Wednesday, April 07, 2021

Tonight's Movie: Tennessee Johnson (1942) - A Warner Archive Blu-ray Review

Van Heflin stars as our nation's 17th President, TENNESSEE JOHNSON (1942), available on Blu-ray from the Warner Archive.

The film traces Johnson's life from his days as an illiterate young tailor, taught to read and write by his future wife, librarian Eliza Cardwell (Ruth Hussey).

Johnson becomes a local activist and soon rises through the electoral ranks. As a Southerner loyal to the union, he was chosen as Abraham Lincoln's Vice-Presidential nominee for his second term in office, replacing Hannibal Hamlin.

Of course, Lincoln's second term was tragically cut short, and Johnson found himself President, presiding over angry Washington debates on Reconstruction and how to treat the conquered South. Johnson was impeached and acquitted for violating a law forbidding him to fire Cabinet members; the law was later declared unconstitutional.

As with any film of this type, it's best to view it as "inspired by true events"; the broad outlines of the story are true, but it's historical fiction. However, a good movie like this will often inspire the viewer to dig further into history and discover some of the actual facts; that's been the case with me, as I've found myself doing quite a bit of reading on Andrew and Eliza Johnson this week!

I particularly note that while most of the film was set in the 1860s, I found it surprisingly relevant. Though I don't wish to turn this into a political discussion, I'd be remiss not to mention that a modern-day viewer watching TENNESSEE JOHNSON may have a bit of the feeling that "the more things change, the more they stay the same." One will find echoes of our own recent politics in the story of a rough-edged populist outsider at odds with Congress. This gives a film which is itself nearly 80 years old, depicting events another 80 years previous to that, quite an interesting kick.

Van Heflin is compelling as Johnson, in what I thought was a rather "different" performance from him. In his early years especially, Heflin's Johnson is uncertain and almost weak, but with Eliza's encouragement he works hard to better himself and gains confidence.

Johnson's life had a mixture of unfortunate moments, such as his swearing in as Vice President while inebriated -- a painful scene to watch -- along with gallantry; the scene where he learns that Lincoln has been shot and overrides attempts to keep him from going to Lincoln's side is quite moving.

I have always found Hussey a delightful actress, and she's very appealing here as Andrew's steadfast wife.

Curiously, the film portrays only one of the Johnsons' children, eldest daughter Martha (Lynne Carver). Their other four children are not mentioned.

It's interesting that Heflin and Hussey appear in the majority of the film's 103 minutes in old age makeup; their younger selves disappear at just under the half hour mark, when the film suddenly jumps forward three decades in time.

This was not hinted at in the film's publicity stills, which focus on the early scenes, and it was a bit disappointing to me; although the makeup created by Jack Dawn is good, it might have been better to have another set of actors portray the young Johnsons and then have more age-appropriate actors for the bulk of the film. That said, I suppose older character actors wouldn't have had the same box office pull.

Speaking of older character actors, Lionel Barrymore is highly effective as Johnson's Washington nemesis, Thaddeus Stevens. The deep supporting cast also includes Marjorie Main, Regis Toomey, Morris Ankrum, Grant Withers, Noah Beery (Sr.), J. Edward Bromberg, Russell Hicks, Montagu Love, Robert Warwick, and Russell Simpson.

There are even more familiar faces in the deep cast, including small parts played by up-and-coming actors Dane Clark and Jim Davis.

TENNESSEE JOHNSON was directed by William Dieterle. It was filmed in black and white by Harold Rosson. The script by Wells Root and John L. Balderston was based on a story by Alvin Meyers and Milton Gunzburg.

The Warner Archive Blu-ray looks very good, with a crisp, clear soundtrack.

Blu-ray extras are a July 1943 radio broadcast of the story with Gary Cooper and Ruth Hussey; a Tom and Jerry Cartoon, "Baby Puss" (1943); the short Heavenly Music (1943); and the trailer.

Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from any online retailers where DVDs and Blu-rays are sold.

Tuesday, April 06, 2021

Tonight's Movie: Raya and the Last Dragon (2021)

Disney's latest animated film, RAYA AND THE LAST DRAGON (2021), opened theatrically in "open" states on March 5, 2021.

Here in Southern California movie theaters were still closed on that date, but we had the option to pay a $30 "Premier Access" fee and watch the film on the Disney+ streaming service.

While we didn't take advantage of the Premier Access option for MULAN (2020) last year, preferring to wait a few months until it joined the "free" selections, we splurged and split the cost of RAYA with our daughter. It's not like we've bought more than a couple drive-in movie tickets in the past year, anyway!

I was glad we went ahead and enjoyed the movie in March, as RAYA AND THE LAST DRAGON proved to be both visually stunning and entertaining.

In a rather complicated story set in the ancient land of Kumandra, dragons sacrificed themselves to save humanity from the Druun monsters, who had a nasty habit of turning people into statues.

Centuries later, humans have divided themselves into five tribes, each named for a part of a dragon (Heart, Fang, Talon, Tail, and Spine). The tribes are suspicious of one another, which isn't the best situation when the Druun start causing trouble again.

Raya (Kelly Marie Tran, THE LAST JEDI), daughter of the head of the Heart tribe, attempts to locate the last dragon rumored to exist, Sisu (Awkwafina), which might enable them to reunite the tribes and banish the Druun. Along the way she's aided by several people she meets, including a "Con Baby" (Thalia Tran) managing to subsist living in the streets with an animal gang.

Raya's quest is complicated by Namaari (Gemma Chan, CRAZY RICH ASIANS) of the Fang tribe, who thwarts Raya's attempts to work cooperatively.

I enjoyed this film very much, though I'll mention at the outset that one of my only issues with the film was the almost overwhelming initial plot exposition. Since I was watching at home, I actually turned to the detailed plot description at IMDb a couple of times just to make sure I was "getting" it all! That was unusual for me and thankfully won't be an issue on a future rewatch.

That said, the film's kinetic style reminded me favorably of INTO THE SPIDER-VERSE (2018), which deservedly won the Oscar for Best Animated Feature Film a couple of years ago. The fast cuts and pace hold the attention, and I also liked the way the film labeled the locations; that helpful gesture seemed to acknowledge the filmmakers knew they throw a lot of information at the audience early in the film.

The movie is visually gorgeous from the start all the way through the end credits; my only criticism there is I didn't care for Namaari's androgynous, almost "punk" style. On the other hand, I found Baby Noi both cute and hilarious, and most of the movie is absolutely beautiful.

The comedic actress Awkwafina has turned up in quite a bit of my viewing over the last couple of years, appearing in CRAZY RICH ASIANS (2018), OCEAN'S EIGHT (2018), and JUMANJI: THE NEXT LEVEL (2019).

Although it's not really a negative, for some reason I had the expectation that the "last dragon" would be stately and elegant. Instead, Awkwafina's Sisu is a fast-talking, humorous character not too dissimilar from Robin Williams' Genie from ALADDIN (1992).

And I also note that, like ALADDIN, I feel RAYA AND THE LAST DRAGON could have worked extremely well as a musical.

The supporting voice cast of RAYA AND THE LAST DRAGON also includes Sandra Oh, Daniel Dae Kim, Izaac Wang, Alan Tudyk, and Benedict Wong.

Parental Advisory: This film is rated PG. The dialogue sometimes includes pointlessly coarse language, as has been the case with other recent Disney animated films, but the issues in that regard are fairly minor. Positives are themes of family love, teamwork, and consideration for others.

The trailer does quite a good job of capturing all of the aspects, pro and con, which I've described above. Any negatives are outweighed, in my eyes, by an entertaining, uplifting story and impressive animation. I enjoyed this film quite well and will watch it again in the future.

RAYA AND THE LAST DRAGON was directed by Don Hall, Carlos Lopez Estrada, and Paul Briggs. It was written by Qui Nguyen and Adele Lim.

The film runs 107 minutes, but that includes a lengthy end credits sequence, so in terms of story the film is several minutes shorter. The credits are lovely, and I recommend sticking with them to enjoy the art.

The end credits conclude with an unusual card acknowledging the "unprecedented" "making of this movie from over 400 individual homes" due to the pandemic.

RAYA AND THE LAST DRAGON will be available to all Disney+ subscribers at no extra charge beginning on June 4, 2021.

As a postscript, Disney recently announced that the next Pixar animated film, LUCA (2021), will not be shown theatrically at all. Instead it will be available to Disney+ subscribers at no extra charge starting on June 18, 2021.

Monday, April 05, 2021

Tonight's Movie: No Man of Her Own (1932) - A Kino Lorber Blu-ray Review

Last September I reviewed FAST AND LOOSE (1930) from Kino Lorber's Carole Lombard Collection I. It was a fun film with Lombard in an early role supporting leading lady Miriam Hopkins.

With Kino Lorber's Carole Lombard Collection II coming out this week, it's a great time to circle back to last summer's previous set to watch another of the films, NO MAN OF HER OWN (1932).

In NO MAN OF HER OWN Lombard stars opposite her future husband, Clark Gable, whom she would marry in 1939. I first saw the movie back in 2009; I remembered enjoying it but little about the plot.

I'm happy to say that I thoroughly enjoyed revisiting the movie, which I discovered has some plot similarities to a favorite Robert Montgomery film of a couple years later, HIDE-OUT (1934). Both films also happen to feature Elizabeth Patterson as the heroine's mother.

Gable plays Jerry "Babe" Stewart, a high-level card shark who leaves New York City for small-town Glendale when things start to get uncomfortably hot in New York. Among other things, Jerry is being frequently tailed by a police detective (J. Farrell MacDonald).

Love 'em and leave 'em Jerry is thrown for a loop when he meets Connie (Lombard), a smart and sassy librarian. Before he knows what's hit him, Jerry finds himself marrying Connie, and they return to the big city together.

Jerry finds a "make work" job at a brokerage office so that Connie will think he's going to work each day, while he continues to gamble at night. Eventually Connie catches on that Jerry's a cheater running a racket swindling expensive marks at the poker table, and she puts her foot down.

Jerry is initially ready to call it quits with Connie, but on second thought realizes maybe he'd rather stay married and live an upright life. But how?

This proved to be a delightful 85 minutes, between Gable's charisma and Lombard's effervescent charm. They have marvelous chemistry, and I especially like the ways the movie never quite goes where one expects.

For instance, when Connie finds evidence of the previous women in Jerry's life in his apartment, she dumps their stuff with wisecracks instead of being offended. Similarly, when one of those women (Dorothy Mackaill) turns up at the apartment, instead of having a showdown, the women end up having a heart-to-heart chat.

I also like the way the viewer isn't quite sure what Jerry is up to in the film's final minutes, then his plan is gradually unveiled.

This is the kind of storyline which could easily have turned into a tear-laden melodrama, but instead it's romantic and light on its feet. I enjoyed the film a great deal and don't plan to wait a dozen years before I revisit it again!

NO MAN OF HER OWN was directed by Wesley Ruggles and filmed by Leo Tover. There are some interesting names among the writing credits; the story was cowritten by future director Edmund Goulding, which in turn was inspired by a novel by Val Lewton, the future producer of "B" horror classics.

The supporting cast includes Grant Mitchell, Charley Grapewin, Tommy Conlon, George Barbier, and Paul Ellis.

Kino Lorber's Blu-ray looks great for a film of this vintage, and the soundtrack is excellent. The lone extra on the disc is a commentary track by Nick Pinkerton.

Still to come: I'll be revisiting MAN OF THE WORLD (1931), the final film in Carole Lombard Collection I, which teams Lombard with the actor she was married to before Clark Gable, William Powell.

I'll also be reviewing the three films in the new Carole Lombard Collection II: HANDS ACROSS THE TABLE (1935), THE PRINCESS COMES ACROSS (1936), and LOVE BEFORE BREAKFAST (1936).

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

Sunday, April 04, 2021

A Birthday Tribute to Rosemary Lane

Today I'm paying tribute to actress-singer Rosemary Lane, who was born in Indianaola, Iowa, April 4, 1913.


Dates vary for Rosemary's birth year; I'm using the date from her grave marker.

Rosemary was one of the lovely and talented Lane sisters, who included Leota (born 1903), Lola (born 1906), and Priscilla (born 1916).


While Leota's film career never took off, Rosemary, Lola, and especially Priscilla found success in Hollywood, both separately and together.


Like Priscilla, Rosemary was a singer with Fred Waring and appeared with him in her first film, VARSITY SHOW (1937). She would go on to appear in 20 more films between 1937 and 1945, when she retired from the screen.

Here's Rosemary with Dick Powell in VARSITY SHOW:


My favorite of Rosemary's films might be HOLLYWOOD HOTEL (1937), which she appeared in with her sister Lola. Rosemary was also reunited with Dick Powell in this film, and they share a charming duet, "Fish Out of Water," which may currently be heard here. I love this still from the number:


Rosemary, Priscilla, and Lola teamed with actress Gale Page playing sisters in four beloved films: FOUR DAUGHTERS (1938), FOUR WIVES (1939), FOUR MOTHERS (1941), and DAUGHTERS COURAGEOUS (1939); the latter film has the same cast as the other three films but is a completely different story.

Clockwise from top left are Gale Page, Rosemary, Priscilla, and Lola:


The three Lanes, Lola, Rosemary, and Priscilla:


The quartet, including Gale Page, in FOUR WIVES:



And in FOUR MOTHERS:


Rosemary with her leading man in the DAUGHTERS series, Eddie Albert:


With Claude Rains in DAUGHTERS COURAGEOUS:


Rosemary was married to makeup artist Bud Westmore from 1941 to 1954, when they divorced. They had one child.  It was her only marriage.


Rosemary died November 25, 1974. She was buried at Forest Lawn Glendale, where her grave marker, which Wikipedia indicates was not placed until 2012, reads "Singing With the Angels."


Rosemary Lane's career was relatively brief, but she was a delightful screen presence who made significant contributions to some wonderful films from Hollywood's Golden Age.

Rosemary Lane films previously reviewed at Laura's Miscellaneous Musings: VARSITY SHOW (1937), HOLLYWOOD HOTEL (1937), GOLD DIGGERS IN PARIS (1938), FOUR DAUGHTERS (1938), BLACKWELL'S ISLAND (1939), DAUGHTERS COURAGEOUS (1939), FOUR WIVES (1939), AN ANGEL FROM TEXAS (1940), FOUR MOTHERS (1941), and CHATTERBOX (1943).

Update: Here's a review of THE OKLAHOMA KID (1939).

Update: I had the honor of paying my respects at Rosemary Lane's gravesite at Forest Lawn Glendale.


Easter Blessings

Very best wishes to all for a Happy Easter Sunday!

Here's a nice publicity photo of Ida Lupino to help celebrate this very special day.

Happiest Easter Wishes!

Previous Easter Photos: Jane Powell, Anita Louise, Doris Day, Jean Peters, Janet Leigh, Joan Caulfield, Rita Hayworth, and Ann Blyth.


Saturday, April 03, 2021

Around the Blogosphere This Week

Miscellaneous bits of news and fun stuff from around the internet...

...I often seem to lead off with news regarding Kino Lorber Studio Classics releases, but their busy Blu-ray schedule deserves special notice! In the last few days they've announced three July 20th Blu-ray releases: THE BRIDE COMES HOME (1935) and THE GILDED LILY (1935), starring Claudette Colbert and Fred MacMurray, plus Cecil B. DeMille's THE PLAINSMAN (1936) starring Gary Cooper and Jean Arthur. THE BRIDE COMES HOME will have a commentary track by Lee Gambin, while Kat Ellinger does the commentary for THE GILDED LILY, which costars Ray Milland. (Both Colbert-MacMurray films are available on DVD from TCM Vault.) Simon Abrams handles the commentary for THE PLAINSMAN, previously out on DVD from Universal.

...Last week I shared that Kino Lorber announced a July 13th release date for the "never on DVD" THE WEB (1947). In the last week Kino Lorber also announced that LARCENY (1948) and ALIAS NICK BEAL (1949), which have also not previously been available for home viewing, will also be out on July 13th. That will be a great viewing month! LARCENY will have a commentary track by Eddy von Mueller and ALIAS NICK BEAL will have a track by the Film Noir Foundation's Eddie Muller. (Perhaps worth noting that these tracks are by two different gentlemen with similar names.)

...THUNDERBOLT (1929), with Fay Wray and Richard Arlen, directed by Josef von Sternberg, has now been announced for a July 20th Kino Lorber release. Nick Pinkerton provides the commentary track.

...The final bit of Kino Lorber news for this week is the announcement of two "coming soon" films: FLOWER DRUM SONG (1961) and THE ACCUSED (1949). I reviewed THE ACCUSED here after seeing it at the 2017 Noir City Film Festival.

...At Out of the Past, Raquel Stecher has her latest list of new and upcoming classic film books. I always enjoy reading these lists and jotting down future reading ideas! Titles of interest include memoirs by Ruta Lee and George Chakiris. I also especially look forward to a new biography of Jane Russell, mentioned here last September, by my friend Christina Rice.

...The latest episode of Dick Dinman's podcast is a conversation with Jeremy Arnold on WINGS OF THE HAWK (1953). Jeremy, who knew the film's director, Budd Boetticher, provided the commentary track for Kino Lorber's new Blu-ray release of the film. I reviewed the Blu-ray here last month.

...Over at Riding the High Country Colin reviews QUANTEZ (1957), starring Fred MacMurray and Dorothy Malone. I first saw that film in 2014 and will be circling back to it when I review Kino Lorber's upcoming Blu-ray this summer.

...The WBShop ended business as of March 31st, but Warner Archive Collection fans may want to note that there is a new WAC page at Amazon. However, while Warner Archive Blu-rays ship promptly for Amazon Prime customers, Amazon is not shipping Warner Archive DVDs for over a month. (In contrast, I've had Deep Discount ship WAC DVDs within 24 hours recently.) It will be interesting to see if anything else comes online to replace the WBShop.

...I'm excited to listen to the latest edition of Vincent's Western Movies Podcast, featuring my friend John Knight discussing director Alfred L. Werker. Also, I'll have more information here when it's available, but my husband and I will be featured in an upcoming episode of the podcast focusing on Lone Pine, California.

...At Watching Forever, Toni Ruberto discusses the history of THE GHOST AND MRS. MUIR (1947) as both book and film. Her post is part of the Classic Literature on Film Blogathon hosted by Silver Screen Classics. The other interesting contributions include Rachel of Hamlette's Soliloquy on JANE EYRE (1943).

...Former child actress Karolyn Grimes has updated her 1996 IT'S A WONDERFUL LIFE COOKBOOK. The new edition comes out from Citadel in September. Arriving the same date: IT'S A WONDERFUL LIFE: THE OFFICIAL BAILEY FAMILY COOKBOOK from Insight Editions.

...Coming in June from Arrow Films: A limited edition Blu-ray MAJOR DUNDEE (1965), starring Charlton Heston and directed by Sam Peckinpah. The extensive extras include a commentary track teaming Alan K. Rode with CineSavant Glenn Erickson, as well as an essay by the Self-Styled Siren, Farran Nehme.

...Alan Rode has also done a new commentary for a limited edition Blu-ray of THE BRIDGES AT TOKO-RI (1954), which combines his film expertise with his knowledge acquired as a U.S. Navy veteran.

...The opening of the Lucas Museum of Narrative Art in Los Angeles has been pushed back to 2023 due to COVID.

...James L. Neibaur recently reviewed the trio of Bob Hope comedies I also reviewed here in March.

...Notable Passing: Chelsea Allyn Ladd, the daughter of Alan Ladd Jr. and granddaughter of Alan Ladd, has died at the age of 34.

...For additional recent links of interest to classic film fans, please check out my March 27th roundup.

Happy Easter!

Friday, April 02, 2021

TCM in April: 31 Days of Oscar Highlights

Time for a look at the April schedule on Turner Classic Movies!

This year the annual 31 Days of Oscar festival runs from April 1st to May 1st. TCM has a special microsite with the schedule.

Every film shown during the festival was nominated for or won the Academy Award. This year all films included in the festival will be shown in alphabetical order, from A to Z!

I'm a bit behind with this post due to a heavy work schedule, so we'll start off with a look at April 3rd. Below are just a few of this month's highlights.

Please click any hyperlinked title to read my complete review, including more detailed plot descriptions and cast lists.

...There's back-to-back musical joy on Saturday, April 3rd, with Doris Day and Howard Keel in CALAMITY JANE (1953), followed by Fred Astaire and Ginger Rogers in CAREFREE (1938), one of my top favorites of their 10 films together.

...The alphabet worked out perfectly so that EASTER PARADE (1948) will play as usual on Easter Sunday, how cool is that?!

...When pressed to name one favorite film directed by Alfred Hitchcock, I usually land on FOREIGN CORRESPONDENT (1940), starring Joel McCrea, Laraine Day, and George Sanders. It's on April 6th.

...I haven't seen GREEN DOLPHIN STREET (1947) for many years and am looking forward to revisiting it soon thanks to a brand-new Warner Archive Blu-ray coming out later this month. It's also on TCM on April 8th. Lana Turner, Richard Hart, Van Heflin, and Donna Reed star, and there are some fabulous special effects.

...On New Year's Eve I had the delight of revisiting a favorite MGM musical, THE HARVEY GIRLS (1946). It's on TCM on April 9th. Judy Garland leads a wonderful deep cast.

...There are a number of good choices on April 10th, but I'll focus on one of my favorite Robert Montgomery films, HIDE-OUT (1934), which costars Maureen O'Sullivan. It's a charmer.

...Dana Andrews and Dorothy McGuire star in I WANT YOU (1951) on April 11th. This Korean War film also stars Farley Granger and Peggy Dow. It's been nice to see this title turn up a couple times on TCM recently, as it's a very good film.

...April 12th is an excellent day on the schedule! I could have gone many directions with a recommendation but chose one of my favorite '40s romantic comedies, IT HAPPENED TOMORROW (1944), starring Dick Powell and Linda Darnell. It's a fantasy which is both funny and charming.

...I had the pleasure of seeing KISMET (1944) for the first time last year, starring Ronald Colman, Marlene Dietrich, James Craig, and Joy Page. It's on April 13th. Wonderful escapist entertainment.

...Diane Lane made her film debut at the age of 13 in A LITTLE ROMANCE (1979), being shown on April 15th. She was a natural. I also particularly liked Arthur Hill as her understanding stepfather.

...I have a very nice memory of a rainy Sunday afternoon at the Egyptian Theatre in Hollywood seeing Clark Gable, Myrna Loy, and William Powell in MANHATTAN MELODRAMA (1934). Hard to believe that next fall it will have been 10 years since that day. It's on TCM on April 16th.

...On the 17th I highly recommend another film from 1934, THE MERRY WIDOW (1934), starring Jeanette MacDonald and Maurice Chevalier, directed by Ernst Lubitsch. This film brought me such happiness at the 2018 TCM Classic Film Festival that I teared up at the end. Given the past year, I'm grateful that I have so many very special theatrical screenings to remember!

...I was just thinking today how much I'd love to see MYSTERY STREET (1950) on a big screen. Ricardo Montalban plays a Boston police detective who works with a forensic specialist at Harvard (Bruce Bennett) to solve a murder mystery. It's on TCM on April 18th.

...Last September I revisited PAT AND MIKE (1952) for the first time in decades and was pleased to rediscover what a good movie it is. Spencer Tracy and Katharine Hepburn star, directed by George Cukor. The air date is April 20th.

...I've revisited a number of MGM musicals in recent months thanks to new Warner Archive Blu-ray releases. One of them was THE PIRATE (1948) starring Gene Kelly and Judy Garland, directed by Vincente Minnelli. It would be worth watching if only for the stunning Technicolor visuals! It will be shown April 21st.

...PRIDE AND PREJUDICE (1940) was another old favorite revisited in 2020, and seeing it again was an absolute joy. It was perfect timing to revisit a special film like this one during the pandemic. Greer Garson and Laurence Olivier lead a marvelous cast. TCM is showing it on April 22nd.

...Movies don't come much more perfect than RANDOM HARVEST (1942), airing on April 23rd. I have never reviewed this one here but I've enjoyed it many times. Greer Garson is again the leading lady, costarring Ronald Colman and Susan Peters.

...One of my top most favorite movies, SEVEN BRIDES FOR SEVEN BROTHERS (1954), will be shown on April 24th. Some of the best dancing ever put on screen! Jane Powell and Howard Keel head the talented cast.

...One of the most recent MGM musical Blu-rays I've reviewed is SHOW BOAT (1951). It's my favorite version of the musical, showing on TCM April 25th.

...I haven't mentioned a non-musical Western yet this month, and they don't come any better than STAGECOACH (1939) on April 26th.

...I really like the suspense film THE STRANGER (1946), starring Loretta Young, Orson Welles, and Edward G. Robinson, directed by Welles. It's on April 27th.

...SWING TIME (1936) is one of a few Fred Astaire-Ginger Rogers movies showing this month, and it's also one of their very best. It's showing the 28th.

...The Ernst Lubitsch gem TO BE OR NOT TO BE (1942) is on April 29th, starring Jack Benny and Carole Lombard.

...Roy Rogers' first big film was UNDER WESTERN STARS (1938), which I saw at the 2018 Lone Pine Film Festival. It's showing on April 30th. The score includes "Listen to the Rhythm of the Range" and the Oscar-nominated "Dust."

...The festival closes out on May 1st, and among the final titles is William Wyler's classic version of WUTHERING HEIGHTS (1939) starring Laurence Olivier, Merle Oberon, David Niven, and Geraldine Fitzgerald.

For more on TCM in April 2021, please visit my Quick Preview of TCM in April or TCM's online schedule.

For those who may be interested, this year the Academy Awards ceremony is Sunday, April 25th.

Happy movie viewing!

Tuesday, March 30, 2021

Tonight's Movie: My Favorite Blonde (1942) - A Kino Lorber Blu-ray Review

MY FAVORITE BLONDE (1942) is one of a trio of Bob Hope films released on Blu-ray this month by Kino Lorber.

I've previously reviewed the other two films, CAUGHT IN THE DRAFT (1941), costarring Dorothy Lamour, and NOTHING BUT THE TRUTH (1941), also starring Paulette Goddard.

I first saw MY FAVORITE BLONDE (1942) on VHS over a decade ago, in 2010, and I enjoyed circling back to it thanks to the new release. Having seen a number of Hope films in the intervening years, I think MY FAVORITE BLONDE is one of his best.

Hope plays Larry Haines, a vaudeville performer in New York whose partner Percy, a penguin (!), has just received an offer from Hollywood.

Into Larry's life -- or more specifically, his dressing room -- bursts elegant Madeleine Carroll as Karen Bentley, a British spy hiding from Nazi agents.

Larry ends up on the run with Karen -- initially reluctantly, but soon he's all in, helping Karen in her race to get critical secret documents to Los Angeles. It's a true "couple on the run" movie, as they are chased by both Nazis and police as they travel west via planes, trains, and automobiles, with a bus thrown in for good measure.

I like Hope best when he plays a more grounded character, as he does here. There's plenty of comedy, but most of it is plot-based, rather than Hope just firing off wisecracks. Along with the comedy -- and there are some very funny bits -- he has the chance to play some more serious moments, including a real love scene.

Carroll (THE 39 STEPS, THE PRISONER OF ZENDA) is lovely as the plucky spy, who bravely soldiers on despite constant threats to her life. That said, somehow she's not savvy enough to keep an eye on an airplane's gas tank, but in a way it works; otherwise she'd be almost too perfect to be believable opposite Hope's giddy yet resourceful Larry. They have excellent chemistry.

Behind the cameras, Carroll's sister had died in the London Blitz in October 1940, and as I wrote in my original review, perhaps that contributed to her looking a bit worn at times in this movie, which was shot beginning in November 1941, when Carroll was 35. She's still quite beautiful, of course, but her tiredness seems noticeable in certain scenes.

Carroll married Sterling Hayden shortly before the release of MY FAVORITE BLONDE, but the newlyweds spent much of the war years apart, with Hayden serving in the OSS and Carroll engaged in various activities in support of the war effort, including serving as a Red Cross nurse in Europe. After MY FAVORITE BLONDE she would not return to the screen until 1947, and the same was true of Hayden, whose last film before wartime service was BAHAMA PASSAGE (1941), costarring Carroll. They divorced soon after the war ended, in 1946.

MY FAVORITE BLONDE was directed by Sidney Lanfield and filmed in black and white by William C. Mellor. It runs 78 well-paced minutes.

The large supporting cast includes Gale Sondergaard, George Zucco, Walter Kingsford, Edward Gargan, Dooley Wilson, Nell Craig, and additional familiar faces. The hit-and-run victim seen briefly early in the film was played by Teala Loring, older sister of Debra Paget.

Kino Lorber's attractive Blu-ray is from a new 2K master. Sound quality is excellent. The disc includes a commentary by Samm Deighan and the trailer, plus 10 additional Hope/Carroll trailers.

I've reviewed several additional Bob Hope films released on Blu-ray by Kino Lorber Studio Classics: THE CAT AND THE CANARY (1939), THE GHOST BREAKERS (1940), THE PALEFACE (1948), and SON OF PALEFACE (1952).

Thanks to Kino Lorber for providing a review copy of this Blu-ray.

New Western RoundUp Column at Classic Movie Hub: Will Penny (1967)

My latest Western RoundUp column was posted today at Classic Movie Hub!

This month I wrote about a new-to-me Western, WILL PENNY (1967), starring Charlton Heston and Joan Hackett.

I enjoyed seeing and writing about this film and invite my readers to click over to Classic Movie Hub to read more.

As always, I deeply appreciate everyone who takes the time to visit and leave comments on my Western RoundUp posts!

Previous Classic Movie Hub Western RoundUp Column Links: June 2018; July 2018; August 2018; September 2018; October 2018; November 2018; December 2018; January 2019; February 2019; April 5, 2019; April 30, 2019; May 2019; June 2019; July 2019; August 2019; September 2019; October 2019; November 2019; December 2019; January 2020; February 2020; March 2020; April 2020; May 2020; June 2020; July 2020; August 2020; September 2020; October 2020; November 2020; December 2020; January 2021; February 2021.

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