA FALLS (1941) is another film not shown often on TCM.

TCM will celebrate Father's Day on June 15th. Additional June programming themes will include "murder at sea," adventures in Africa, race car drivers, and "dangerous twins."

TCM will host a memorial tribute for Richard Chamberlain on June 16th and mark the centennial of Tony Curtis's birth on June 3rd.

Other filmmakers honored with multifilm tributes in June will include Ennio Morricone, Vincente Minnelli, Judy Garland, Susan Hayward, Errol Flynn, Sissy Spacek, and a day of films featuring sisters Joan Fontaine and Olivia de Havilland.

And only on TCM will you find a day of films featuring actress Pert Kelton!

I'll have much more on the June schedule here around June 1st. In the meantime, Red Skelton continues as the April Star of the Month, and Mae West is coming in May.

Update: For more on TCM in June 2025, please visit TCM in June: Highlights and TCM Star of the Month: Gary Cooper.

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TCM in June: Highlights

It's time for a close look at the June schedule on Turner Classic Movies!

The June Star of the Month will be Gary Cooper. 24 films and a documentary will be shown on Wednesday evenings this month, beginning on June 4th.

I'll have a separate Star of the Month post available here in the near future.  (Update: Please visit my post TCM Star of the Month: Gary Cooper.)

The June Noir Alley films will be THE UNDERCOVER MAN (1949) on June 7th and 8th, CRACK-UP (1946) on June 14th-15th, PALE FLOWER (1964) on June 21st and 22nd, and SORRY, WRONG NUMBER (1948) on June 28th and 29th.

It's of note that THE UNDERCOVER MAN was written by Sydney Boehm, the screenwriter behind not one but two films I've reviewed this weekend, MYSTERY STREET (1950) and UNION STATION (1950).

On Friday evenings, the TCM Spotlight theme will be "The Art of the Con," featuring films such as THE LADY EVE (1941), MR. LUCKY (1943), and THE MUSIC MAN (1962).

Also look for Alicia Malone hosting "Summer Romance," showing a classic romantic comedy each Sunday in June.

Below are a few more highlights from this month's schedule. Please click any hyperlinked title for a full-length review.

...A centennial tribute to Tony Curtis on June 3rd will include SWEET SMELL OF SUCCESS (1957), which I very much recommend.

...There's a marvelous run of films directed by Vincente Minnelli on June 6th. All seven films are worthwhile, but I especially recommend the undervalued YOLANDA AND THE THIEF (1945), a film I've always loved. Fred Astaire and Lucille Bremer perform one of my all-time favorite dance numbers, "Coffee Time," seen in this photo.

...One of my favorite silent movies, GIRL SHY (1934), will be shown on Silent Sunday Nights on June 8th. Harold Lloyd and Jobyna Ralston are a charming couple.

...Monday, June 9th, the schedule alternates films starring offscreen sisters Joan Fontaine and Olivia de Havilland. I've seen all but one of the films and enjoyed them all; I particularly recommend Fontaine in THE CONSTANT NYMPH (1943), seen here, and de Havilland in HARD TO GET (1938). The latter film introduced the Warren-Mercer standard "You Must Have Been a Beautiful Baby," sung by Dick Powell.

...Another outstanding day of programming is Judy Garland's birthday on June 10th. Every film is a gem; my favorites are MEET ME IN ST. LOUIS (1944) and THE HARVEY GIRLS (1946). But they're all deserving of attention!

...There's a wonderful day of suspense films on June 12th. I've seen every film in the lineup and they're all worthwhile, including THE NARROW MARGIN (1952), THE STRANGER (1946), and HIGH TIDE (1947), to name just a few.

...Father's Day on June 15th features Edward G. Robinson as Margaret O'Brien's father in OUR VINES HAVE TENDER GRAPES (1945). Be sure to also catch that day's "Summer Romance," the comedy MIDNIGHT (1939). MIDNIGHT is an all-time favorite.

...There's a full day of romances on June 16th, including the short "Streamliner" movie NIAGARA FALLS (1941), a film rarely seen on TCM, plus fun films like a pair of "summer resort" movies, HAVING WONDERFUL TIME (1938) and TWO WEEKS WITH LOVE (1950).

...Errol Flynn's June 20th birthday will be celebrated with a lineup including CRY WOLF (1947), which I just enjoyed seeing theatrically at this year's Arthur Lyons Film Noir Festival in Palm Springs.

...One of my all-time favorite films, SEVEN BRIDES FOR SEVEN BROTHERS (1954), will be shown on June 22nd. Also showing is the cute SEVEN SWEETHEARTS (1942) with Kathryn Grayson, Van Heflin, Marsha Hunt, and more.

...Another all-time favorite comedy, MERRILY WE LIVE (1938), is on June 23rd.

...One of my favorite days of the month is June 24th, with a lineup of extremely short movies. Titles include FOG OVER FRISCO (1934), which is 68 minutes; ARMORED CAR ROBBERY (1950), which runs 67 minutes; and THE AFFAIRS OF DOBIE GILLIS (1953), which is 72 minutes.

...TWO GIRLS AND A SAILOR (1944), starring June Allyson, Gloria DeHaven, Van Johnson, and Tom Drake, is a charmer, including some great big band music performers. It's on June 26th.

...You won't find a better adventure film than KING SOLOMON'S MINES (1950), showing on June 29th. Stewart Granger and Deborah Kerr star.

...The month wraps up on June 30th with the great RED RIVER (1948), starring John Wayne and a top cast, directed by Howard Hawks.

For more on TCM in June 2025, please visit my posts Quick Preview of TCM in June and TCM Star of the Month: Gary Cooper, along with TCM's online schedule.

Happy summer!

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