Saturday, February 12, 2022

Tonight's Movie: Party Girl (1958) - A Warner Archive Blu-ray Review

PARTY GIRL (1958), directed by Nicholas Ray, was recently released on Blu-ray by the Warner Archive.

PARTY GIRL stars two of my all-time favorites, Robert Taylor and Cyd Charisse. Charisse plays Vicki Gaye, a nightclub dancer who chances to meet mob lawyer Tommy Farrell at a party, hence the film's title.

Tommy, who limps due to a severe childhood injury, is on the payroll of Chicago mob boss Rico Angelo (Lee J. Cobb), who isn't always completely tethered to reality. In one of the more memorable scenes, Rico becomes drunk due to his grief over Jean Harlow marrying.

Tommy's had a rather empty life, between his injury and an estranged wife (Claire Kelly) who uses him as nothing more than a meal ticket, so he hasn't much cared about the ethics of working for Rico. That all changes when Tommy and Vicki gradually fall in love and he begins to see the possibility of a new life.

A series of surgical procedures in Europe give Tommy pain relief and greater mobility. So far so good, but when Tommy tries to further remake his life and leave Rico's employ for a fresh start with Vicki in another state, Rico puts their lives on the line.

Enter special prosecutor Jeffrey Stewart (Kent Smith)...

This is a terrific film which I first saw in 2007. I noted in that review that the VHS tape I watched was a pan-and-scan and not the best print. It was thus wonderful to revisit this film as it should be seen, in vivid color on a beautifully restored widescreen Blu-ray.

PARTY GIRL was one of the first few films I saw Taylor in, along with my all-time favorite Taylor film, WESTWARD THE WOMEN (1951) the same year. I remember being impressed with his subtle performance, often conveyed in looks rather than words. That still holds true; even small moments such as a glance at Vicki in a courtroom hold meaning. A wordless scene where he waits for her to get into his car simultaneously conveys his attraction and uncertainty. This is one of his best and most interesting performances.

My opinion that Taylor is quite an underrated actor has been cemented by watching roughly 30 of his films in the last 15 years. I especially recommend his Westerns and crime films, as well as ABOVE AND BEYOND (1952), about the pilot of the Enola Gay.

I've always loved Charisse but wasn't completely satisfied with her performance on my first viewing. Seeing the film again, I have no criticism whatever. Her character's stoicism is that of a woman who's constantly had to fend off lecherous men while trying to survive in a tough environment. Her restraint is a good match for Taylor's Tommy, making it understandable why they click.

Kent Smith can be a dry actor in some films, but he has quite a nice supporting turn in this one, making the most of his scenes in the last part of the film. His line deliveries and bits of business add color and interest to the film; I'd go so far as to say I think this is the best of any of his performances I've seen.

I also especially liked John Ireland as a hood who's hung up on Vicki and would like nothing more than to push Tommy out of the picture and have Vicki to himself. She, of course, isn't having it, which doesn't go over well.

This 99-minute film was written by George Wells from a story by Leo Katcher. The beautiful CinemaScope photography was by Robert Bronner. Charisse's costumes were by the great Helen Rose.

The supporting cast includes Corey Allen, Barbara Lang, Myrna Hansen, Betty Utey, David Opatoshu, and Sam McDaniel.  That's an uncredited Tony Martin, Charisse's husband, singing the title song.

As noted, the Warner Archive Blu-ray looks terrific. The soundtrack is also excellent. The lone extra is the trailer.

PARTY GIRL is an excellent film which I recommend.

Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from the Warner Archive Collection Amazon Store or from any online retailers where Blu-rays are sold.

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...Last week I linked to Raquel Stecher's latest list of upcoming film books. I highlighted just a couple of titles last week and want to mention two more, starting with QUEEN OF THE WEST: THE LIFE AND TIMES OF DALE EVANS by Theresa Kaminski. It's due out from Lyons Press in April. I've read many of Dale's autobiographical books and look forward to Kaminski's book.

...Also on the upcoming book list: GIRLS ON FILM: LESSONS FROM A LIFE OF WATCHING WOMEN IN MOVIES by Alicia Malone of Turner Classic Movies. It will be published by Mango in March.

...Last weekend I reviewed MONSIEUR BEAUCAIRE (1946), a Paramount Pictures film starring Bob Hope and Joan Caulfield. I mentioned being a bit surprised the movie wasn't filmed in color to better show off its opulent costumes. I was very interested to learn from Phyllis Loves Classic Movies that MONSIEUR BEAUCAIRE borrowed at least one gorgeous gown from MGM's MARIE ANTOINETTE (1938) -- which, incidentally, was also filmed in black and white.

...Coming to Blu-ray from Kino Lorber Studio Classics: The Maria Montez and Jon Hall Collection, containing the films WHITE SAVAGE (1943), GYPSY WILDCAT (1944), and SUDAN (1945). The prints will be from new 2K masters. This sounds fabulous! I loved Montez and Hall in Kino Lorber's releases of ARABIAN NIGHTS (1942) and ALI BABA AND THE FORTY THIEVES (1944).

...Also coming to Blu-ray soon from Kino Lorber: YOU AND ME (1938) starring George Raft and Sylvia Sidney.

...Jessica's review of THIN ICE (1937), starring Tyrone Power and Sonja Henie, made me want to watch it again! I don't think I've seen it since I reviewed it myself back in 2008.

...A new review from Glenn Erickson: The Warner Archive Blu-ray release of GOLD DIGGERS OF 1933 (1933). I'll be reviewing that here as well!

...Due out later this month from John DiLeo: THERE ARE NO SMALL PARTS: ONE HUNDRED OUTSTANDING FILM PERFORMANCES WITH SCREEN TIME OF TEN MINUTES OR LESS, published by Glitterati. I've enjoyed several of John's previous books and look forward to reviewing his latest here in the next few weeks.

...Here's an interesting book which came out in December: SOUNDIES AND THE CHANGING IMAGE OF BLACK AMERICANS ON SCREEN: ONE DIME AT A TIME by Susan Delson, published by Indiana University Press.

...Nikki DeLoach and Andrew Walker are two of my favorite Hallmark movie actors. They've worked together in the past on a few occasions and are teaming up for a new mystery, THE CURIOUS CATERER (2022). It will be on the Hallmark Movies & Mysteries Channel in April.

...Another Hallmark note of interest: Autumn Reeser and Tyler Hynes will star in ALWAYS AMORE (2022), produced by the Food Network's Giada De Laurentiis. Classic film fans will be interested to learn that it costars former child actress Patty McCormack of THE BAD SEED (1956) fame. Thanks to reader Ashley for passing this on to me.

...There are a couple of interesting upcoming Disney books. THE HOUSE OF THE FUTURE: WALT DISNEY, MIT, AND MONSANTO'S VISION OF TOMORROW by David Bossert is currently having an Indiegogo fundraiser with the book due out in October 2023. Bossert always does superb work on niche Disney subjects, including KEM WEBER: MID-CENTURY FURNITURE DESIGNS FOR THE DISNEY STUDIOS and CLAUDE COATS: WALT DISNEY'S IMAGINEER - THE MAKING OF DISNEYLAND FROM TOAD HALL TO THE HAUNTED MANSION AND BEYOND. I was happy to lend my support to the publication of the book and look forward to my signed copy arriving in my mailbox next year!

...Also due out: THE IMAGINEERING STORY by Leslie Iwerks, based on her outstanding Disney+ documentary. It will be published in November.

...Thanks to this review by David Vineyard at Mystery File, I'm going to pull out my TCM copy of LONDON BY NIGHT (1937), starring George Murphy and Rita Johnson.

...Last month I posted about Dames, Janes, Dolls and Canaries, a fabulous series programmed by Farran Smith Nehme at the Museum of Modern Art in New York. Here's a wonderfully illustrated article Farran wrote on the series, along with a second article by Olympia Kiriakou. I'm jealous of everyone who gets to attend and hope there might be a West Coast edition at some point!

...Attention Southern Californians: Next weekend, February 19th, the Autry will be hosting a screening of the silent Western THE STOLEN RANCH (1926) with live music provided by Cliff Retallick. The movie was directed by William Wyler and filmed in Lone Pine. Thanks to Karie Bible for the tip!

...Notable Passings: A pair of giants in the world of special effects died last week. Douglas Trumbull, who created the effects for 2001: A SPACE ODYSSEY (1968) and CLOSE ENCOUNTERS OF THE THIRD KIND (1977), died at 79. Robert Blalack, a cofounder of Industrial Light & Magic, passed on at 73...Following a trail of obituary information regarding Douglas Trumbull's family, I also belatedly learned of the August 2020 passing of his former sister-in-law, dancer-actress Virginia Bosler. She recreated her 1947 Broadway role as Jean MacLaren in BRIGADOON (1954), dancing the wonderful Wedding Dance. She also danced onscreen in OKLAHOMA! (1955). She was 93...Jim Angle, one of the original correspondents for Fox News Channel, has died at 75. He was with the network from 1996 to 2014. He always had an upbeat persona which I enjoyed.

...For additional recent links of interest to classic film fans, please check out my February 5th roundup.

Tuesday, February 08, 2022

94th Annual Academy Award Nominations

The 94th annual Academy Award nominations were announced this morning.

The complete list was published by The Hollywood Reporter.

The awards are again a pretty big yawn for me, not having seen a single one of the Best Picture nominees. The only one I currently plan to watch at some point this year is WEST SIDE STORY (2021).

I'm open to additional suggestions if any of my readers have seen films on the list they think I'd enjoy...I often enjoy Japanese cinema and am wondering about DRIVE MY CAR (2021).

As has become typical for me in recent years, I'm more interested in the nominees for Best Animated Feature. I've seen RAYA AND THE LAST DRAGON (2021) and ENCANTO (2021), and I plan to see LUCA (2021) soon.

I haven't seen the other two Animated Feature nominees but I think it would be hard to beat the lovely ENCANTO.

The Awards ceremony will be held on Sunday, March 27th.

A reminder for fans of Turner Classic Movies: The 31 Days of Oscar month will take place on the channel in March.

Previous Oscar nomination posts: 2006, 2007, 2008, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, and 2020. There was no Oscar post in 2009 and just a brief news roundup mention last year.

Monday, February 07, 2022

Tonight's Movie in 2021: The Year in Review, Take Two

My annual video celebrating the previous year's viewing is now available on YouTube!

The video features posters from all the movies I watched in 2021. My husband kindly puts this together for me every year as a quick visual overview of all the movies I've enjoyed.

Please click below to watch it. It may also be seen directly on YouTube.


Thanks for watching!


Previously: The "year in review" videos for for 2014, 2015, 2016, 2017, 2018, 2019, and 2020.

Sunday, February 06, 2022

Tonight's Movie: Monsieur Beaucaire (1946) - A Kino Lorber Blu-ray Review

Bob Hope stars as MONSIEUR BEAUCAIRE (1946), just released on Blu-ray by Kino Lorber.

Beaucaire is a barber at the court of Louis XV (Reginald Owen) in 18th-century France. He's sweet on chambermaid Mimi (Joan Caulfield of THE UNSUSPECTED and LARCENY), but she's got bigger fish to fry and gives him the brushoff.

Before long both Beaucaire and Mimi are tossed out of France -- it's a long story -- but become entangled with the fortunes of the Duke le Chandre (Patric Knowles, THE ADVENTURES OF ROBIN HOOD) who has become betrothed, sight unseen, to Princess Maria of Spain (Marjorie Reynolds of HOLIDAY INN and MINISTRY OF FEAR).

The Duke and Princess Maria meet on the road as they each travel incognito and fall in love without realizing they're engaged...

MONSIEUR BEAUCAIRE was one of the better Bob Hope films I've seen, thanks to a fairly substantive story and a superb supporting cast. The screenplay by Melvin Frank and Norman Panama was based on a novel by Booth Tarkington which was previously filmed with Rudolph Valentino in 1924.

Hope is a little more subdued than usual, which is always welcome for me, though there are also some genuinely funny bits, such as when Beaucaire and the Count (Cecil Kellaway) accidentally trade jackets. Hope is well-matched with Caulfield as the saucy, calculating Mimi.

I was really delighted by the secondary romance between the Duke and Maria; I've liked Patric Knowles ever since seeing him as Will Scarlett in Robin Hood, and I also very much like Reynolds. Their romantic story was a perfect counterpoint to the feisty relationship between Beaucaire and Mimi. I wished they'd been given a few more seconds at the fadeout, but having the more serious romance backing up the sarcastic lead couple made the film especially satisfying.

The excellent cast also includes Joseph Schildkraut, Constance Collier, Hillary Brooke, Fortunio Bonanova, Douglas Dumbrille, Leonid Kinskey, and Mary Nash.

This 93-minute movie was directed by George Marshall who directed many comedies and a solid number of Westerns as well.

The movie was filmed by Lionel Lindon. I was rather surprised that the film was shot in black and white, given the opulent setting and elaborate costumes (by Mary Kay Dodson and Gile Steele), but perhaps there weren't any Technicolor cameras available when the movie began shooting in August 1945.

The Kino Lorber Blu-ray print, from a new 2K master, looks and sounds good. The lone extras are a gallery of 13 trailers for other films available from Kino Lorber, mostly Bob Hope films, and a promo for Kino Lorber's Hope releases.

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

Book Review: The Essential Directors: The Art and Impact of Cinema's Most Influential Filmmakers

There have been a number of interesting film books released in the last few months which I've been anxious to share more about here. Work and travel conspired to keeping me reading and reviewing books at a slower pace than normal, and it's time to catch up!

I'm hoping that my reviews will catch the eyes of readers who missed hearing about the books on first release, or perhaps they will serve as reminders for those who've been meaning to order one!

First up for review is THE ESSENTIAL DIRECTORS: THE ART AND IMPACT OF CINEMA'S MOST INFLUENTIAL FILMMAKERS by Sloan De Forest. It was published in late November by Turner Classic Movies and Running Press.

Film historian De Forest has written two previous books for TCM and Running Press, MUST-SEE SCI-FI: 50 MOVIES THAT ARE OUT OF THIS WORLD (2018) and DYNAMIC DAMES: 50 LEADING LADIES WHO MADE HISTORY (2019). Although I haven't yet read DYNAMIC DAMES, I enjoyed the sci-fi book, especially as I came to watching science fiction fairly late in my moviegoing life.

THE ESSENTIAL DIRECTORS covers 56 cinema greats in five-page chapters, which are in turn divided into half a dozen themed sections. In a recent Zoom chat the author shared some of the understandable difficulty and hard work which went into arriving at her final list.

Though there wasn't room for further entries in order to publish a book of a manageable size, additional directors are discussed in brief essays at the end of each section. The "also ran" names would be easily be worthy of a second volume!

As with other books published by TCM and Running Press, THE ESSENTIAL DIRECTORS is a quality book which will appeal to both new and veteran classic film fans. For those who are relatively new to classic films, the book is a valuable survey of many of the greats and a useful "jumping off point" of recommended viewing.

For longtime film viewers, part of the interest in any book of this style is always reading who was chosen for inclusion and why. Each director's chapter provides a brief career sketch, often focusing on a limited number of titles to illustrate the director's style or key works in his or her career, along with assessing the director's long-term influence or importance.

By way of example, the chapter on Vincente Minnelli focuses heavily on MEET ME IN ST. LOUIS (1944), AN AMERICAN IN PARIS (1951), THE BAD AND THE BEAUTIFUL (1952), and THE BAND WAGON (1953), while also pointing out his long-term influence on later directors such as Jacques Demy and Damien Chazelle. Minnelli is seen here with Judy Garland on the set of MEET ME IN ST. LOUIS.

I also especially enjoyed author insights which particularly "clicked" with me, such as noting that Robert Wise may have been "the most under-appreciated filmmaker from studio-era Hollywood." I have often thought myself that Wise's excellence working in so many genres, while lacking a distinctive personal "style," worked against him, though he has a marvelous filmography.

Howard Hawks is another director noted by De Forest for his amazing versatility in a variety of genres. He was at home with gangster films, Westerns, musicals, and more; he's seen below with Carole Lombard on the set of the screwball comedy TWENTIETH CENTURY (1934).

I particularly enjoyed sidebars suggesting a handful of each director's "Must-See Movies" along with a "Key Scene to Watch"; inwardly debating the choices singled out to be highlighted are part of what makes the book fun for longtime fans.

The beautifully reproduced photos, some of which were new to me, will also serve to lure newer viewers to watch various films, while reminding longtime film fans of favorites to revisit. Each chapter typically features one photograph of the director at work, along with scenes from the films; photographs appear in both black and white and in color.

At 326 pages, including the index and bibliography, this is a lengthy read, yet at the same time it's easy to dip in and out of the book, reading a few chapters at a time or skipping around to various directors to correspond with current viewing. The book makes a good companion for home retrospectives of various directors' work!

THE ESSENTIAL DIRECTORS: THE ART AND IMPACT OF CINEMA'S MOST INFLUENTIAL FILMMAKERS is a heavy softcover with glossy paper which weighs in at around 2.4 pounds. Physically it's a similar style to Jeremy Arnold's THE ESSENTIALS, VOL. 2, which I reviewed in 2020.

The book includes forewords by Jacqueline Stewart of TCM and the late director-historian Peter Bogdanovich, who is also featured in one of the chapters.

I have a few more book reviews in the works! Up next is a review of another new book from TCM and Running Press, HOLLYWOOD VICTORY: THE MOVIES, STARS, AND STORIES OF WORLD WAR II by Christian Blauvelt. (Update: Here is a link for the HOLLYWOOD VICTORY review!)

Thanks to TCM and Running Press for providing a review copy of this book.

Seen above and not mentioned in the review: Frank Capra and James Stewart on the set of IT'S A WONDERFUL LIFE (1946).

Saturday, February 05, 2022

Tonight's Movie: Back Page (1933) - A Flicker Alley Blu-ray Review

Time for another enjoyable evening with a film from the Flicker Alley Blu-ray set In the Shadow of Hollywood: Highlights From Poverty Row.

I've previously reviewed two of the set's four films, MIDNIGHT (1934) and WOMAN IN THE DARK (1934).

Tonight I watched BACK PAGE (1933), an entertaining 65-minute newspaper film. I think BACK PAGE might be my favorite film in the set to this point, or perhaps it's tied with WOMAN IN THE DARK.

Peggy Shannon plays Jerry Hampton, who quits her city job as a newspaper reporter when her first big scoop is killed for political reasons.

Jerry good-naturedly turns down a marriage proposal from her boyfriend (Russell Hopton), not feeling ready to settle down; despite Jerry's refusal, he's a supportive guy and arranges for her to take a job with a small newspaper in his hometown, the mythical Apex, California, population 8,000.

The paper is owned by elderly Sam Webster (Claude Gillingwater, seen last week in BEFORE MIDNIGHT). Sam expects Jerry to be a man and is extremely dubious about hiring a woman as editor, but Jerry's gumption and enthusiasm convince him to give her a fair shot.

Jerry immediately turns the newspaper around, mixing local gossip (divorce news!) with deep reporting on business issues impacting the community. Banker Martin Regal (Edwin Maxwell), who also happens to be her boyfriend's uncle, is none too pleased as Jerry reveals some of his shady business maneuvers, but she soldiers on, having a positive impact on the lives of her readers.

There were a lot of things I liked about this film, starting with the confident performance of Shannon. Her Jerry is a fast thinker who keeps pushing the paper onward and upward, improving its coverage and increasing its advertising pages.

I believe I first became aware of Shannon when I saw her in SOCIETY GIRL (1932) at the 2015 UCLA Festival of Preservation. She also appeared with Lee Tracy in FIXER DUGAN (1939).

While Shannon is an engaging screen presence, off the screen she sadly was a drinker. Her last film, just a few years later, was a supporting role in the George O'Brien RKO "B" Western TRIPLE JUSTICE (1940), playing his best friend's fiancee. She died the following year and is buried at Hollywood Forever Cemetery. It's sad to think what might have been when one watches her excellent performance in this film.

BACK PAGE was also refreshingly uncliched. Jerry's boyfriend wants to marry her but doesn't expect her to quit working; instead he finds ways to assist her career advancement, while at the same time it's always clear Jerry is moving up on the strength of her hard work.

It would have been easy to write a story in which the employees of the moribund newspaper resent the young woman from the big city who shows up and expects them to work, so I liked that instead they're excited by the changes. Indeed, when the paper is in trouble, the society editor, Mrs. Mellon (Ottola Nesmith), pitches in to help financially. The staff also includes a young Sterling Holloway.

Along similar lines, store owner Nathan Young (David Callis) initially has an antagonistic relationship with Jerry, but they develop a platonic friendship which proves to be helpful for each of them. There are some fun jokes about his family's long history in the area.

Things may wrap up a little too neatly, tying a current story back to Jerry's lost scoop at the big city paper, but it's also a feel good moment which ends the film on a nice note.  I really enjoyed the hour I spent with this movie.

BACK PAGE was directed by Anton Lorenze and filmed by James S. Brown, Jr. The story was by Harry E. Chandlee and Douglas W. Churchill, with dialogue by F. McGrew Willis.

The last film in this set is THE CRIME OF DR. CRESPI (1935), starring Erich von Stroheim.

Coming soon: A review of the eagerly anticipated Flicker Alley release of the magical REPEAT PERFORMANCE (1947), starring Joan Leslie.

Thanks to Flicker Alley for providing a review copy of this Blu-ray collection.

In the Shadow of Hollywood: Highlights From Poverty Row may be purchased at the Flicker Alley website as well as through retailers such as Amazon.

Tonight's Movie: Stage Fright (1950) - A Warner Archive Blu-ray Review

The underrated Alfred Hitchcock film STAGE FRIGHT (1950) has just been released on Blu-ray by the Warner Archive.

The film STAGE FRIGHT tends to cause disparate reactions from reviewers; for instance, Glenn Erickson, whom I admire greatly, doesn't care for it. Others, such as Rick at Classic Film and TV Cafe a decade ago, like it; Rick wrote at the time the film was "methodically moving up my list of favorite Hitchcock films with each viewing."

I first saw the film in 2010 and fall in Rick's camp. I enjoyed it a great deal a dozen years ago, and on this viewing I had such a good time watching it that I found myself considering just how many Hitchcock films I rank ahead of it. There are several, of course, but after reviewing Hitchcock's filmography I can say this movie has edged its way into the bottom end of my Hitchcock Top 10.

That statement itself will doubtless be controversial to some, and I acknowledge there is one Big Issue with the film; it's commonly recognized, but I'm going to avoid discussing it here to avoid spoilers. That "angle" is definitely a bit of a problem in Hitchcock's telling of the story, but for me it's disappeared on repeat viewings. I know it's there and simply accept going into the film that there's not a particularly good explanation.

The rest of the film is pure delight, and I think with the passage of time -- and particularly arriving at an ability to appreciate Marlene Dietrich's unique persona -- I have only come to appreciate it more. This is a movie I would love to see more people enjoy.

Jane Wyman stars as Eve Gill, a student at London's Royal Academy of Dramatic Art. As the film opens, Eve helps her friend Jonathan (Richard Todd) escape from the police.

Jonathan tells Eve he's unjustly suspected of murdering the husband of his lover, famed actress Charlotte Inwood (Dietrich); he claims that Charlotte accidentally killed him and he was merely attempting to help her cover up her involvement. Eve's been carrying a romantic torch for Jonathan and buys his story; she and her father (Alastair Sim) give him a place to stay at her father's coastal retreat while they all figure out what to do next.

Eve sets out to investigate the murder herself, thinking she can learn something to help clear Jonathan, and in so doing she meets a detective (Michael Wilding) who quickly makes her forget about her infatuation with Jonathan.

Soon Eve's father and Jonathan each make their way to London and the case heads toward a climax...

This is such an entertaining movie, with numerous positive attributes. Michael Wilding is my favorite unsung Hitchcock hero, absolutely charming as the man Eve calls "Ordinary" Smith. Smith falls head over heels for Eve, as she does likewise for him; a scene where the pair attempt a discussion while staring at one another in a taxi is marvelously romantic. My only quibble about the film, beyond the previously mentioned issue, is that I would have liked to see more of Michael Wilding!

Sim is hilarious as Eve's accepting father, who doesn't hesitate to come to his daughter's assistance. I love the light and reassuring tone Sim brings to the film. A scene he shares with Joyce Grenfell as a woman running a shooting gallery at a charity fair is laugh out loud funny.

As foreshadowed by a theater curtain rising as the film begins, there's a great deal of "acting" going on in the film, especially when Wyman takes a temporary job as Dietrich's personal maid "Doris." Dietrich's flamboyant character also does her share of acting, including musical performances. I really enjoyed Dietrich and Wyman's scenes, as Dietrich calls "Doris" anything but her name.

Wyman, who doesn't attempt a British accent, does a good job as her character walks a thin line between being a giddy young woman making poor choices versus showing herself to be a fast thinker, including recognizing when she's met a man of real substance who is not simply using her. The actress also pulls off playing a role meant to be considerably younger than her actual age of 32 or so at the time of filming.

The wonderful Patricia Hitchcock (STRANGERS ON A TRAIN) has a small but enjoyable role as one of Eve's fellow students. It's been noted by some that it seems a bit strange her father cast her as a character named "Chubby." Suffice it to say she was not chubby and was a more than capable actress who's a lot of fun as she distracts the detective, who would rather be spending time with Eve.

The cast also includes Sybil Thorndike as Eve's mother, plus Kay Walsh, Miles Malleson, Hector MacGregor, Ballard Berkeley, and Andre Morell.

STAGE FRIGHT was filmed in black and white by Wilkie Cooper. Whitfield Cook's screenplay was based on an adaptation by Alma Reville Hitchcock of a novel by Selwyn Jepson. The running time is 110 minutes.

The Warner Archive Blu-ray is a 4K scan of the original camera negative. It looks and sounds absolutely fantastic.

Blu-ray extras carried over from the original 2004 DVD release are the trailer and a 20-minute featurette, "Hitchcock and Stage Fright."

STAGE FRIGHT is a delightful film deserving of greater recognition, and this is a splendid Blu-ray print. Recommended.

Thanks to the Warner Archive for providing a review copy of this
Blu-ray. Warner Archive Blu-rays may be ordered from the Warner Archive Collection Amazon Store or from any online retailers where Blu-rays are sold.

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...Release news from Kino Lorber Studio Classics: The Dark Side of Cinema VIII is "coming soon," along with The Dark Side of Cinema VI (due on April 26th) and The Dark Side of Cinema VII. The films in the eighth collection are STREET OF CHANCE (1942), a film starring Claire Trevor and Burgess Meredith which I saw at the 2013 Noir City Film Festival; ENTER ARSENE LUPIN (1944) starring Ella Raines; and TEMPTATION (1946) starring Merle Oberon and George Brent. Can't wait!

...Also coming to Blu-ray from Kino Lorber: A trio of W.C. Fields comedies will be out April 19th, and MURDER AT THE VANITIES (1934) is "coming soon."

...The opening night film has been announced for the TCM Classic Film Festival: A 40th anniversary screening of E.T. THE EXTRA-TERRESTRIAL (1982), with director Steven Spielberg among those in attendance.

...A cookbook I'm looking forward to this fall: HOME IS WHERE THE EGGS ARE by Molly Yeh of the Food Network's GIRL MEETS FARM.

...I was excited to learn that actress Nancy Olson has a memoir, A FRONT ROW SEAT, coming out this fall from the University Press of Kentucky.

...Speaking of books, Raquel Stecher has a new roundup of upcoming movie books at her blog Out of the Past. Among the titles which intrigued me are CINEMATIC STYLE: FASHION, ARCHITECTURE AND INTERIOR DESIGN ON FILM by Jess Berry and THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK by Bernard Dick. I appreciate the work Raquel puts into compiling these lists, as I always learn about interesting reads!

...The latest Blu-ray reviews by Glenn Erickson include THE NAKED JUNGLE (1954) from Viavision/Imprint, THE CAPTURE (1951) from The Film Detective, and BLACK MAGIC (1949) from ClassicFlix.

...Caftan Woman has a wonderful choice for her "One for February on TCM" column: THE SECRET GARDEN (1949), starring Margaret O'Brien, Dean Stockwell, and Herbert Marshall. Both the original book and the movie are longtime favorites.

...Composer John Williams' birthday is being celebrated by a blogathon hosted by Taking Up Room. I especially enjoyed Rachel's post at Hamlette's Soliloquy listing her Top 10 Williams scores and Ruth's post on E.T. THE EXTRA-TERRESTRIAL at Silver Screenings.

...Notable Passing: Carleton Carpenter, a delightful presence in MGM films such as SUMMER STOCK (1950) and TWO WEEKS WITH LOVE (1950), has passed away at the age of 95. He famously sang "Aba Daba Honeymoon" with Debbie Reynolds in TWO WEEKS WITH LOVE, as well as "Row, Row, Row," seen here. Carpenter also costarred with Lloyd Bridges in THE WHISTLE AT EATON FALLS (1951) which is due out on Blu-ray and DVD from Flicker Alley next month. He had a second career as a mystery novelist. His memoir, THE ABSOLUTE JOY OF WORK, was published by BearManor Media a little over half a decade ago.

...More Notable Passings: Howard Hesseman, who played DJ Dr. Johnny Fever on the classic TV comedy WKRP IN CINCINNATI (1978-82), has passed on at 81...Italian actress Monica Vitti, star of L'AVVENTURA (1960) and LA NOTTE (1961), has died at 90.

...For additional recent links of interest to classic film fans, please check out my January 29th roundup.

Thursday, February 03, 2022

Tonight's Movie: Before Midnight (1933)

A few days ago I enjoyed Ralph Bellamy as Inspector Steve Trent in THE CRIME OF HELEN STANLEY (1934). It was the second movie in a four-film mystery series for Columbia Pictures; while only a middling film, I enjoyed it enough to be curious about the rest of the series.

I've just watched the first Trent film, BEFORE MIDNIGHT (1933). This story about a famous Trent case was stronger than THE CRIME OF HELEN STANLEY, and I enjoyed it quite well.

BEFORE MIDNIGHT is an "old dark house story" told in flashback. Inspector Trent is dropped off at a forbidding mansion in the rain by a nervous taxi driver (Fred "Snowflake" Toones) who refuses to leave his car to help Trent with his luggage.

Trent has been summoned by Edward Arnold (William Jeffrey), who fears being killed in fulfillment of a family curse.

Before long Arnold is indeed dead, and there are a plethora of suspects, including his ward Janet (June Collyer), her fiance Dr. Marsh (Arthur Pierson), blackmailer Mavis (Betty Blythe), houseboy Kono (Otto Yanaoka), and butler John Fry (Claude Gillingwater).

There's a nice twist partway through the film's 63 minutes, and a fitting, if shocking, ending which would likely not have been possible once the Production Code began enforcement in mid 1934. It was excellent dramatically but also rather a jaw-dropper. Some information conveyed in the final wrap-up scene would also probably not have been stated so bluntly in the Production Code era.

BEFORE MIDNIGHT was directed by Lambert Hillyer, who did nice work on a number of Westerns including a Buck Jones favorite the following year, THE MAN TRAILER (1934).

The movie was written by Robert Quigley, based on his own story, and filmed by John Stumar. The cast also includes Joseph Crehan and George Cooper.

The last two films in the series were ONE IS GUILTY (1934) and GIRL IN DANGER (1934). I've just realized I have a copy of GIRL IN DANGER thanks to recording it from GetTV a few years ago, and I hope to track down ONE IS GUILTY as well.

Tuesday, February 01, 2022

TCM in February: Highlights

It's time for a look at the February schedule on Turner Classic Movies!

The monthly version of the February schedule may be found here at the TCM website.

TCM's February Star of the Month is Henry Fonda. Over 30 Fonda films will be shown on Tuesday evenings this month. Please note there will not be a separate Star of the Month post for February.  Some of my favorite Fonda films are mentioned below.

There are three Noir Alley films this month: THE TURNING POINT (1952) on February 5th and 6th, SIDE STREET (1950) on February 12th-13th, and CAST A DARK SHADOW (1957) on 26th and 27th. I believe THE TURNING POINT, starring William Holden, Edmond O'Brien, and Alexis Smith, is a TCM premiere.

There will not be a Noir Alley selection the weekend of the 19th and 20th due to a 12-film marathon honoring the late Sidney Poitier.

The February Spotlight on Monday evenings focuses on Breakup Classics. Titles include THE DIVORCEE (1933), BRIEF ENCOUNTER (1946), ADAM'S RIB (1949), and KRAMER VS. KRAMER (1979).

Below are additional February highlights. Please click any hyperlinked title to read my complete review.

...The first evening of Henry Fonda films on February 1st includes a pair of favorite films he made with John Ford, YOUNG MR. LINCOLN (1939) and DRUMS ALONG THE MOHAWK (1939). I've seen them both many times but have never reviewed them here; that's a definite goal!

...There's a fun prime time theme on February 2nd: "We Came, We Saw, We Conga'd." Titles include MY SISTER EILEEN (1955) and MOON OVER MIAMI (1941).

...February 3rd there's a multifilm tribute to Janet Leigh which includes her lovely film debut in THE ROMANCE OF ROSY RIDGE (1949). Van Johnson costars.

...February 6th includes Clark Gable and Claudette Colbert in IT HAPPENED ONE NIGHT (1934), a film which never fails to make me happy.

...The "Breakup Classics" on February 7th include GOODBYE AGAIN (1933), starring Warren William, Joan Blondell, and Genevieve Tobin, and FORSAKING ALL OTHERS (1934) with Clark Gable, Joan Crawford, and Robert Montgomery.

...Henry Fonda Night on February 8th includes the very fine D-Day epic THE LONGEST DAY (1962). I was impressed by the way members of the huge cast contributed unforgettable character sketches in relatively brief screen time, including Fonda as Brigadier General Teddy Roosevelt Jr., who led the assault on Utah Beach while using a cane.

...A daytime tribute to Kathryn Grayson on her February 9th birth date includes another film I need to review here, LOVELY TO LOOK AT (1952). An underrated charmer with a great cast including Howard Keel, Ann Miller, Red Skelton, and Marge and Gower Champion, who have a couple of remarkable dance numbers!

...February 10th features a wonderful day of RKO film noir, including Laraine Day in THE LOCKET (1946). Sharyn Moffett, an impressive young actress who played Day as a child in the film, recently passed away; I wrote a brief tribute to her at the end of a recent link roundup post.

...February 11th there's a wonderful eight-film memorial tribute to Arlene Dahl. It includes fine films such as THE BLACK BOOK (1949), aka REIGN OF TERROR (seen here with Robert Cummings); SCENE OF THE CRIME (1949); AMBUSH (1950); THE OUTRIDERS (1950); and four more titles.

...TO HAVE AND HAVE NOT (1944), starring Humphrey Bogart and Lauren Bacall, makes excellent Sunday viewing on February 13th.

...Joan Leslie is celebrated on February 15th with a seven-film lineup which includes the underrated THE SKY'S THE LIMIT (1943) opposite Fred Astaire.

...February 17th features a trio of Gene Tierney films in prime time, including one of my all-time favorite movies, LAURA (1944). Dana Andrews, Clifton Webb, Vincent Price, and Judith Anderson costar, directed by Otto Preminger.

...Late on the 17th or early on the 18th, depending on the time zone, there's a documentary of note, LESLIE CARON: THE RELUCANT STAR (2016).

...You can never watch ANGEL AND THE BADMAN (1947) too many times! An all-time favorite Western starring John Wayne and Gail Russell. It was a thrill to see where it was filmed on last year's visit to Sedona! It's on Saturday, February 19th.

...There's a nine-film birthday tribute to Ann Sheridan on February 21st which includes WOMAN ON THE RUN (1950), costarring Dennis O'Keefe.

...A dozen years ago I enjoyed THE ARNELO AFFAIR (1947), which starred John Hodiak, Frances Gifford, George Murphy, and Dean Stockwell. It's a film I've wished would be released by the Warner Archive Collection. It will air on TCM on February 23rd.

...February 24th features a day of adaptations of classic novels, including the superlative 1933 version of LITTLE WOMEN (1933) directed by George Cukor. (At right, Jean Parker, Katharine Hepburn, and Joan Bennett as Beth, Jo, and Amy.) LITTLE WOMEN was one of a very small number of classic films I saw on a big screen in 2020, and I treasure the memory.

...On February 25th the lineup features films set in major U.S. cities, including Clark Gable in MANHATTAN MELODRAMA (1934) and SAN FRANCISCO (1936).

...For perfect entertainment on February 26th, look no further than John Ford's STAGECOACH (1939), starring John Wayne and Claire Trevor.

...I really enjoyed Glenn Ford and Geraldine Page in the gentle romantic drama DEAR HEART (1964). It makes fine Sunday viewing on February 27th.

...February ends in fine style with a birthday tribute to director Vincente Minnelli on February 28th. Titles include AN AMERICAN IN PARIS (1951) and BRIGADOON (1954).

For more on TCM in February 2022, please visit my Quick Preview of TCM in February along with TCM's online schedule. Happy classic movie viewing!


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