Around the Blogosphere This Week...
The column will return next weekend on Saturday, July 5th.
For recent links of interest to classic film fans, please check out my January 21st column.
The column will return next weekend on Saturday, July 5th.
For recent links of interest to classic film fans, please check out my January 21st column.
My picks this summer will include MIDNIGHT (1939) and THE BIG HEAT (1953).
Happy shopping!
Extras consist of a commentary track by Western experts C. Courtney Joyner and Henry Parke; the trailer, newly mastered in 2K; and a gallery of four additional trailers for other Audie Murphy films available from Kino Lorber.
Thanks to Kino Lorber for providing a review copy of this Blu-ray collection.
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Patten was born and died in Long Beach, California, where I was born myself; sadly, she was only 57 when she passed away in 1996.
It's also fun to see Shelley Fabares as Jimmy's little sister; this was a couple years ahead of Fabares' appearance in the ANNETTE (1958) serial on THE MICKEY MOUSE CLUB, not to mention THE DONNA REED SHOW (1958-64).
The inclusion of Johnny Grant, a longtime Southern California fixture, gives the movie a "Los Angeles" vibe. The cast also includes Sal Mineo, George "Foghorn" Winslow, Rod McKuen, and Walter Reed.In addition to the enjoyable songs by Mancini and Troup, Sonny Burke wrote the title tune. McKuen cowrote one of the songs with Troup; another song was written by Phil Tuminello.
The Blu-ray print is from an HD master from a 4K scan of the 35mm original camera negative. There's nothing particularly notable about the cinematography by George Robinson, but it's a nice, crisp print which is a pleasure to view.
Extras include a commentary track by David Del Valle; the trailer, newly remastered in 2K; and a gallery of five additional trailers for other films available from Kino Lorber.
I'm very appreciative of Kino Lorber making a relatively unknown film like ROCK, PRETTY BABY available for discovery by new audiences. I liked it and will enjoy it again in the future.
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
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Can handsome young Dr. Rampion save the world from Dr. Sorenson's mess while also winning back Maggie? Stay tuned...
The plot is absurd for many reasons -- as I wrote in 2010, my daughter who studied geohazards was overcome with gales of laughter at various points -- yet for all of the silliness, it's somehow also a very good movie!
The overall story is quite unique, and viewers can always count on Andrews to give a part his all. The plot may be wild at times, including Sorenson's sudden need for dark glasses (?) and gloves, but Andrews plays it absolutely sincerely. Everything in Sorenson's world is dying, and Andrews is quite interesting in the role.Scott is sweet as the young bride who genuinely loves her husband and can't understand why he's refusing to contemplate having a baby. She's genuinely hurt when he begins shutting her out, and it's understandable when she begins to turn back to her earlier love, Dr. Rampion. Maggie and Rampion are sympathetic characters, as evidenced by their reactions when they learn the truth about her husband's condition.
The special effects are quite good, and the movie as a whole is visually engaging. I quoted RHSmith from the now-defunct TCM Movie Morlocks site in my review over 14 years ago, and what he said about the film is so charming I want to repeat it here, although there's no longer a link for it: "This is just a neat movie...It has Walkie Talkies and binoculars and Jeeps and helicopters and trains and laboratories full of gauges and dials and beakers full of colorful liquids, it has warheads and flame retardant suits and explosions and lava and just everything." And it's all great fun to look at!This is quite an entertaining 96 minutes, directed by Andrew Marton and filmed by Manuel Berenguer. It was written by John Manchip White and Julian Zimet from White's story.
The very nice-looking Blu-ray print is from a new HD master from a 4K scan of the original 35mm camera negative.Kino Lorber's Special Edition release of this film includes a cardboard slipcase and reversible cover art; a commentary track by Gary Gerani; on-camera discussions with Tim Lucas and Stephen R. Bissette which run 70 minutes in total; and two trailers for other films available from Kino Lorber.
Sci-fi fans in particular will want to check this one out. It's great fun, and I recommend it.
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
It's somewhat amazing to me, given that I'm a big fan of musicals, that I'd never seen RHAPSODY IN BLUE before. It was never a short film, and it's even longer now, but I found it enjoyable from start to end.
Despite the length, this tribute to composer Gershwin (Robert Alda) is somewhat light on plot, though it does include the usual '40s musical bio nonsense of working in not one but two make-believe romances for Gershwin; Joan Leslie (dubbed by Sally Sweetland) is a musical star and Alexis Smith an elegant divorcee he meets in Europe. (It's a fun side note that just a year later, Smith would play Cole Porter's wife in NIGHT AND DAY.)Instead, after a brief look at Gershwin's childhood, the film mostly focuses on the steady progression of his career, which provides hooks for the performances of a great many songs from the Gershwin musical songbook, along with his concert compositions.
The most striking numbers for me were perhaps Gershwin's best-known pieces, "Rhapsody in Blue" and "An American in Paris." Alda's performance of "Rhapsody in Blue" was dubbed by Gershwin's good friend Oscar Levant, who appears in the film as himself. I especially loved the presentation of "An American in Paris" to a montage of Paris sights, as well as taxi drivers; it was perfect.Several cast members play themselves, including not only Levant, but Al Jolson, George White, Hazel Scott, Rouben Mamoulian, and Paul Whiteman. Anne Brown, who played Bess in the original Broadway cast of PORGY AND BESS, sings a haunting rendition of "Summertime."The movie was directed by Irving Rapper and filmed in black and white by Sol Polito. The screenplay was written by Howard Koch and Elliot Paul from a story by Sonya Levien; it was also worked on by uncredited writers including Clifford Odets and Robert Rossen.
The excellent restored Warner Archive Blu-ray print is a new 1080p HD master from a 4K scan of the original nitrate negative and "nitrate lavender" (that latter term was new to me).Disc extras include the previously mentioned roadshow overture, which is set up to play before the film; the trailer; and a song selection menu, a nicety which is always greatly appreciated.
Classic film fans, and film history in general, owe a debt to the Warner Archive Collection for not only releasing beautiful Blu-ray prints, but in some cases restoring long-missing footage. In addition to RHAPSODY IN BLUE, other examples of Warner Archive releases with restored "found" footage include THE MAN I LOVE (1946) and THEY WON'T BELIEVE ME (1947).
Recommended.
Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from Movie Zyng, Amazon, and other online retailers.
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August 1: Lana Turner
August 2: Christopher Plummer
August 3: Audrey Hepburn
August 4: Howard Keel
August 5: Claude Rains
August 6: Judy Garland
August 7: Ruby Dee
August 8: James Garner
August 9: Elizabeth Taylor
August 10: Clark Gable
August 11: Glenda Farrell
August 12: Pedro Armendariz
August 13: Shirley MacLaine
August 14: Sterling Hayden
August 15: Janet Leigh
August 16: Charles Bronson
August 17: Jennifer Jones
August 18: James Gleason
August 19: Hedy Lamarr
August 20: James Cagney
August 21: Patricia Neal
August 22: Frank Sinatra
August 23: Gina Lollobrigida
August 24: Henry Fonda
August 25: Shirley Jones
August 26: Tom Courtenay
August 27: Joan Crawford
August 28: Donald O'Connor
August 29: Alexis Smith
August 30: Kirk Douglas
August 31: Irene Dunne
...Please note that Around the Blogosphere This Week will not appear next week on Saturday, June 28th, when I'll again be traveling.
...For additional recent links of interest to classic film fans, please visit my June 7th column.
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