Around the Blogosphere This Week

Another wonderful TCM Classic Film Festival has now come to an end!
I'll follow my usual routine of adding links to this paragraph as additional 2023 TCM Classic Film Festival posts go up, so that access to all of this year's coverage may be found in one place: The 2023 TCM Classic Film Festival: Day One; The 2023 TCM Classic Film Festival: Day Two; The 2023 TCM Classic Film Festival: Day Three; The 2023 TCM Classic Film Festival: Day Four; The 2023 TCM Classic Film Festival: Day Five.
Previously: TCM Announces 2023 Festival Dates and Theme (October 18, 2022); 2023 TCM Classic Film Festival Announcements (November 11, 2022); Around the Blogosphere This Week (Russ Tamblyn announcement) (January 14, 2023); Latest 2023 TCM Classic Film Festival Announcements (January 25, 2023); New TCM Classic Film Festival Announcements (February 16, 2023); Latest TCM Classic Film Festival Announcements (March 4, 2023); TCM Classic Film Festival Announces Opening Night Movie (March 15, 2023); The 2023 TCM Classic Film Festival Schedule (March 29, 2023); Coming Soon! (April 12, 2023).
Roundups containing all links to coverage of past TCM festivals: The 2013 TCM Classic Film Festival in Review, The 2014 TCM Classic Film Festival in Review, The 2015 TCM Classic Film Festival in Review, The 2016 TCM Classic Film Festival in Review, The 2017 TCM Classic Film Festival in Review, The 2018 TCM Classic Film Festival in Review, The 2019 TCM Classic Film Festival in Review, and The 2022 TCM Classic Film Festival in Review.
Wednesday's festivities include the annual media reception. The festival itself officially begins on Thursday, April 13th, and runs through Sunday, April 16th.
The outline of my tentative festival schedule may be read here.
Please follow me on Twitter for "as it happens" updates and photos. I also recommend visiting the Twitter hashtag #TCMFF to see a wide variety of Tweets on the event.*Photo posts on visits to Forest Lawn Hollywood Hills and San Fernando Mission Cemetery. (Update: Links may be found here, here, and here.)
*Photo posts on the opening day of Disneyland's renovated Toontown and the upcoming Throwback Nite party.
*My contribution to the Master of Suspense Blogathon in late April. (Update: Here's my review of THE PARADINE CASE.)
*Over at Classic Movie Hub, my next post will be a new "memorial tour" of the final resting places of Western movie stars. (Update: Here's that column!)
*And, as always, look for plenty of Blu-ray, DVD, and book reviews in the coming weeks, along with classic film news roundups.
Thanks for reading!
TweetMy latest Western Roundup column is now up at Classic Movie Hub!
DOUBLE CROSSBONES (1951), a comedy-adventure from Universal Pictures, was just released on Blu-ray by Kino Lorber.
It's not a great film, but it's a mildly amusing 76 minutes thanks to a great cast and Universal's typically colorful production values.
The fun begins with opening narration by Jeff Chandler. Donald O'Connor plays Davey, a store clerk in the Carolinas who's sweet on Lady Sylvia (Helena Carter), ward of the governor (John Emery).
Long story short, Davey ends up an accidental pirate; meanwhile it turns out that the governor, who wants to marry Sylvia, is actually the mastermind behind a series of pirate attacks at sea.
Will Davey thwart the governor and win the fair Sylvia? What do you think?The movie, scripted by Oscar Brodney, is on the slight side, but there's a wonderful cast, starting with Charles McGraw as a pirate frequently annoyed with Davey. Brassy Hope Emerson (WESTWARD THE WOMEN) is a lady pirate, and Will Geer is Davey's loyal pal Tom.
When Davey and Tom set free some men in debtor's prison, one of them just happens to be a young James Arness. Also in the cast are Alan Napier, Glenn Strange, Robert Barrat, Stanley Logan, and Frank Puglia.
I don't find O'Connor a particularly romantic hero, but he handles the physical antics well and manages to work in a little dancing as well.
I enjoy Helena Carter, who only made 13 films; I've now seen six, the next most recent being INVADERS FROM MARS (1953), and I'd like to see the rest. INVADERS FROM MARS was her final film. She passed on in 2000, at the age 76.DOUBLE CROSSBONES was directed by Charles Barton and filmed by Maury Gertsman. The jaunty musical score was by Frank Skinner.
The Kino Lorber Blu-ray print is absolutely lovely, showing off Universal's trademark candybox Technicolor at its best.
Disc extras consist of a gallery of five trailers for other films available from Kino Lorber, and a commentary track by Lee Gambin and actor Gary Frank (FAMILY).
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
TweetVery best wishes for a happy Easter Sunday!
Disc extras consist of the trailer; a gallery of four additional trailers for films starring McCrea or De Carlo; and a commentary track by Toby Roan of 50 Westerns From the 50s.
This is an enjoyable film which I can attest has good rewatch value. A very nice release from Kino Lorber which I'm sure to watch again in coming years.
Coming soon: A review of another De Carlo Universal Pictures Western released by Kino Lorber, TOMAHAWK (1951).
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
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Kino Lorber's Blu-ray is simply beautiful. This is a great way to see the movie.
Disc extras include the trailer; a gallery of 15 additional Hope trailers plus a Hope promo produced by Kino Lorber; and a commentary track by Michael Schlesinger.
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
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Festival producer and host Alan K. Rode will present 13 films between Thursday evening and Sunday afternoon, including a "bonus" film early Saturday morning. That special presentation will be for festival passholders only. Tickets to the other films at the festival may be purchased individually by non-passholders.
This year's guests are David Ladd (son of Alan), Victoria Mature (daughter of Victor), Nicholas von Sternberg (son of Josef), and producer/director James B. Harris.To say that I'm excited about this schedule is an understatement. There are five films I've never seen before in any format, and three more I've seen at home, but never on a big screen. The other five films I've seen theatrically, but in most cases it's been a number of years.
Opening night on the 11th will feature Stanley Kubrick's THE KILLING (1956), with Sterling Hayden and Coleen Gray heading a marvelous cast. The evening's guest, James B. Harris, who is now in his 90s, was the film's producer. This promises to be quite a special event. A reception will follow the screening and interview.
Friday morning, May 12th, will kick off with MGM's DIAL 1119 (1950), Marshall Thompson heading a strong cast which includes a personal favorite of mine, Andrea King.
Next comes the excellent "Western noir" BLOOD ON THE MOON (1948) with Robert Mitchum topping another great cast. The screening will be preceded by Alan Rode signing his new book on the film from University of New Mexico Press.Friday rounds out with a pair of classics, THE NAKED CITY (1948) and THIS GUN FOR HIRE (1942). The latter film stars Alan Ladd, whose son David will be interviewed at the screening.
The special "early bird" passholder screening Saturday morning, May 13th, is a 35mm restoration of THE DEVIL THUMBS A RIDE (1947) starring Lawrence Tierney.
It's followed by the Poverty Row cult film DECOY (1946), which somehow I've never seen, and THE BIGAMIST (1953), which was directed by and stars Ida Lupino, along with Edmond O'Brien and Joan Fontaine. THE BIGAMIST will be shown in a 35mm print from UCLA, where I saw the film half a decade ago.
Next comes Alan Ladd in APPOINTMENT WITH DANGER (1950), and a busy movie day concludes with Gene Tierney, Walter Huston, and Victor Mature in THE SHANGHAI GESTURE (1941), shown in a restored 35mm print. Director Josef von Sternberg's son Nicholas and costar Mature's daughter Victoria are special guests.The festival wraps on Sunday, May 14th, with Barbara Stanwyck in THE LADY GAMBLES (1949), followed by SCANDAL SHEET (1952), starring Broderick Crawford and Donna Reed, directed by Phil Karlson. The festival concludes with the classic DOUBLE INDEMNITY (1944).
The Arthur Lyons Film Noir Festival is always a highly enjoyable experience. I look forward to it each year and very much recommend attending.
For a look at past Arthur Lyons Film Noir Festival coverage, please visit these links: 2015, 2017, 2018, 2019, 2021, and 2022.
Update: The 2023 Arthur Lyons Film Noir Festival in Review.
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I'LL CRY TOMORROW was directed by Daniel Mann and filmed in widescreen black and white by Arthur E. Arling.
The supporting cast includes Virginia Gregg, Veda Ann Borg, Robert Dix, Don "Red" Barry, and Tol Avery.The Warner Archive Blu-ray print is excellent, with strong sound. Disc extras include the trailer; a 20-minute short starring Roth, STORY CONFERENCE (1934); excerpts from the MGM PARADE TV show; a newsreel; and a song selection menu.
Thanks to the Warner Archive for providing a review copy of this Blu-ray. Warner Archive Blu-rays may be ordered from the Warner Archive Collection Amazon Store and other online retailers.
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Disc extras are a commentary track by Samm Deighan; the trailer; and a gallery of five trailers for other films starring either Ladd or Walker. There is also reversible cover art; both designs are shown in this review.
For a bit more on this film, please visit my review from 2011.
Thanks to Kino Lorber for providing a review copy of this Blu-ray.
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